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Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 7–22.
Published: 01 April 2004
...Paul Berry Copyright © Asia Society 2004 Rethinking Shunga: The Interpretation of Sexual Imagery of the Edo Period PAUL BERRY KANSAI GAIDAI UNIVERSITY As the publication of uncensored reproductions of sexu- Pornography, Shunga and Their Use," "Bodies, Boundaries, ally...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 187–212.
Published: 01 October 2016
...Nancy Shatzman Steinhardt Abstract The Kherlen-Bars Pagoda is a little-known, undocumented monument in Dornad province of eastern Mongolia. This article argues that the pagoda was built during the period of Khitan rule in North Asia. It begins by comparing it with dated and undated pagodas of the...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 1–24.
Published: 01 April 2017
...Naoko Gunji Abstract The Heike monogatari ( Tale of the Heike ) is a warrior chronicle represented in a variety of formats: not just texts but narration, performing arts, and paintings, among others. This paper explores the elite reception of Heike paintings in the Edo period by connecting it...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... detailed studies of colonial court painting are only now emerging, and the discipline still has little sense of how developments in this period related within the princely states or with the contemporaneous visual arts of British India. This paper begins to address the disciplinary lacuna on three fronts...
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Published: 01 October 2017
2. Altar Set , China, Qing dynasty (1644–1911), Jiaqing reign mark and period. Porcelain painted in overglaze enamels (famille rose), ( a ) 27 × 15.2 cm; ( b ) 27 × 15.2 cm; ( c ) 27.3 × 27.9 cm; ( d ) 9.2 × 16.8 cm; ( e ) 27 × 15.2 cm. Art Institute of Chicago, 2016.47a–e. Charles H. and Mary More
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Published: 01 October 2017
40. Vishnu , Nepal (Kathmandu Valley), Thakuri period, dated August 12, 1105. Copper alloy with gilding, 42.9 × 18.1 × 8.9 cm. The Metropolitan Museum of Art, 2015.678. Purchase, Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest, Brooke Russell Astor More
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Published: 01 October 2017
42. Coffer with Animals and Landscapes , Japan, Momoyama period (1573–1615), late sixteenth–early seventeenth century. Lacquered wood with gold and silver hiramaki-e and mother-of-pearl inlay, 63.5 × 125 × 54.5 cm. The Metropolitan Museum of Art, 2016.508. Purchase, John and Pauline Gandel Gift More
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Published: 01 October 2017
43. Amusements in a Mansion , Japan, Edo period (1615–1868), mid-seventeenth century. Pair of six-panel folding screens; ink, color, gofun (ground shell pigment), gold, and gold leaf on paper, each 97 × 271 cm. The Metropolitan Museum of Art, 2017.37.1, .2. Purchase, Mary and James G. Wallach More
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Published: 01 October 2017
43. Amusements in a Mansion , Japan, Edo period (1615–1868), mid-seventeenth century. Pair of six-panel folding screens; ink, color, gofun (ground shell pigment), gold, and gold leaf on paper, each 97 × 271 cm. The Metropolitan Museum of Art, 2017.37.1, .2. Purchase, Mary and James G. Wallach More
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Published: 01 October 2017
45. Mokujiki Shōnin 木喰上人 (Japanese, 1718–1810), Fudō Myōō , Edo period (1615–1868), 1805. Chisel-carved ( natabori ) wood, 90 × 37 × 25 cm. The Metropolitan Museum of Art, 2016.363.1. Purchase, Friends of Asian Art Gifts, 2016. 45. Mokujiki Shōnin 木喰上人 (Japanese, 1718–1810), Fudō Myōō, Edo More
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Published: 01 October 2017
47. Vajracarya’s Ritual Crown , Nepal (Kathmandu Valley), Early Malla period, thirteenth century. Hanging scroll remounted as a two-panel folding screen, gilt-copper alloy inlaid with semiprecious stones. 30.5 × 22.9 × 21 cm. The Metropolitan Museum of Art, 2016.408. Gift of Barbara and David More
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Published: 01 October 2017
48. Figurine of a Female , Japan, Jōmon period (14,000–300 bce ), 1000–800 bce . Earthenware with traces of color, 19.37 × 13.49 × 9.84 cm. Minneapolis Institute of Art, 2016.46. The John R. Van Derlip Fund. Photograph: Minneapolis Institute of Art. 48. Figurine of a Female, Japan, Jōmon More
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Published: 01 October 2017
49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More
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Published: 01 October 2017
49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More
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Published: 01 October 2017
52. Kagawa Michiko (Japanese, b. 1928), Man-Woman-Child , Japan, Shōwa period (1926–1989), ca. 1950. Ink on paper mounted as two-fold screen, image 118.7 × 59.7 cm, mount 138.4 × 70.8 cm. Philadelphia Museum of Art, 2015–75–1. Gift of Theodore T. Newbold and Helen Cunningham in honor of Bill More
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Published: 01 October 2017
55. Shiokawa Bunrin (Japanese, 1808–1877), Rocks , Japan, Meiji period (1868–1912), 1870. Ink on paper mounted as a four-fold screen, overall, open 138.5 × 59 cm. Philadelphia Museum of Art, 2016–194–8. Purchases with the Hollis Fund for East Asian Art Acquisitions, 2016. 55. Shiokawa Bunrin More
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Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
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Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
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Published: 01 October 2017
59. Decorated Eared Cup , China, Eastern Zhou, Warring States period (ca. 470–221 bce ), third century bce . Gray ceramic with glass-paste glazes and red pigment, l. 13.6 cm. Princeton University Art Museum, 2015–6732. Museum purchase, Fowler McCormick, Class of 1921, Fund, Mary Trumbull More
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Published: 01 October 2018
Figure 18. Vase in the shape of ancient gu form, Jingdezhen, Kangxi period (1662–1722). Porcelain with copper-red glaze, h. 19 cm. British Museum, PDF A546, on loan from Sir Percival David Foundation of Chinese Art. Photograph: Andy Zhou. Figure 18. Vase in the shape of ancient gu form More