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Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 11–43.
Published: 01 April 2001
...Susan E. Nelson Copyright © Asia Society 2001 Catching Sight of South Mountain: Tao Yuanming, Mount Lu, and the Iconographies of Escape SUSAN E. NELSON INDIANA UNIVERSITY To engage with the world or to withdraw from it—that associated with him were used as decorative designs...
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Published: 01 April 2017
Figure 7. Detail of Ding Yicheng (China, d. after 1811), [Luo Qilan] Viewing Mount Ping in Springtime (Pingshan chunwang tu) , before 1795. Handscroll, ink and colors on paper, 39.6 × 135.7 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. Figure 7. Detail of Ding Yicheng More
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Published: 01 October 2018
Panel with Scene from the Life of Krishna (Krishna Lifts Mount Govardhana) , Cambodia, Angkor period, eleventh century. Sandstone, 95 × 30.4 × 19.3 cm. Art Institute of Chicago, 2017.88. Gift of Marilynn B. Alsdorf. Panel with Scene from the Life of Krishna (Krishna Lifts Mount Govardhana More
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Published: 01 October 2018
Michael Cherney (American [active China], b. 1969), Sacred Tree on Mount Lu, from the series “Shadow Curtains,” no. 8b , China, 2011. Photographs mounted as a four-panel folding screen; ink on xuan-type cotton, 182.9 × 213.4 cm. Saint Louis Art Museum, 61:2016. William K. Bixby Trust for Asian Art More
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Published: 01 April 2018
Figure 20. Inscribed by Hon'ami Kōetsu, the left screen of Folding Screens Mounted with Poems from the Anthology Shinkokinshū, ca. 1624–37. Two six-panel screens, ink color and gold on paper, each screen 168 × 376  cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution More
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Published: 01 April 2019
Figure 10. Zhao Boju (Chinese, 1120–1182), The Han Palace . Fan mounted as a hanging scroll, ink and colors on silk, 24.5 × 24.5 cm. National Palace Museum, Taipei. Figure 10. Zhao Boju (Chinese, 1120–1182), The Han Palace. Fan mounted as a hanging scroll, ink and colors on silk, 24.5 × 24.5 More
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
...Figure 10. Zhao Boju (Chinese, 1120–1182), The Han Palace . Fan mounted as a hanging scroll, ink and colors on silk, 24.5 × 24.5 cm. National Palace Museum, Taipei. Figure 10. Zhao Boju (Chinese, 1120–1182), The Han Palace. Fan mounted as a hanging scroll, ink and colors on silk, 24.5 × 24.5...
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Published: 01 October 2018
Choi Seok-Hwan (Korean, b. 1808), Grapevine , Korea, Joseon dynasty (1392–1910), 1876. Ink on paper, mounted as screen, with mount 149.2 × 322.6 cm. Philadelphia Museum of Art, 2017-136-3. Purchased with the Kim Endowment for Korean Art, 2017. Choi Seok-Hwan (Korean, b. 1808), Grapevine, Korea More
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Published: 01 October 2017
52. Kagawa Michiko (Japanese, b. 1928), Man-Woman-Child , Japan, Shōwa period (1926–1989), ca. 1950. Ink on paper mounted as two-fold screen, image 118.7 × 59.7 cm, mount 138.4 × 70.8 cm. Philadelphia Museum of Art, 2015–75–1. Gift of Theodore T. Newbold and Helen Cunningham in honor of Bill More
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Published: 01 April 2019
Figure 14. Anonymous painter, Immortal Riding a Phoenix , thirteenth century. Fan mounted as an album leaf, ink and colors on silk, 25.3 × 26.2 cm. Palace Museum, Beijing. Figure 14. Anonymous painter, Immortal Riding a Phoenix, thirteenth century. Fan mounted as an album leaf, ink and colors More
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Published: 01 April 2019
Figure 21. Anonymous painter, Lotus Emerging above the Water , China, 960–1276. Fan mounted as an album leaf, colors on silk, 23.8 × 25 cm. Palace Museum, Beijing. Figure 21. Anonymous painter, Lotus Emerging above the Water, China, 960–1276. Fan mounted as an album leaf, colors on silk, 23.8 More
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Published: 01 April 2019
Figure 24. Anonymous painter, Dwarf Night-Blooming Magnolia , China, 960–1276. Fan mounted as album leaf, ink and colors on silk, 24.5 × 25.4 cm. Palace Museum, Beijing. Figure 24. Anonymous painter, Dwarf Night-Blooming Magnolia, China, 960–1276. Fan mounted as album leaf, ink and colors on More
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Published: 01 April 2019
Figure 27. Anonymous painter, Katydid and Melon , China, twelfth–thirteenth century. Fan mounted as an album leaf, ink and colors on silk, 23.5 × 24.8 cm. National Palace Museum, Taipei. Figure 27. Anonymous painter, Katydid and Melon, China, twelfth–thirteenth century. Fan mounted as an album More
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Published: 01 April 2019
Figure 29. