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peony flower painting

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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
...Kristen Chiem Abstract From the conquest of the Ming dynasty in 1644 by the Manchurians through the literary inquisitions of the eighteenth century, seemingly innocuous paintings of peony flowers kept alive a discourse of Ming loyalism among Chinese artists and poets. While the peony's appearance...
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Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
... the painter's inscription at the right edge, “Written by Luo Qilan, literata of Juqu.” At the top of the scroll, Wang recorded the painting's context: Three-Blossomed Flower 39 On a summer day in 1795, among the peonies in the Slender Bamboo Garden in Yangzhou, there was a single stem with three calyxes. I...
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
..., individualistic brushwork, carving a furrow for followers in a xieyi lineage and, crucially, establishing a retrospective model for modernist individualism. Consider Wu Changshi's antiquarian artworks like Peonies in a Bronze Vessel ( Figure 20 ), in which Wu painted in the flowers and added his...
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Journal Article
Archives of Asian Art (2008) 58 (1): 113–133.
Published: 01 April 2008
..., in paintings showing a scholar’s studio with branches of Sim Ik-chang, had participated in an attempted coup blossoming plums in a vase.15 For seventeenth-century to unseat the crown prince who later became King banquets, however, the flowers were mostly made of Yeongjo (r. 1724–1776...
Journal Article
Archives of Asian Art (2012) 62 (1): 105–153.
Published: 01 April 2012
... Flower in honor of Dr. Stanislaw Czuma. 116 THE CLEVELAND MUSEUM OF ART 13. Artist unknown. A Family of Tartars. India. Punjab, probably Lahore, Company School. 1885. Painting; ink, watercolor, and gold on paper; 25.2 Â 33.7 cm. The Cleveland Museum of Art, 2011.137. Gift...
Journal Article
Archives of Asian Art (2023) 73 (1): 1–23.
Published: 01 April 2023
... indigo” ( chunshan ru dai 春山如黛). 26 In Album of Sketching from Life ( Figures 8 and 9 ), Shen washed the backgrounds of two paintings with highly diluted indigo, which has the effect of enhancing the brightness of the petals and feathers. Flower paintings in the meticulous outlined style ( gongbi...
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Journal Article
Archives of Asian Art (2019) 69 (2): 243–298.
Published: 01 October 2019
... of six paintings; ink and color on silk, each 208.59.4 cm, overall 259.7 × 356.2 cm. Norton Museum of Art, 2015.108.1 .6. Purchase, acquired through the generosity of the John and Heidi Niblack Fund. Velvet Panels from a Congratulatory Screen, Bamboo, Plum, Magnolia, Peony, Maple, Peach, Buddha s-hand...
Journal Article
Archives of Asian Art (2012) 62 (1): 69–79.
Published: 01 April 2012
...¯ ro¯ VII’s the composition, with only the flowers providing any calligraphy, which read ‘‘settai dokoro’’ sense of context or background. Like most large-scale reception space The hall was known as the Mimasu ema of the period, it was painted on a wooden board 三卄 Hall after the Ichikawa family...
Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
... 16. Even though depictions of men with decorated fans are infrequent in surviving paintings, we know men owned them because many textual sources describe the fans, decorated with landscapes, fruits, and flowers, given to officials by the court. Moreover, if the absence or concealing of ornament...
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Journal Article
Archives of Asian Art (2010) 60 (1): 95–159.
Published: 01 April 2010
... or Pakistan. Painting 1603–04; underlying page with border 1608–1623. Opaque watercolors and gold on paper; 34.3 Â 22.5 cm. Asian Art Museum of San Francisco, 2008.64. Acquisition made possible by Richard and Kim Beleson; The George Hopper Fitch Bequest and Dr. Mary Hunt, with additional funding from Paul...
Journal Article
Archives of Asian Art (2016) 66 (2): 153–185.
Published: 01 October 2016
... , auspicious objects, and bird-and-flower compositions were installed in temples and inspired new directions in Thai mural painting. Copyright © Asia Society 2016 glass paintings reverse glass Chinese export art Thai temples Buddhist monasteries Thai Buddhism Rama III King Nangklao Third Reign...
Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
... this was because of the availability of European pigments.14 The color used by the Tianjin bird-and-flower painter Zhang Zhaoxiang (1852– Fig. 6. Guiseppe Castiglione. Painting of a tiger in the 1906), whose work Liu Kuiling studied,15 for instance, collection of a certain ‘‘Bucang laoren Yumei huakan 1, no. 2...
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
..., and metalwork, but also includes gories: "Auspicious Omen Paintings" and "Auspicious many items from the classical flower-and-bird repertory, Presentation Paintings"—the former, concentrated images such as peony, lotus, camellia, rose, and lily; crane, pea- tightly focussed on auspicious visualization...
Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
.... Zheng, Modernization of Chinese Art , 151, 167–68 . Much like Western art, Chinese ink painting also boasts a long tradition of intimate and delicately observed paintings of inanimate objects, and the Shanghai Academy of Art employed multiple professors who specialized in guohua flower painting...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... and difficulty. . . . The design of art education has not changed for thirty years; painting is its sole preoccupation, making token gestures at other arts, resulting in scarcely any results and little attention to craft.” 94 Soon thereafter, Shen was appointed to a museum studies department at Peking...
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Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
... as if they were figures (inmul birds-and-animals (yeongmo real. There was no gentleman who did not have the and flowers-and-grass (hwacho to eight: scholar’s accoutrements painting in his house and Kim landscape (sansu); architecture (nugak figures Hong-do excelled in this technique.31 (inmul); birds...
Journal Article
Archives of Asian Art (2007) 57 (1): 95–120.
Published: 01 April 2007
... porcelains are pointed rock, and the upper end joins the double rings painted with such auspicious words as shou, fengtiao encircling the cylindrical neck. One shou is flanked by yushun May you have timely wind and rain guotai two fungi, the other by bamboo and a plum tree in min’an May the country prosper...
Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
... and stand are decorated en cloisonné with auspicious bird-and-flower motifs—pine-and-crane, butterfly-and-peonies, children on a bridge fishing for carp under cherry blossoms, and so on. A rooster stands on the drum's body, referencing the drum placed by the legendary Chinese emperor Yao at the entrance...
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