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Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 100–102.
Published: 01 April 2012
... audience for museums, the the work’s afterlife and some objects, such as the left Pulitzer sought to situate the museum and Buddhist art hand of Amita¯bha, can pass through several distinct as agents for positive social change.2 phases or episodes. The participants discussed the signif- Alongside social...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81–90.
Published: 01 April 2012
... (University of Kansas), Jungmin Ha Otion for the Arts in St. Louis sponsored a workshop (Duke University), Bing Huang (Harvard University), in which twelve graduate students and four professors of Shea Ingram (Harvard University), Kristopher Kersey Asian art history commented on the context of objects...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 209–236.
Published: 01 October 2017
... discourse of world in art as articulated in this exposition. This was, namely, the “pseudo-objectivity” of the international: the discourse of heterogeneity found in the Venice Biennale concealed inequalities based on the power differentials of the hegemonic world-system. Copyright © 2017 Asia Society...
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Published: 01 October 2017
5. Shreyas Karle (Indian, b. 1981), Museum Shop of Fetish Objects , 2012. Installation of thirty-two multimedia objects, dimensions variable. Asian Art Museum, San Francisco, 2015.41.1–.32. Museum purchase. 5. Shreyas Karle (Indian, b. 1981), Museum Shop of Fetish Objects, 2012. Installation More
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Published: 01 October 2018
Figure 4. Objects from the Ōtani Collection on display at Sojeongjeon in Gyeongbokgung Palace, Seoul, Korea, 1930s. Photograph: courtesy of the National Museum of Korea. Figure 4. Objects from the Ōtani Collection on display at Sojeongjeon in Gyeongbokgung Palace, Seoul, Korea, 1930s More
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Published: 01 April 2019
Figure 23. Bronze nāga from cache of objects deposited below the Jetavana monastery water tank, Anuradhapura, Sri Lanka, sixth century ce . Photograph: Robert DeCaroli, 2016. Figure 23. Bronze nāga from cache of objects deposited below the Jetavana monastery water tank, Anuradhapura, Sri More
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 153–185.
Published: 01 October 2016
... Chinese objects and images to nineteenth-century Siam. The ideals of accretion and abundance characteristic of Thai Buddhism and the sinophilia of Rama III facilitated the construction of “Chinese-style” Thai temples. Glass paintings with scenes of the Pearl River Delta, Romance of the Three Kingdoms...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 237–256.
Published: 01 October 2017
... luxury goods. Among the least studied objects from this period are export paintings of Asian inhabitants, costumes, and occupations by Chinese and Filipino artists that are now in various American and Asian collections. It is my contention that many export watercolors attributed to Filipino artists are...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 157–190.
Published: 01 October 2018
...Susan N. Erickson Abstract Objects carved of jade often were placed in Han-dynasty burials of people of high rank. This article focuses on a small, shield-shaped (or “heart-shaped”) pendant frequently found near the deceased. The development of the type is examined through its appearance in tombs...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 191–214.
Published: 01 October 2018
... how the same elements, whether words or pictures, acquired a substantially different significance as they moved between cultures. This is exemplified by the formulation of the newly emergent classifying category Zhongguo meishupin 中國美術品 (“Chinese art objects”) in Guocui xuebao . Copyright © 2018...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 111–132.
Published: 01 October 2018
... their predecessors and peers in an emphasis on everyday life and found objects, and in bringing together the visual and verbal worlds exemplified by the Baroda (Vadodara)-based journal Vrishchik . Copyright © 2018 Asia Society 2018 Nissim Ezekiel Bhupen Khakhar Arun Kolatkar Gieve Patel Adil...
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Published: 01 October 2018
Figure 16. “Contents,” Guocui xuebao 5, no. 6 (1909): n.p. SOAS Library. In addition to “Calligraphy” and “Epigraphy,” there is also a separate group called “ Meishupin (art object).” Figure 16. “Contents,” Guocui xuebao 5, no. 6 (1909): n.p. SOAS Library. In addition to “Calligraphy” and More
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 99–100.
Published: 01 April 2012
..., exquisite objects around the body—often difficult to identify and envi- are governed by an exquisite building—by its structural sion in sculpture—and the tone was set for an open elements, materials, spaces, colors, water, and light. and enthusiastic discussion space that extended well Whatever the...
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Published: 01 October 2017
61. Sonam Peljor of Tsedong (Sakya Monastery, Tsang Province, Central Tibet, active 18th c.), Illuminated Manuscript of the White Beryl , eighteenth century. Pigments on cloth and lacquered wood covers, object 5.7 × 60.6 × 10.8 cm, with original box 9.2 × 64.5 × 14.3 cm, page size 10.5 × 59.7 More
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81.
Published: 01 April 2012
... objects (University of California, Berkeley), Ye-Gee Kwon (Uni- in the Foundation’s exhibition ‘‘Reflections of the Bud- versity of Kansas), William Ma (University of California, dha’’ (9 September 2011–10 March 2012). Many of Berkeley), Sooa Im McCormick (University of Kansas), the participants were...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
...-sensitive objects in this dynasty Buddhist art and ritual. [pbloom@fas.harvard. space, our first subjects were stone sculptures that lost edu] their colorful pigments long ago. (The lacquered, gilded, and...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 3–32.
Published: 01 April 2014
.... cultural, and economic upheavals resulting from this dy- In addition, we will see how King Jeongjo 正祖 (1752– namic spirit of consumerism. With an inflow of Chinese 1800, r. 1776–1800) used chaekgeori as both a per- books and foreign objects, mainly through tributary sonal and political propaganda tool...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 102–103.
Published: 01 April 2012
... Ando’s hands, approaches we as scholars use in the study of Buddhist the opposition of minimalist sculpture to architecture art, we should also consider how the display of Buddhist and landscape is sublated in tranquil movements of objects might create new forms of Buddhist practice, new shadow and...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): iv.
Published: 01 April 2012
...) scholarly ‘Museum’ articles on a specific object, a display or exhibition, history of collecting, or materials/technical analysis or conservation as an opportunity for intellectual engagement between museum professionals and art historians; e Archives of Asian Art will be published two times per year...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 133–156.
Published: 01 October 2018
... qi 奇 (variously understood as strange, novel, or even original) prevalent in late-Ming and early-Qing elite writings about painting. 10 Yet, few have clarified the importance of transformations, aberrant or otherwise, to the world of ceramic objects. Because of the entrenchment of empirical modes...