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Published: 01 April 2018
Figure 6. An integral page of karakami paper in the Ishiyama Folia : page 123 of the Ise Collection , ca. 1112. Ink and silver over mica woodblock-print on paper, 20.3 × 15.9 cm. Philadelphia Museum of Art, Gift (by exchange) of Mrs. Henry W. Breyer, Sr., 1965-77-1. Photograph: © More
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Published: 01 April 2018
Figure 4. An exemplary sheet from the Ishiyama Folia : page 91 of the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver leaf, and glue (mounted in silks), 131.8 × 44  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian More
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Published: 01 April 2018
Figure 8. Three papers joined by two “rip-join” seams: page 27 of the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, and glue, 20 × 15.8  cm. Tokugawa Art Museum, Nagoya. Photograph: courtesy of DNP Art Communications. Figure 8. Three papers joined More
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Published: 01 April 2018
Figure 9. Page 18 of the Ise Collection , ca. 1112 . Ink, collaged papers, metallic paints, vegetable dyes, and glue, 20 × 15.8  cm. The Museum Yamato Bunkakan, Nara, Japan. Photograph: © The Museum Yamato Bunkakan. Figure 9. Page 18 of the Ise Collection, ca. 1112. Ink, collaged papers More
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Published: 01 October 2018
Figure 30. Illustration of pair of phoenixes (bottom half of page), Ming dynasty (1368–1644). From Fang, Fangshi mopu 7:4b. Figure 30. Illustration of pair of phoenixes (bottom half of page), Ming dynasty (1368–1644). From Fang, Fangshi mopu 7:4b. More
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Published: 01 April 2020
Figure 4. Page from a set of rubbings of the Fan Shi Stele owned by Huang Yi, thirteenth century. Ink on paper, mounted as an album, 34 × 34 cm. Palace Museum, Beijing (新00046690). Photographer: Li Mingjie. Figure 4. Page from a set of rubbings of the Fan Shi Stele owned by Huang Yi More
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Published: 01 April 2019
Figure 3. Opening page of juan 3 from Zhu Dongpo xiansheng shi (Poems by Su Shi with Annotations), 1213. National Central Library of Taiwan, Taipei (402.52.10204). Figure 3. Opening page of juan 3 from Zhu Dongpo xiansheng shi (Poems by Su Shi with Annotations), 1213. National Central More
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Published: 01 April 2019
Figure 4. Page 83 of juan 37 from Zhu Dongpo xiansheng shi (Poems by Su Shi with Annotations), 1213. National Central Library of Taiwan, Taipei (402.52.10204) Figure 4. Page 83 of juan 37 from Zhu Dongpo xiansheng shi (Poems by Su Shi with Annotations), 1213. National Central Library More
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Published: 01 April 2019
Figure 9. Opening page of Shi zhu Su shi [Poetry by Su Shi with Shi Yuanzhi’s Annotations], by Song Luo (Chinese, 1634–1713) and Shao Changheng (Chinese, 1634–1704), 1699. Photograph: courtesy of Cheng Yu Tung East Asian Library, University of Toronto. Figure 9. Opening page of Shi zhu Su shi More
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Published: 01 April 2021
Figure 14. Detail of the pages illustrated in Figure 13 . Figure 14. Detail of the pages illustrated in Figure 13. More
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Published: 01 April 2022
Figure 9. Two pages depicting locally designed and manufactured porcelain and Bakelite wares in Arts and Life 4 (July 1934): n.p. Image in the public domain. Figure 9. Two pages depicting locally designed and manufactured porcelain and Bakelite wares in Arts and Life 4 (July 1934): n.p More
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Published: 01 April 2021
Figure 13. Onoe shunshoku (Spring Colors at Onoe), 1814. Pages from book Jūnikei shiika ; ink on paper, 25.5 × 18.2 cm. Kokugaku Kenkyū Shiryōkan, Tokyo. Figure 13. Onoe shunshoku (Spring Colors at Onoe), 1814. Pages from book Jūnikei shiika; ink on paper, 25.5 × 18.2 cm. Kokugaku Kenkyū More
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Published: 01 October 2018
Figure 33. Illustration of jade pendant. From Kunz, Bishop Collection , detail of lithograph between pages 48 and 49. Figure 33. Illustration of jade pendant. From Kunz, Bishop Collection, detail of lithograph between pages 48 and 49. More
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Published: 01 April 2022
Figure 14. Photograph displaying elaborate headdress of a young woman (Late Qing dynasty). From Jiu Zhongguo Lueying: 1868–1945 , unnumbered plate on page 216, image 1. Figure 14. Photograph displaying elaborate headdress of a young woman (Late Qing dynasty). From Jiu Zhongguo Lueying: 1868 More
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Published: 01 April 2021
Figure 12. Onoe Sumiyoshi Myōjin no yashiro reishō (The Sacred Bell of Onoe Sumiyoshi Shrine), 1814. Pages from book Jūnikei shiika ; ink on paper, 25.5 × 18.2 cm. Kokugaku Kenkyū Shiryōkan, Tokyo. Figure 12. Onoe Sumiyoshi Myōjin no yashiro reishō (The Sacred Bell of Onoe Sumiyoshi Shrine More
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Published: 01 October 2021
Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker , ca. 1880–1910. Album page, ink and color on paper, 22.5 × 32.5 cm. Victoria and Albert Museum, London. Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker, ca. 1880–1910 More
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Published: 01 October 2020
Figure 5. Muhammad Zaman (Persian [Iranian], active 1649–1700), Virgin and Child with John the Baptist , 1682–83. Color and gold on paper, 17.2 × 11.1 cm (page 52 × 36 cm). Collection of the Asian Civilisations Museum, 2011-02267. Figure 5. Muhammad Zaman (Persian [Iranian], active 1649–1700 More
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Published: 01 April 2022
Figure 7. Unknown photographer, Our four ‘boys’ at the dining-room entrance from the court / Our second boy, with hair unbraided / Our house boys in ‘full dress.’ From Conger, Letters from China , unnumbered plate between pages 20 and 21. Figure 7. Unknown photographer, Our four ‘boys More
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Published: 01 April 2020
Figure 9. Painting by Zheng Wuchang 鄭午昌. From Zheng Xiaoxu et al., Flight of the Dragon . Detail of a handscroll; ink and light colors on paper (?). Whereabouts unknown; presumed lost. Reproduced in Johnston, Twilight in the Forbidden City , foldout between pages 430 and 431. Figure 9 More
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Published: 01 April 2022
Figure 13. Attributed to John Thomson (Scottish, 1837–1921), Chinese Woman and Servant , ca. 1868. From L. Carrington Goodrich and Nigel Cameron, The Face of China As Seen by Photographer & Travelers, 1860–1912 (Millerton, NY: Aperture, 1978), unnumbered plate on page 60. Figure 13 More