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painting

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Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... detailed studies of colonial court painting are only now emerging, and the discipline still has little sense of how developments in this period related within the princely states or with the contemporaneous visual arts of British India. This paper begins to address the disciplinary lacuna on three fronts...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 61–82.
Published: 01 April 2017
...De-Nin D. Lee Abstract Whereas texts on painting by Chinese literati have had a profound impact on art history, women's writings are almost unknown. This article examines poems by the Qing-dynasty poet-painter Luo Qilan (b. 1755), using her as a case study to argue for a literatae tradition in...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
...Kristen Chiem Abstract From the conquest of the Ming dynasty in 1644 by the Manchurians through the literary inquisitions of the eighteenth century, seemingly innocuous paintings of peony flowers kept alive a discourse of Ming loyalism among Chinese artists and poets. While the peony's appearance...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 189–208.
Published: 01 October 2017
... (Ashtur, Deccan India, r. 1422–1436) is full of wordplay on ‘ain . Just as the inscriptions in Ahmad Shah's shrine ( khānqāh ) draw heavily on each of these meanings, its murals give sight to these ‘ain s. The paintings recognizably depict poetic allusions, and calligraphic talismans intensify each...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 59–73.
Published: 01 April 2014
...Joona Repo Copyright © Asia Society 2014 Distinguishing ‘‘Set’’ from ‘‘Series’’ in Tibetan Painting joona repo University of Helsinki Introduction Their dissemination...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 17–33.
Published: 01 April 2005
...James Cahill Copyright © Asia Society 2005 Some Thoughts on the History and Post-History of Chinese Painting JAMES CAHILL EMERITUS, UNIVERSITY OF CALIFORNIA AT BERKELEY (Note:This is a shortened form of the Haley Lecture deliv- paintings, to mean that Chinese painting underwent no...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 35–37.
Published: 01 April 2005
...Robert E. Harrist, Jr. Copyright © Asia Society 2005 A Response to Professor Cahill's "Some Thoughts on the History and Post-History of Chinese Painting" ROBERT E. HARRIST, JR. COLUMBIA UNIVERSITY Within the rhetorical framework of his essay, Professor in painting of the nineteenth...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
...Burglind Jungmann Copyright © Asia Society 2011 Sin Sukju’s Record on the Painting Collection of Prince Anpyeong and Early Joseon Antiquarianism burglind jungmann University of California, Los Angeles...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
...Molly Emma Aitken Copyright © Asia Society 2013 The Laud Ra¯ gama¯ la¯ Album, Bikaner, and the Sociability of Subimperial Painting molly emma aitken The City College of New York...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 155–163.
Published: 01 October 2013
...Hong Sunpyo Copyright © Asia Society 2013 O Sech’ang’s Compilation of Ku˘ nyo˘ kso˘ hwa sa (History of Korean painting and calligraphy) and the Publication of Ku˘ nyo˘ kso˘ hwa ching (Biographical records of Korean...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 179–187.
Published: 01 October 2013
...Hou-Mei Sung Copyright © Asia Society 2013 Rediscovering Zhang Jin and the Ming Painting Academy hou-mei sung Cincinnati Art Museum hang Jin 張錦 was the leading master of Buddhist The Ming Painting Academy...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 189–207.
Published: 01 October 2013
...Bert Winther-Tamaki Copyright © Asia Society 2013 Kitagawa Tamiji: Painting in the Pursuit of Pigmented Knowledge of Self and Other bert winther-tamaki University of California, Irvine he...
Image
Published: 01 October 2017
Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of Figure 18 , upper center), southwest corner of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author. Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of More
Image
Published: 01 October 2017
Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara, north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author. Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara More
Image
Published: 01 October 2017
Figure 7. Shrine of Ahmad Shah, hexagonal patterned wall painting. Photograph: Finbarr Barry Flood. Figure 7. Shrine of Ahmad Shah, hexagonal patterned wall painting. Photograph: Finbarr Barry Flood. More
Image
Published: 01 October 2017
58. Tosa School, Tale of Genji album of painting and calligraphy: paintings , Muromachi period (1333–1573), sixteenth century; calligraphy , Edo period (1615–1868), eighteenth century. Album (fragmentary: 12 sheets of painting, 11 sheets of calligraphy); ink, mineral colors, and gold on More
Image
Published: 01 April 2018
Figure 5. Song Siyŏl, “Colophon for Saimdang's Painting of Orchids,” in his collected works Songja taejŏn , ch. 146, 6b–7a. Photograph: courtesy of the Kyujanggak Institute of Korean Studies. Figure 5. Song Siyŏl, “Colophon for Saimdang's Painting of Orchids,” in his collected works Songja More
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
...Ankeney Weitz Abstract Chinese painted fans from the Song dynasty survive in relatively large numbers owing to the protective brocade mounts in which later collectors placed them. At the time of their initial production, however, fan paintings were meant to be held in the hand and worn on the body...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 57–86.
Published: 01 October 2015
...Jinah Kim Abstract What was the main principle behind the design strategies developed to prepare painted palm-leaf manuscripts in medieval South Asia? How did various Indic religious communities design their manuscripts? By bringing together surviving painted manuscripts of heterogeneous religious...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 239–269.
Published: 01 October 2016
...Wen-Chien Cheng Abstract This paper is a study of Song dynasty panche tu (paintings of traveling bullock carts), a unique genre combining elements of jiehua (paintings requiring the aid of measuring tools), landscape, and genre art. As early as the Five Dynasties, bullock carts were represented in...