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Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
...Burglind Jungmann Copyright © Asia Society 2011 Sin Sukju’s Record on the Painting Collection of Prince Anpyeong and Early Joseon Antiquarianism burglind jungmann University of...
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Published: 01 April 2018
Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing University, Xuzhou Beidongshan , 8. Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing More
Image
Published: 01 April 2018
Figure 12. Site map of the tomb of Prince Jing of Zhongshan. From Zhongguo shehui kexueyuan kaogu yanjiusuo and Hebeisheng wenwu guanlichu, Mancheng Hanmu , 8. Figure 12. Site map of the tomb of Prince Jing of Zhongshan. From Zhongguo shehui kexueyuan kaogu yanjiusuo and Hebeisheng wenwu More
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Published: 01 October 2017
Figure 25. Sculptural panels depicting Life Story episode of prince's encounter with aged man (top), and the Śibi jātaka (bottom), in circumambulation gallery, Borobudur, Java, ninth century. Photograph: author, 1986. Figure 25. Sculptural panels depicting Life Story episode of prince's More
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
...Molly Emma Aitken Abstract Nineteenth-century court painters in India's princely states reconfigured traditional portraiture to address British, Indian courtly and local values and conventions. At Bikaner, a father and son, Rahim and Chotu, experimented with a number of different styles and...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 113–133.
Published: 01 April 2008
..., and so forth. Daewang Jeongreung gaejang euigwe), is dated to 1600; These records were written exclusively in Chinese char- the latest euigwe documents the wedding of the crown acters, but combined both literary Chinese and the prince who became Emperor Sunjong (Hwangtaeja garye unique Korean...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 119–163.
Published: 01 October 2014
... Nara. It was origi- the north and the Central Gateway 中門 (Chu¯ mon) to nally built in the early seventh century as Ikarugadera the south.3 by a royal prince named Umayato no Toyotomimi 厩戸 On each side of the first story of the pagoda, there is 1 (574–ca. 622). Ikarugadera...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... form Like the child prince, a disembodied hand (Fig. 7), of Khasarpana Lokes´vara displayed below the monu- once the left hand of a colossal thirteenth-century Japanese ˙ mental Kelly composition (Fig. 11). Buddha, did double duty in the gallery, in this case as both...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 23–49.
Published: 01 April 2007
... annihilated the as a practical necessity, Huan retained a descendant of Erzhu clan circa 530, but had once commented to a the Wei court on the throne, suggesting that he recog- friend, ‘‘As long as the Prince [Gao Huan] lives, I don’t nized the symbolic power of tradition, embodied by the dare differ with...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 67–86.
Published: 01 April 2018
...Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing University, Xuzhou Beidongshan , 8. Figure 11. Diagram of the tomb of the Prince of Chu. Xuzhou Museum and Archaeology Division, Department of History of Nanjing...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 165–178.
Published: 01 October 2013
... Bongwan the walls of the corridor in Buddhist Shrine 5 in Mı¯ra¯n.7 4051 from the NMK collection was originally part of a The photo that Ueno based her identification on shows Winged Celestial mural. More specifically, it seems to a scene of Prince Vis´vantara leading a white elephant contain the tips of...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 179–187.
Published: 01 October 2013
..., Zhejiang. After serving in the Yuyongjian 182 ARCHIVES OF ASIAN ART for a period of time, he received his first official title of as imperial guard for Zhu Qiyu (the future Jingtai em- Jinyizhengqianhu (Battalion Commander of peror) when Zhu Qiyu was still the Prince of Cheng in the...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
... associated the early twentieth century from the so-called library with wisdom, Man˜jus´rı¯ was one of the major bodhisattvas cave, Mogao Cave 17. Previous scholarship interro- of the Buddhist pantheon. Commonly depicted as a young gated the relationship between a particular genre of prince, his new...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 99–100.
Published: 01 April 2012
... was exemplified by the nature of the objects interred ‘‘Reflections of the Buddha’’ Workshop within the sculpture of Standing Prince Sho¯ toku at Age Katherine Brooks Two (Fig. 14), which greeted the visitor upon entry to...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 107–151.
Published: 01 April 2016
... 童子 HUI-CHI LO Wu Bin’s Album of the Twenty-five Dharma-gates 111 Names in Old Identifications Proposed Identifications The S´ u¯ ramgama Sutra ˙ Bhaisajyara¯ja and Bhaisajyasamudgata˙ Dharma˙ Princes...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 81–103.
Published: 01 April 2009
... allusions the Ra¯jput courts, where they had served fairly clear are a hodgepodge. Appropriate to his identity, the prince purposes. and his attendants wear Persian dress and several look Seventeenth-century narrative paintings produced out at the viewer, revealing soft, round faces like those for the Ra...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 1–24.
Published: 01 April 2017
...), the wife of Tokugawa Tsunanari 徳川綱誠 (1652–1699) of the Owari branch. She was born in Owari to an imperial prince and a daughter of Tokugawa Yoshinao 徳川義直 (1601–1650), the first head of the branch (so Nii and Tsunanari were cousins). An inventory of her belongings lists many books, among them the...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 153–185.
Published: 01 October 2016
... crowned king in 1824, spatial and decorative niche as the glass paintings in Prince Chetsadabodin (as he was then titled) had a guid- the other temples (Fig. 5).13 Apart from these sets in ing hand on the reins—and, more important, the purse very significant state temples, and a few other examples...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
... foliage and clothing is, in some cases, identical. A dis- together under Prince Murad in the Deccan. In 1586 tinctive turban, its folds heavily outlined, recurs in both and then again from 1604 to 1611, Raja Rai Singh the Laud Album and in Fazl’s Razmna¯ ma pages, as does served as the su¯ bahda¯ r...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 51–80.
Published: 01 April 2016
... panels, the court painter Kim painter when Kim painted his portrait while he was still Hong-do was entrusted with painting the scenes of crown prince in 1773, and subsequently he entrusted the special court celebration honoring King Yeongjo in all matters concerning painting to Kim Hong-do. This 1765...