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Journal Article
Regulating the Qi and the Xin : Xu Wei (1521–1593) and his Military Patrons
Available to Purchase
Archives of Asian Art (2004) 54 (1): 23–33.
Published: 01 April 2004
...Kathleen Ryor Copyright © Asia Society 2004 Regulating the Qi and the Xin: Xu Wei (1521-1593)
and his Military Patrons*
KATHLEEN RYOR
CARLETON COLLEGE
Many historians have viewed sixteenth-century China research has shown, hereditary military officials...
Journal Article
A Flexible Concept of Finish: Rock-Cut Shrines in Premodern India
Available to Purchase
Archives of Asian Art (2011) 61 (1): 61–89.
Published: 01 April 2011
...-stances satisfactorily explain some of this incomplete work. This article, however, addresses the significant number of unfinished works that seem unexplained by specific historical circumstances, and proposes that the concept of “finish” was flexible. The patron's prime aim was to create a monument...
Journal Article
“Structure and Subject Matter” at Dunhuang
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Archives of Asian Art (2022) 72 (2): 255–272.
Published: 01 October 2022
...) of the Dunhuang shrines for the patrons and designers are also raised. For the patrons and designers, the shrines surely provided opportunities for acts of merit-making and expressions of gratitude for good fortune. For viewers and later visitors, were the shrines coded expressions of discursive Buddhist “meaning...
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Journal Article
Art | Adrift: Curating Selves aboard Ming-Dynasty Painting-and-Calligraphy Boats
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Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
...Einor K. Cervone Abstract A floating gallery, a drifting studio where sprawling waterscapes set off artwork on display and inspire original creation—the painting-and-calligraphy boat ( shuhua chuan) may sound like a postmodern experimental installation. For its Ming patrons, however, it was nothing...
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Journal Article
King Jeongjo's Patronage of Kim Hong-do
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Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
...Kumja Paik Kim Abstract The eighteenth-century Korean painter Kim Hong-do 金弘道 (1745–ca. 1806) still dazzles today's viewers with his paintings of genre scenes and Daoist immortals, just as he astonished his contemporaries with his talent and versatility. Although he had numerous patrons, none had...
Journal Article
Hidden in Plain Sight: An Art-Historical Response to Janet Gyatso's Being Human in a Buddhist World: An Intellectual History of Medicine in Early Modern Tibet (2015)
Available to Purchase
Archives of Asian Art (2020) 70 (2): 225–244.
Published: 01 October 2020
... modes and subject types are combined in the painting set analyzed by Gyatso supporting her assessment of the innovation of the artists selected by the patron, Desi Sangyé Gyatso (1653–1705). Gyatso concedes that Buddhist imagery is plentiful among the seventy-seven plates—indeed, in looking at each...
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View articletitled, Hidden in Plain Sight: An Art-Historical Response to Janet Gyatso's Being Human in a Buddhist World: An Intellectual History of Medicine in Early Modern Tibet (2015)
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Image
Published: 01 October 2021
Figure 7. A Bhaṭṭa storyteller unfolding his kāvaḍa as he recites a narrative at a patron's home in a village in Rajasthan, 2008. Photograph: courtesy of Nina Sabnani.
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Journal Article
The Multivalent Donor: Zhang Yuanfei at Shuiyu Si
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Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
...Kate A. Lingley Copyright © Asia Society 2005 The Multivalent Donor: ZhangYuanfei at Shuiyu Si'
KATE A. LINGLEY
UNIVERSITY OF HAWAII AT MANOA
he principal difficulty in studying individual patrons of possible approach, in this case relying on the close study of
Buddhist...
Journal Article
A Man's World? Gender, Family, and Architectural Patronage, in Medieval India
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Archives of Asian Art (2003) 53 (1): 26–53.
Published: 01 April 2003
... did not efface her individual identity. In its archi-
this monument: is there any point in knowing that this tectural details her temple differs from temples sponsored
building's patron was a woman?' Readers in the twenty- by other Irukkuvels in much the same degree that those
first century...
Journal Article
Carved in Stone: The Codification of a Visual Identity for the Indo-Islamic Sultanate of Bī dj āpūr
Available to Purchase
Archives of Asian Art (2005) 55 (1): 65–78.
