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Journal Article
Archives of Asian Art (2013) 63 (2): 165–178.
Published: 01 October 2013
...Kim Haewon; Jo Yeontae; Cheon Juhyun; Park Seungwon Copyright © Asia Society 2013 New Research on Central Asian Paintings in the National Museum of Korea
kim haewon, jo yeontae, cheon juhyun, park seungwon
National Museum of Korea...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... discursively reframed by the heightened cultural nationalism of the Sino-Japanese War: the expansion of modern archaeology, and ethnographic study of minority cultures. In reclaiming folk-minority craft as a generative source of decoration, Pang Xunqin and Lei Guiyuan were also critically engaged...
FIGURES
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Journal Article
Archives of Asian Art (2003) 53 (1): 7–25.
Published: 01 April 2003
...Donald F. McCallum Copyright © Asia Society 2003 A Standing Kannon in the Tokyo National Museum
DONALD E MCCALLUM
UNIVERSITY OF CALIFORNIA, LOS ANGELES
INTRODUCTION
One of the most beautiful pieces of Buddhist sculpture
in East Asia is a small gilt-bronze...
Journal Article
Archives of Asian Art (2023) 73 (1): 55–77.
Published: 01 April 2023
...Susannah Cramer-Greenbaum Abstract Dhaka's National Assembly building, designed by Louis Kahn, was built over several turbulent decades as East Pakistan fought for autonomy and became the new country of Bangladesh. Conventional critical narratives situate the National Assembly within Kahn's...
FIGURES
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in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 4. Detail of the handscroll illustrated in Figure 1 . Photograph: National Palace Museum, Taipei.
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in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 5a–d. Details of the handscroll illustrated in Figure 1 . Photograph: National Palace Museum, Taipei.
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Image
in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 6. Detail of the handscroll illustrated in Figure 1 . Photograph: © National Palace Museum, Taipei.
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Image
in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 7. Detail of the handscroll illustrated in Figure 1 . Photograph: © National Palace Museum, Taipei.
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in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 8. Detail of the handscroll illustrated in Figure 1 . Photograph: © National Palace Museum, Taipei.
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in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 10. Detail of the handscroll illustrated in Figure 1 . Photograph: National Palace Museum, Taipei.
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Image
in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 11. Detail of the handscroll illustrated in Figure 1 . Photograph: National Palace Museum, Taipei.
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Image
in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 12. Detail of the handscroll illustrated in Figure 1 . Photograph: National Palace Museum, Taipei.
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in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 21a and b. Details of the handscroll illustrated in Figure 1 . Photograph: © National Palace Museum, Taipei.
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Published: 01 April 2021
Figure 5. Shen Yuan, Qingming shanghe , detail of fenben . Collection of the National Palace Museum, Taipei.
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Published: 01 April 2021
Figure 6. Shen Yuan, Qingming shanghe , detail of fenben . Collection of the National Palace Museum, Taipei.
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in Cosmopolitanism and Imagination in Nayaka South India: Decoding the Brooklyn Kalamkari
> Archives of Asian Art
Published: 01 April 2020
Figure 6. Deccani kalamkari , Golconda region, ca. 1640–1650. National Museum, New Delhi, Kalamkari : cotton, drawn and painted with resist mordant, 89 × 74 cm (with lining). National Museum, New Delhi, 48.7/103. Source: © National Museum, New Delhi.
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 16. Zheng Xiaoxu, Painted Pine ( Hua song 畫松). Reproduced in The National Fine Arts Exhibition of 1929 , vol. 1 ( Jin ), n.p.
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in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 3a. Divinity holding lotus bud, Yonggu tomb, detail of stone gate. National Museum of China. Photograph: Katherine Tsiang.
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 1. Louis Kahn (1901–1974), Dhaka National Assembly. Photograph: Susannah Cramer-Greenbaum, 2006.
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 14. National Assembly building after Liberation War, showing damage from crashed plane. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1972.
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