Skip Nav Destination
Close Modal
Search Results for
narrative
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 128
Search Results for narrative
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Sort by
Image
Ajātaśatru Narrative, Cave 431, north wall, Mogao Caves, Dunhuang, construc...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 7. Ajātaśatru Narrative, Cave 431, north wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . From Pelliot, Les grottes de Touen-Houang , 5: pl. CCLXXIX.
More
Image
Panel 1: Imprisonment of the King, Ajātaśatru Narrative, Cave 209, south si...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 11. Panel 1: Imprisonment of the King, Ajātaśatru Narrative, Cave 209, south side of halo, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy.
More
Image
Panel 2: Imprisonment of the Lady Vaidehī, Ajātaśatru Narrative, Cave 209, ...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 12. Panel 2: Imprisonment of the Lady Vaidehī, Ajātaśatru Narrative, Cave 209, north side of halo, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy. From Zhao Shengliang, Dunhuang shiku quanji , 18:66.
More
Image
Panel 3: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 13. Panel 3: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209, south wall around altar spaces, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy.
More
Image
Panel 4: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 14. Panel 4: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209, north wall around altar spaces, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy.
More
Image
Sun Ruxian (b. 1925), replica painting of the Ajātaśatru Narrative in Cave ...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 18. Sun Ruxian (b. 1925), replica painting of the Ajātaśatru Narrative in Cave 431, Mogao Caves. Dunhuang Academy. Photo: Sheng Longhai.
More
Image
Detail of Ajātaśatru Narrative showing Lady Vaidehī visiting her husband. C...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 19. Detail of Ajātaśatru Narrative showing Lady Vaidehī visiting her husband. Cave 431, north wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . Dunhuang Academy.
More
Image
Detail of the Ajātaśatru Narrative showing the confrontation between Lady V...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 20. Detail of the Ajātaśatru Narrative showing the confrontation between Lady Vaidehī and the Prince, Cave 431, north wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . Dunhuang Academy.
More
Image
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 21. Detail of the replica painting of the Ajātaśatru Narrative illustrated in Figure 18 .
More
Image
Detail of the Ajātaśatru Narrative showing the Buddha demonstrating to Lady...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 22. Detail of the Ajātaśatru Narrative showing the Buddha demonstrating to Lady Vaidehī the Buddha Lands of Ten Directions, Cave 431, north wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . Dunhuang Academy.
More
Image
Detail of the Ajātaśatru Narrative showing the Buddha on Vulture Peak, Cave...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 24. Detail of the Ajātaśatru Narrative showing the Buddha on Vulture Peak, Cave 431, north wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . Dunhuang Academy.
More
Image
Published: 01 October 2021
Figure 7. A Bhaṭṭa storyteller unfolding his kāvaḍa as he recites a narrative at a patron's home in a village in Rajasthan, 2008. Photograph: courtesy of Nina Sabnani.
More
Image
Detail of a mirror with painted narrative scenes, Western Han dynasty, 202 ...
Available to Purchase
in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 44. Detail of a mirror with painted narrative scenes, Western Han dynasty, 202 bce –9 ce . Excavated in 1983 from the king of Nanyue's tomb, Guangzhou city, Guangzhou province. Bronze with polychrome paint, diam. 41 cm, thickness at the rim .5 cm. Reproduced by permission of Cultural
More
Journal Article
Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
Available to Purchase
Archives of Asian Art (2017) 67 (1): 111–142.
Published: 01 April 2017
... the span of about 150 years. The narrative episode from the life of the Buddha Śākyamuni in which his mother presents him as a newborn to the deity of a tree-shrine is featured as a key example of this phenomenon. While the sculpted image depicts the spirit of a tree venerating the infant, the caption...
FIGURES
| View All (28)
Image
Detail, narratives of second-floor courtyard of Takden Phuntsokling Monaste...
Available to Purchase
in “Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
> Archives of Asian Art
Published: 01 October 2017
Figure 2. Detail, narratives of second-floor courtyard of Takden Phuntsokling Monastery, depicting devotees in Singhala, an episode in the Muktalātā story of the Buddha's life, seventeenth century. Photograph: courtesy of Andrew Quintman and Kurtis Schaeffer.
More
Image
Western Pure Land Transformation Tableau, Cave 172, north wall, Mogao Caves...
Available to Purchase
in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
Figure 1. Western Pure Land Transformation Tableau, Cave 172, north wall, Mogao Caves, Dunhuang, mid-eighth century. ( Left ) Ajātaśatru Narrative; ( right ) Sixteen Meditations; ( middle ) Amitabha’s Paradise. Dunhuang Academy.
More
Image
Published: 01 October 2023
Figure 14. After Capt. Watson R.N. C.B. (English, active 1840s), Tombs of the Kings, and Sculptured Monsters, Nankin , 1842. Engraving. From Bernard and Hall, Narrative of the Voyages and Services of the Nemesis , 2: frontispiece. British Library. Public domain.
More
Journal Article
How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
Available to Purchase
Archives of Asian Art (2023) 73 (1): 55–77.
Published: 01 April 2023
...Susannah Cramer-Greenbaum Abstract Dhaka's National Assembly building, designed by Louis Kahn, was built over several turbulent decades as East Pakistan fought for autonomy and became the new country of Bangladesh. Conventional critical narratives situate the National Assembly within Kahn's...
FIGURES
| View All (16)
Journal Article
Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation
Available to Purchase
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
... with foreign nations, the paintings and photographs also enabled Cixi to contemplate the fluidity of identity and, subsequently, challenge the authority of colonial narratives. Variations of similar poses and the use of mirrors in highly staged photographs reveal the Empress Dowager's sly civility and mimicry...
FIGURES
| View All (19)
Journal Article
The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
Available to Purchase
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
... not only enacts perpetual reverence on behalf of absent worshippers but also solicits spectatorial self-identification, enabling viewers to imagine themselves into the representational world of scriptural narrative and liturgical practice constructed in the cave. This essay then interrogates the triangular...
FIGURES
| View All (11)
1