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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
...Kristen Chiem Abstract From the conquest of the Ming dynasty in 1644 by the Manchurians through the literary inquisitions of the eighteenth century, seemingly innocuous paintings of peony flowers kept alive a discourse of Ming loyalism among Chinese artists and poets. While the peony's appearance...
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Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
... the painter's inscription at the right edge, “Written by Luo Qilan, literata of Juqu.” At the top of the scroll, Wang recorded the painting's context: Three-Blossomed Flower 39 On a summer day in 1795, among the peonies in the Slender Bamboo Garden in Yangzhou, there was a single stem with three calyxes. I...
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
..., individualistic brushwork, carving a furrow for followers in a xieyi lineage and, crucially, establishing a retrospective model for modernist individualism. Consider Wu Changshi's antiquarian artworks like Peonies in a Bronze Vessel ( Figure 20 ), in which Wu painted in the flowers and added his...
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Journal Article
Archives of Asian Art (2008) 58 (1): 113–133.
Published: 01 April 2008
..., in paintings showing a scholar’s studio with branches of
Sim Ik-chang, had participated in an attempted coup blossoming plums in a vase.15 For seventeenth-century
to unseat the crown prince who later became King banquets, however, the flowers were mostly made of
Yeongjo (r. 1724–1776...
Journal Article
Archives of Asian Art (2012) 62 (1): 105–153.
Published: 01 April 2012
... Flower in honor of Dr. Stanislaw
Czuma.
116 THE CLEVELAND MUSEUM OF ART
13. Artist unknown. A Family of Tartars. India. Punjab, probably Lahore, Company School. 1885. Painting; ink, watercolor, and gold
on paper; 25.2 Â 33.7 cm. The Cleveland Museum of Art, 2011.137. Gift...
Journal Article
Archives of Asian Art (2023) 73 (1): 1–23.
Published: 01 April 2023
... indigo” ( chunshan ru dai 春山如黛). 26 In Album of Sketching from Life ( Figures 8 and 9 ), Shen washed the backgrounds of two paintings with highly diluted indigo, which has the effect of enhancing the brightness of the petals and feathers. Flower paintings in the meticulous outlined style ( gongbi...
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Journal Article
Archives of Asian Art (2019) 69 (2): 243–298.
Published: 01 October 2019
... of six paintings; ink and color on silk, each 208.59.4 cm, overall 259.7 × 356.2 cm. Norton Museum of Art, 2015.108.1 .6. Purchase, acquired through the generosity of the John and Heidi Niblack Fund. Velvet Panels from a Congratulatory Screen, Bamboo, Plum, Magnolia, Peony, Maple, Peach, Buddha s-hand...
Journal Article
Archives of Asian Art (2012) 62 (1): 69–79.
Published: 01 April 2012
...¯ ro¯ VII’s the composition, with only the flowers providing any
calligraphy, which read ‘‘settai dokoro’’ sense of context or background. Like most large-scale
reception space The hall was known as the Mimasu ema of the period, it was painted on a wooden board
三卄 Hall after the Ichikawa family...
Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
..., although the custom of hanging Song fans on the wall or pasting them on decorative screens is also known. Wen Zhenheng recommended this, noting that displaying small scenes or fan paintings of flowers and birds as hanging screens ( guaping , 挂屏—i.e., framed or inlaid images hung on the wall or arranged...
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Journal Article
Archives of Asian Art (2010) 60 (1): 95–159.
Published: 01 April 2010
... or Pakistan. Painting 1603–04; underlying page with border 1608–1623. Opaque watercolors
and gold on paper; 34.3 Â 22.5 cm. Asian Art Museum of San Francisco, 2008.64. Acquisition made possible by Richard and Kim
Beleson; The George Hopper Fitch Bequest and Dr. Mary Hunt, with additional funding from Paul...
Journal Article
Archives of Asian Art (2016) 66 (2): 153–185.
Published: 01 October 2016
... , auspicious objects, and bird-and-flower compositions were installed in temples and inspired new directions in Thai mural painting. Copyright © Asia Society 2016 glass paintings reverse glass Chinese export art Thai temples Buddhist monasteries Thai Buddhism Rama III King Nangklao Third Reign...
Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
... this was because of the availability
of European pigments.14 The color used by the Tianjin
bird-and-flower painter Zhang Zhaoxiang (1852– Fig. 6. Guiseppe Castiglione. Painting of a tiger in the
1906), whose work Liu Kuiling studied,15 for instance, collection of a certain ‘‘Bucang laoren Yumei huakan 1, no. 2...
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
..., and metalwork, but also includes gories: "Auspicious Omen Paintings" and "Auspicious
many items from the classical flower-and-bird repertory, Presentation Paintings"—the former, concentrated images
such as peony, lotus, camellia, rose, and lily; crane, pea- tightly focussed on auspicious visualization...
Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
..., as indicated by its inclusion in at least four contemporary photographic reviews of the exhibition. Just as significant, the selection of objects sets the painting apart from still lifes more typical of the day, which tend to feature fruit, flowers, or groupings of thematically related objects. The genre...
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Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
... as if they were
figures (inmul birds-and-animals (yeongmo real. There was no gentleman who did not have the
and flowers-and-grass (hwacho to eight: scholar’s accoutrements painting in his house and Kim
landscape (sansu); architecture (nugak figures Hong-do excelled in this technique.31
(inmul); birds...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... with delimiting the design profession as a specialized realm of knowledge production. Following his time in the field, Pang Xunqin produced a set of watercolor paintings and fine-line studies in a new idiom, one that was formally opposed to his earlier easel paintings. The series records the Miao people engaged...
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Journal Article
Archives of Asian Art (2007) 57 (1): 95–120.
Published: 01 April 2007
... porcelains are pointed rock, and the upper end joins the double rings
painted with such auspicious words as shou, fengtiao encircling the cylindrical neck. One shou is flanked by
yushun May you have timely wind and rain guotai two fungi, the other by bamboo and a plum tree in
min’an May the country prosper...
Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
... and stand are decorated en cloisonné with auspicious bird-and-flower motifs—pine-and-crane, butterfly-and-peonies, children on a bridge fishing for carp under cherry blossoms, and so on. A rooster stands on the drum's body, referencing the drum placed by the legendary Chinese emperor Yao at the entrance...
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