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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
...Kristina Kleutghen Copyright © Asia Society 2012 One or Two, Repictured kristina kleutghen Washington University in St. Louis nformal Chinese imperial portraits, namely, those...
Journal Article
Archives of Asian Art (2019) 69 (2): 181–216.
Published: 01 October 2019
... the Buddha paced mindfully; its location is commemorated by a caitya . 瞻波大國佛精舍 經行 處及四佛坐處。 悉起塔。 現有僧住。 864:c5–6 Among these problems, one of the most vexing is the archaeological (or scientific) relevance of Faxian's information concerning those sacred sites or monuments that he commemorates...
FIGURES | View All (24)
Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
...Cheng-hua Wang Abstract This research focuses on one of the most famous paintings made at the court of the Qing dynasty (1644–1911)— Qingming shanghe (Up the River during Qingming). Commissioned by the Yongzheng emperor (r. 1723–1735) and completed in the second year of the Qianlong emperor's reign...
FIGURES | View All (25)
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Published: 01 October 2017
Figure 43. Nilakaṇṭha (“Blue-throated One”) Avalokiteśvara above eleven-headed Avalokiteśvara's right shoulder (detail of Figure 7 ). Photograph: author. Figure 43. Nilakaṇṭha (“Blue-throated One”) Avalokiteśvara above eleven-headed Avalokiteśvara's right shoulder (detail of Figure 7 More
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Published: 01 October 2017
Figure 25. Comparison of one unit of the Yiliangdi mirror ( top right ; see Figure 7 ) with unit D4 of the Guokeda M4 mirror ( top left ; see Figure 13 ). Unit E4 (bottom left) was rotated to the same orientation as well. Figure 25. Comparison of one unit of the Yiliangdi mirror (top right More
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Published: 01 October 2021
Figure 10. Inscription one to the right of the doorway (below Avalokiteśvara-Amoghapāśa). Photograph: Sarah Richardson. Figure 10. Inscription one to the right of the doorway (below Avalokiteśvara-Amoghapāśa). Photograph: Sarah Richardson. More
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Published: 01 April 2021
Figure 15. Mural of the Seat of the Grand One, the Queen Mother of the West on a platform, and a gentleman riding a fish cart, Haotan, Dingbian, Shaanxi, Xin Interregnum. After Xu Guangji, Zhongguo chutu bihua quanji: Shaanxi shang (juan 6) , 64–65. Tracing by Doris YixuanTang. Figure 15 More
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Published: 01 April 2021
Figure 16. Mural of the Seat of the Grand One, Yangqiaopan, Jingbian, Shaanxi, Xin Interregnum. After Xu Guangji, Zhongguo chutu bihua quanji: Shaanxi shang (juan 6) , 77. Tracing by Doris Yixuan Tang. Figure 16. Mural of the Seat of the Grand One, Yangqiaopan, Jingbian, Shaanxi, Xin More
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Published: 01 April 2021
Figure 24. Silk diagram of “The Grand One is About to Travel,” Mawangdui Tomb 3, Changsha, Hunan, early Western Han (ca. 168 bce ). After Zhou Shirong, “Mawangdui Hanmu de ‘shenqitu’ bohua,” 926. Tracing by Doris Yixuan Tang. Figure 24. Silk diagram of “The Grand One is About to Travel More
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Published: 01 April 2022
Figure 19. Yao Wenhan (Chinese, active eighteenth c.), One and/or Two? , Qianlong era, 1735–1796. Screen painting ( tieluo ), ink and slight color on paper, 90.3 × 119.8 cm. Gugong Palace Museum, Beijing. Photograph provided by the Palace Museum, Beijing. Figure 19. Yao Wenhan (Chinese More
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Published: 01 April 2019
Figure 16. Wang Juzhen, (Chinese, active late twelfth c.), One Hundred Children at Play. Fan mounted as an album leaf, ink and color on silk, image 28.7 × 31.2 cm. Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1961.261. Figure 16. Wang Juzhen, (Chinese, active late twelfth c More
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Published: 01 April 2019
Figure 5. Jin Chushi (Chinese, active late twelfth c.), King Enma , before 1195. One from a set of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 129.5 × 49.5 cm. The Metropolitan Museum of Art, Rogers Fund, 1930 (30.76.293). Artwork in public domain. Photograph More
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Published: 01 April 2019
Figure 13. King Enma , Japan, fifteenth century. One of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 99.2 × 42.7 cm. Jōfukuji, Kyoto. Figure 13. King Enma, Japan, fifteenth century. One of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk More
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Published: 01 October 2018
Figure 1. ( Left ) Pair of thumb rings; ( right ) line drawings of one thumb ring, tomb of Zhao Yang, Jinshengcun, Taiyuan, Shanxi province, early Warring States period (475–450 bce ). Jade, overall l. 4.2 cm. From ( left ) Gu, Zhongguo chutu yuqi quanji , 3:192; and ( right ) Shanxi sheng More
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Published: 01 October 2018
Hakuin Ekaku (Japanese, 1685–1768), One Hand Clapping . Hanging scroll; ink on paper, overall 170.2 × 30.5 cm. Asian Art Museum of San Francisco, 2016.53. Gift from the Collection of George Gund III. Photograph: © Asian Art Museum of San Francisco. Hakuin Ekaku (Japanese, 1685–1768), One Hand More
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Published: 01 October 2020
Figure 19. Lu Zhu 陸祝 (Chinese, dates unknown), Plum Blossom Beauty . One of twelve fans mounted on a six-panel folding screen; ink, colors, and gold on silk, 24.8 × 26.5 cm. Koga City Museum of History. Photograph: Yurika Wakamatsu. Figure 19. Lu Zhu 陸祝 (Chinese, dates unknown), Plum Blossom More
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Published: 01 April 2020
Figure 14. Giuseppe Castiglione (Lang Shining 郎世寧; Italian, 1688–1766), One Hundred Horses ( Baijun tu 百駿圖), 1728. Handscroll; ink and color on silk, 94.5 × 776 cm. National Palace Museum, Taipei. Artwork in the public domain. Photograph: National Palace Museum. Figure 14. Giuseppe More
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Published: 01 October 2021
Figure 7. Agricultural Scene with Inscription , Maitreya Buddha Tableau , Yulin Cave 20, south wall, Five Dynasties (907–960), Anxi, China. Mural painting. On one side, four figures—three men and one woman—reap the harvest. On the other side a male figure plows with two oxen. The inscription More
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Published: 01 October 2021
Figure 4. Marriage Scene , Maitreya Buddha Tableau , Yulin Cave 25, north wall, Tang dynasty (618–907), Anxi, China. Mural painting. A man and a woman sit at a table underneath a tent and one person is visible seated across from them. Two standing figures serve them. One figure bows prostrate More
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Published: 01 October 2017
Figure 31. Two slanting-T main motifs cropped from the Yiliangdi mirror (see Figure 7 ) and the superimposition of the top motif over the bottom one. It is better to perform the cropping with this photo, to avoid distortion. Photograph: courtesy of the Yiyang Museum. Figure 31. Two slanting-T More