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Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
...Cheng-hua Wang Abstract This research focuses on one of the most famous paintings made at the court of the Qing dynasty (1644–1911)— Qingming shanghe (Up the River during Qingming). Commissioned by the Yongzheng emperor (r. 1723–1735) and completed in the second year of the Qianlong emperor's reign...
FIGURES
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Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
...Burglind Jungmann Copyright © Asia Society 2011 Sin Sukju’s Record on the Painting Collection of
Prince Anpyeong and Early Joseon Antiquarianism
burglind jungmann
University...
Journal Article
Archives of Asian Art (2013) 63 (1): 27–58.
Published: 01 April 2013
...Molly Emma Aitken Copyright © Asia Society 2013 The Laud Ra¯ gama¯ la¯ Album, Bikaner, and the
Sociability of Subimperial Painting
molly emma aitken
The City...
Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
...Hong Sunpyo Copyright © Asia Society 2013 O Sech’ang’s Compilation of Ku˘ nyo˘ kso˘ hwa sa
(History of Korean painting and calligraphy) and the
Publication of Ku˘ nyo˘ kso˘ hwa ching
(Biographical...
Journal Article
Archives of Asian Art (2013) 63 (2): 179–187.
Published: 01 October 2013
...Hou-Mei Sung Copyright © Asia Society 2013 Rediscovering Zhang Jin and the Ming Painting Academy
hou-mei sung
Cincinnati Art Museum
hang Jin 張錦 was the leading master of Buddhist The Ming...
Journal Article
Archives of Asian Art (2013) 63 (2): 189–207.
Published: 01 October 2013
...Bert Winther-Tamaki Copyright © Asia Society 2013 Kitagawa Tamiji: Painting in the Pursuit of
Pigmented Knowledge of Self and Other
bert winther-tamaki
University...
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
...Ren
Wei Abstract Created around 1915, Chen Shizeng's Beijing Fengsu album represents a pictorial experiment that led to his subsequent well-known theoretical recasting of Chinese literati painting as a progressive and universally comprehensible visual language. Through an examination...
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Journal Article
Archives of Asian Art (2022) 72 (1): 1–53.
Published: 01 April 2022
...Allison R. Miller Abstract Scholars of Greek and Roman art have long recognized that many sculptures that today appear unpainted were originally covered in bright, polychrome paint. In contrast, the hallowed works of China's classical antiquity, the bronzes, are generally believed to have been...
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Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
...Einor K. Cervone Abstract A floating gallery, a drifting studio where sprawling waterscapes set off artwork on display and inspire original creation—the painting-and-calligraphy boat ( shuhua chuan) may sound like a postmodern experimental installation. For its Ming patrons, however, it was nothing...
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Journal Article
Archives of Asian Art (2014) 64 (1): 59–73.
Published: 01 April 2014
...Joona Repo Copyright © Asia Society 2014 Distinguishing ‘‘Set’’ from ‘‘Series’’ in Tibetan Painting
joona repo
University of Helsinki
Introduction...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
...James Cahill Copyright © Asia Society 2005 Some Thoughts on the History and Post-History
of Chinese Painting
JAMES CAHILL
EMERITUS, UNIVERSITY OF CALIFORNIA AT BERKELEY
(Note:This is a shortened form of the Haley Lecture deliv- paintings, to mean that Chinese painting underwent...
Journal Article
A Response to Professor Cahill's “Some Thoughts on the History and Post-History of Chinese Painting”
Archives of Asian Art (2005) 55 (1): 35–37.
Published: 01 April 2005
...Robert E. Harrist, Jr. Copyright © Asia Society 2005 A Response to Professor Cahill's
"Some Thoughts on the History and Post-History
of Chinese Painting"
ROBERT E. HARRIST, JR.
COLUMBIA UNIVERSITY
Within the rhetorical framework of his essay, Professor in painting...
Journal Article
Archives of Asian Art (2024) 74 (1): 79–128.
Published: 01 April 2024
...Holly Shaffer; Yuthika Sharma Abstract This essay examines the category of “Company” painting, shorthand for painting associated with the East India Company, which dominates the art historiography of eighteenth- and nineteenth-century South Asia. Using the archive of Mildred Archer (1911–2005...
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Journal Article
Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
... that detailed studies of colonial court painting are only now emerging, and the discipline still has little sense of how developments in this period related within the princely states or with the contemporaneous visual arts of British India. This paper begins to address the disciplinary lacuna on three fronts...
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Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
...De-Nin D. Lee Abstract Whereas texts on painting by Chinese literati have had a profound impact on art history, women's writings are almost unknown. This article examines poems by the Qing-dynasty poet-painter Luo Qilan (b. 1755), using her as a case study to argue for a literatae tradition...
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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
...Kristen Chiem Abstract From the conquest of the Ming dynasty in 1644 by the Manchurians through the literary inquisitions of the eighteenth century, seemingly innocuous paintings of peony flowers kept alive a discourse of Ming loyalism among Chinese artists and poets. While the peony's appearance...
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Journal Article
Archives of Asian Art (2017) 67 (2): 189–208.
Published: 01 October 2017
... (Ashtur, Deccan India, r. 1422–1436) is full of wordplay on ‘ain . Just as the inscriptions in Ahmad Shah's shrine ( khānqāh ) draw heavily on each of these meanings, its murals give sight to these ‘ain s. The paintings recognizably depict poetic allusions, and calligraphic talismans intensify each...
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Image
in Art | Adrift: Curating Selves aboard Ming-Dynasty Painting-and-Calligraphy Boats
> Archives of Asian Art
Published: 01 October 2019
Figure 1. Wu Bin (Chinese, 1573–1620), Painting of the Mi Family Shao Garden , 1615. Handscroll, ink and color on paper, 30.6 × 288.5 cm. Beijing University Library.
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Image
in Art | Adrift: Curating Selves aboard Ming-Dynasty Painting-and-Calligraphy Boats
> Archives of Asian Art
Published: 01 October 2019
Figure 3. After Gu Kaizhi (Chinese, 344–405), Copy of Painting of Rhapsody on the Luo River Nymph ( Gu Kaizhi Luoshen fu tu juan Songmo 顧愷之洛神賦圖宋摹) (detail), Song dynasty (960–1279). Handscroll; ink and light color on silk, 27.1 × 572.8 cm. Provided by the Palace Museum, Beijing. Photograph
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Image
in Art | Adrift: Curating Selves aboard Ming-Dynasty Painting-and-Calligraphy Boats
> Archives of Asian Art
Published: 01 October 2019
Figure 6. Dong Yuan (Chinese, d. 967), Painting of the Xiao and Xiang Rivers ( Xiaoxiang tujuan 瀟湘圖卷), tenth century. Handscroll; ink and color on silk, 50 × 141.4 cm. Provided by the Palace Museum, Beijing. Photograph: Sun Zhiyuan 孫志遠.
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