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mountain

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Published: 01 October 2018
Diamond Mountain (Mt. Geumgang) , Korea, Joseon dynasty (1392–1910), dated 1847. Ink and colors on paper, 46.4 × 233.7 cm. Asian Art Museum of San Francisco, 2017.78. Gift of Andrews D. and Kay E. Black. Photograph: Asian Art Museum of San Francisco. More
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Published: 01 October 2022
Figure 11. Attributed to Yang Sheng (fl. eighth c.), Flying Snow at Penglai Mountain , ca. seventeenth century. Album leaf; ink and colors on silk, 35 × 30 cm. Palace Museum, Beijing. More
Journal Article
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
...Susan E. Nelson Copyright © Asia Society 2001 Catching Sight of South Mountain: Tao Yuanming, Mount Lu, and the Iconographies of Escape SUSAN E. NELSON INDIANA UNIVERSITY To engage with the world or to withdraw from it—that associated with him were used as decorative designs...
Journal Article
Archives of Asian Art (2007) 57 (1): 51–94.
Published: 01 April 2007
...Tom Suchan Copyright © Asia Society 2006 The Cliff Sculpture of Stone-Gate Mountain: A Mirror of Religious Eclecticism in the Art of Twelfth-Century Sichuan tom suchan...
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Published: 01 October 2023
Figure 2. The “mountain folds” and “valley folds” of an accordion album. More
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Published: 01 October 2023
Figure 9. Details of Cloudy Peaks , showing the unlandscaped mountain folds F1–F4. More
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Published: 01 October 2023
Figure 49. Unidentified photographer, Twelve Caves of Swallow Mountain ( Yanshan shi'erdong ). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Published: 01 October 2023
Figure 50. Unidentified photographer, Purple-Gold Mountain (Zijinshan). Albumen print, approx. 20.32 × 25.4 cm. Robert Löbbecke collection, Stadtarchiv Iserlohn. More
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Published: 01 April 2024
Figure 13. Attributed to Huichong, Spring Morning in the Mountains and Streams . Handscroll; ink and color on silk, 24.5 × 185.5 cm. The Palace Museum, Beijing. Photograph: courtesy of the Palace Museum; photographer: Sun Zhiyuan. More
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Published: 01 April 2024
Figure 15. Qian Xuan, Dwelling in the Mountains . Handscroll; ink and color on paper, 26.5 × 111.6 cm. The Palace Museum, Beijing. Photograph: courtesy of the Palace Museum; photographer: Feng Hui. More
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Published: 01 April 2024
Figure 1. Map of the six mountains in and around Zoucheng. After Wang and Wenzel, Buddhist Stone Sutras in China: Shandong Province, Vol. 2 , 45, fig. 8. More
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Published: 01 October 2020
Figure 3. Urakami Gyokudō (Japanese, 1745–1820), Mountains Dyed Scarlet ( Sankō osen-zu 山紅於染図), early nineteenth century. Hanging scroll; ink and colors on paper, 36.5 × 65.5 cm. Aichi Prefectural Museum of Art (Kimura Teizō Collection). Photograph: courtesy of the Aichi Prefectural Museum More
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Published: 01 October 2023
Figure 3. Gong Xian (Chinese, 1618–1689), Streams and Mountains Without End , 1682. Handscroll, ink on paper, 27.7 × 726.7 cm. The Palace Museum, Beijing. Photograph: The Palace Museum. More
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Published: 01 October 2023
Figure 3. Gong Xian (Chinese, 1618–1689), Streams and Mountains Without End , 1682. Handscroll, ink on paper, 27.7 × 726.7 cm. The Palace Museum, Beijing. Photograph: The Palace Museum. More
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Published: 01 April 2024
Figure 4. Zhao Mengfu, Autumn Colors on the Qiao and Hua Mountains , 1295/1296. Handscroll; ink and colors on paper. 28.4 × 93.2 cm. National Palace Museum, Taipei. More
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Published: 01 April 2020
Figure 17. Huang Yi, detail of Seeking Verses among Autumn Mountains , ca. 1800. Ink on paper, 69.4 × 25 cm. Seattle Art Museum. Gift of the Asian Art Council in memory of Ann Woods (2008.21). Photograph: Elizabeth Mann. More
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Published: 01 April 2024
Figure 33. Huang Gongwang 黄公望 (1269–1354), Dwelling in the Fuchun Mountains , 1347–1350, detail. Handscroll; ink on paper, entire scroll 33 × 639.9 cm. Collection of National Palace Museum, Taipei. Open Data 故畫 00101600000. More
Journal Article
Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
...Anne N. Feng Abstract This paper reconsiders how and why the representation of landscape became an increasingly central component of Pure Land art in the Tang dynasty. Focusing on the seventh-century Cave 209, I examine the first set of mountain panels at Dunhuang, arguing that those polychrome...
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
...Wen-Shing Chou Abstract This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong's consuming...
Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... in paintings showcasing water mills to celebrate technology and its contribution to agricultural prosperity. In the Song period, the realistic representation of bullock carts meandering along the mountain paths of northern landscapes became a distinctive genre. This paper examines the forces contributing...