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Published: 01 October 2018
Figure 1. Portrait of Stephen W. Bushell (1844–1908). Artwork in public domain. Photograph: courtesy of Wellcome Collection. Figure 1. Portrait of Stephen W. Bushell (1844–1908). Artwork in public domain. Photograph: courtesy of Wellcome Collection. More
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Published: 01 April 2017
Figure 5. Attributed to Rahim, portrait inscribed “Mamdu” on the reverse, Bikaner, 1860s–70s. Lampblack ( siyahi ) on paper ( warqa ), 22.3 × 16.6 cm. Private collection. Figure 5. Attributed to Rahim, portrait inscribed “Mamdu” on the reverse, Bikaner, 1860s–70s. Lampblack (siyahi) on paper More
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Published: 01 April 2017
Figure 10. Detail of inscription on a portrait of Maharaja Ratan Singh, Bikaner, 1860s–80s. In Rahim handwriting: “Shri Bara Hazur Syahvar Khakho” (drawing on khakha [pin-pricked composition] of His Majesty). Lampblack on paper. Private collection. Figure 10. Detail of inscription More
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Published: 01 April 2017
Figure 16. Gaj Mahal (room in the Bikaner Palace); portrait of Sardar Singh, probably by Rahim, visible in the upper right over the bangala -roofed arch, albumen print, 1935–45. Udaipur Palace Collection, 2016.T.0001. Photograph: courtesy of Museum Archives of the Maharanas of Mewar, © MMCF More
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Published: 01 April 2017
Figure 12. Detail of Master Cui (China, n.d.), A Group Portrait of Luo Qilan, Qian Lin, and Cao Ciqing , ca. late 18th century. [Mounted after You Zhao and Wang Gong, Yuan Mei and His Female Students .] Handscroll, ink and color on silk, 41 × 302.5 cm. Private collection. Photograph: © More
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Published: 01 April 2017
Figure 4. Shitao (1642–1707), Peonies . Leaf D from Album of Flowers and Portrait of Shitao , ca. 1698. Album leaf, ink and color on paper, 32.7 × 46 cm. Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Gift of Arthur M. Sackler, S1987.207.4. Figure 4. Shitao (1642–1707 More
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Published: 01 October 2017
Figure 10. Portrait (detail of hair ornament), China, 1900–1950. Gouache on pith. Conservation Department Study Collection, Asian Art Museum of San Francisco. Photograph: © Asian Art Museum. Figure 10. Portrait (detail of hair ornament), China, 1900–1950. Gouache on pith. Conservation More
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Published: 01 October 2017
21. Goseda Yoshio (Japanese, 1864–1943), Portrait of Tsuda Umeko , Meiji era (1868–1912), ca. 1893–1912. Painting on silk in mineral pigments, sumi ink, and clamshell gesso, 93 × 74.9 cm. Harn Museum of Art, 2015.15. Museum purchase, funds provided by the Kathleen M. Axline Acquisition More
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Published: 01 October 2020
Figure 6. Portrait of Okuhara Seiko , Meiji period, 1870s. Albumen photograph mounted on paper card; photograph 8.3 × 5.3 cm, overall 9.8 × 5.9 cm. Private collection. Photograph: Yurika Wakamatsu. Figure 6. Portrait of Okuhara Seiko, Meiji period, 1870s. Albumen photograph mounted on paper More
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Published: 01 April 2018
Figure 2. Postage stamp issued in 2000 by Korea Post with an imagined portrait of Sin Saimdang based on a painting by Kim Ŭnho (1892–1979). Photograph: courtesy of Korea Post. Figure 2. Postage stamp issued in 2000 by Korea Post with an imagined portrait of Sin Saimdang based on a painting More
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Published: 01 April 2019
Figure 6. Zhu Henian (Chinese, 1760–1834), Copy of the Portrait of Su Shi by Li Gonglin , late eighteenth century. Ink on paper, 26.6 × 16 cm. Shanghai Museum, Shanghai. From Su Wenzhong Tianji Wuyun tie zhenqi . Figure 6. Zhu Henian (Chinese, 1760–1834), Copy of the Portrait of Su Shi by Li More
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Published: 01 April 2019
Figure 7. Zhu Henian (Chinese, 1760–1834), Portrait of Su Shi after Zhao Mengjian , late eighteenth century. Hanging scroll, ink on paper, dimensions unknown. Whereabouts unknown. From H. Kim, “Chu’sa Kim Chŏng-hŭi ka suyonghan Ong Panggang sojang So Sik chinyŏng,” 131. Figure 7. Zhu Henian More
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Published: 01 April 2019
Figure 8. Zhu Zhifan (Chinese, jinshi 1595), Portrait of Su Shi in Rustic Attire , 1619. Hanging scroll; ink on paper, 92 × 29 cm. Guangdong Provincial Museum, Guangzhou. Figure 8. Zhu Zhifan (Chinese, jinshi 1595), Portrait of Su Shi in Rustic Attire, 1619. Hanging scroll; ink on paper, 92 More
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Published: 01 April 2019
Figure 12. Hŏ Ryŏn (Korean, 1807–1892), Portrait of Kim Chŏnghŭi in the Guise of Su Shi in Rustic Attire . Hanging scroll; ink and color on paper, 51 × 24 cm. AmorePacific Museum of Art, Seoul. Figure 12. Hŏ Ryŏn (Korean, 1807–1892), Portrait of Kim Chŏnghŭi in the Guise of Su Shi in Rustic More
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Published: 01 October 2021
Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng , 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art Museum, Beijing. Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng, 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art More
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Published: 01 October 2021
Figure 23. Conventionalized portrait of Mahārāṇā Karan Singh, Mewar, ca. 1700. Cloth, 196 × 142 cm. Photograph: © The Trustees of the British Museum. Figure 23. Conventionalized portrait of Mahārāṇā Karan Singh, Mewar, ca. 1700. Cloth, 196 × 142 cm. Photograph: © The Trustees of the British More
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Published: 01 October 2021
Figure 19. Portraits of Bāppā Rāvala's descendants and select deeds performed by them, scroll segment, Mewar, ca. 1730–1740. Photograph: courtesy of the New York Public Library. Figure 19. Portraits of Bāppā Rāvala's descendants and select deeds performed by them, scroll segment, Mewar, ca More
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Published: 01 October 2018
Figure 2. Bhupen Khakhar, Portraits of My Mother and Father Going to Yatra (Pilgrimage) , 1971. Oil on canvas. Queensland Art Gallery, Brisbane, purchased 1988, Queensland Art Gallery Foundation Grant. Artwork: © Trustees of Bhupen Khakhar Estate. Photograph: courtesy of QAGOMA. Figure 2 More
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Published: 01 October 2021
Figure 20. Portraits of some of Bappa Rawal's descendants, scroll segment, Mewar, 1732. Photograph: courtesy of the Victoria and Albert Museum. Figure 20. Portraits of some of Bappa Rawal's descendants, scroll segment, Mewar, 1732. Photograph: courtesy of the Victoria and Albert Museum. More
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Published: 01 April 2017
Figure 2. Portraits of Bikaner rulers from Thomas Holbein Hendley, The Rulers of India and the Chiefs of Rajputana, 1550 to 1897 (London: W. Griggs, 1897). Note the portrait of Maharaja Sardar Singh at the top center. Artwork in the public domain. Figure 2. Portraits of Bikaner rulers from More