Published: 01 April 2005
... status of the patron, Ibrahim Rawda boasts a profusion of carved stonework,
Fig. 1. Ibrahim Rawda
complex. 1626-1633.
Bidiapar. Photograph
by author...
Journal Article
The Laud Rāgamālā Album, Bikaner, and the Sociability of Subimperial Painting
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Archives of Asian Art (2013) 63 (1): 27–58.
Published: 01 April 2013
....
as Persian, flirted with indigenous practices like vegeta- This final section turns to the growing literature in South
rianism, sponsored the construction of Hindu temples, Asian art history on cultural translation, and considers
and patronized Indian rı¯ti (a tradition of court) poetry translation...
Journal Article
Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
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Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
...-
˙
meaningfully adapted it. The Scindia chatrı¯s present the polis in the former Rajput state of Bikaner in present-
dynasty as politically legitimate through a recognizably day Rajasthan. These examples are typical of the Rajput
royal medium, but one that the Scindia patrons trans- cenotaphs, although...
View articletitled, Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
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Journal Article
Kim Hongdo's Sandalwood Garden: A Self-Image of a Late-Chosŏn Court Painter
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Archives of Asian Art (2012) 62 (1): 47–67.
Published: 01 April 2012
... University
hroughout Korea’s Choso˘n period (1392–1910), artist’s image as free and romantic, modest and cultured,
Tcourt painters were the major producers of pictures an image constructed from the somewhat conventional
for both the court and private patrons.1 As government compliments of his...
Journal Article
Distinguishing “Set” from “Series” in Tibetan Painting
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Archives of Asian Art (2014) 64 (1): 59–73.
Published: 01 April 2014
... shes, depictions), as more recent or even older pre-incarnations
1663–1737), based on the eighteenth-century Narthang of the teachers were added to the group over the years,
Monastery (snar thang dgon pa) xylograph-based series whether this was the intention of the original patron
of depictions...
Journal Article
A Standing Kannon in the Tokyo National Museum
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Archives of Asian Art (2003) 53 (1): 7–25.
Published: 01 April 2003
... to the
role of individual or institutional patrons in determining
the nature of the artwork. Patronage studies frequently
revealed fascinating new insights into the etiology of spe...
Journal Article
Expanding the Ghurid Architectural Corpus East of the Indus: The Jāgeśvara Temple at Sādaḍi, Rajasthan
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Archives of Asian Art (2009) 59 (1): 33–56.
Published: 01 April 2009
...
of Ghurid-patronized mosques, the Kaman building, in-
cluding both columns and ceilings, was also constructed
of older architectural components (Fig. 17A...
Journal Article
To Fill “a Gap in Indian History”: An Archival Reckoning with the Term Company Painting
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Archives of Asian Art (2024) 74 (1): 79–128.
Published: 01 April 2024
... participated in the production of knowledge about India; they are indelibly linked with the processes of colonialism and the dissemination of orientalist stereotypes. 20 Further, the term's nomenclature privileges the position of the Company-employed patron as visionary, benefactor, explorer, and collector...
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Journal Article
Colonial-Period Court Painting and the Case of Bikaner
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Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
... farther south, Indira Viswanathan Peterson has considered ways that multiple and mixed styles of painting, sculpture, and architecture at Tanjore under King Serfoji II (r. 1798–1832) answered diverse political allegiances and tastes. 19 Tanjore patrons and artists were generally eager to explore...
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Journal Article
Translating Sacred Space in Bijāpur: The Mosques of Karīm al-Dīn and Khwāja Jahān
Available to Purchase
Archives of Asian Art (2009) 59 (1): 57–80.
Published: 01 April 2009
...-Dı¯n to 1320 ce from the sixteenth and seventeenth centuries, I hope
and names its patron, a local governor for the Khaljı¯ to demonstrate that bringing the fourteenth-century
sultanate of Delhi, which held power from 1290 to Bija¯puri mosques out of the margins and into the center
1320...
Journal Article
Artful Agency: Imagining and Imaging Begam Samrū
Available to Purchase
Archives of Asian Art (2003) 53 (1): 54–70.
Published: 01 April 2003
... confounding the
influenced the aesthetic imagination of the elites. These borrowed norms of the landscape is the crescent formed
British artists were emulated by Indian artists who, in by the rolled-up drape, which counters the arc of her tur-
working for European or local aristocratic patrons, adopt...
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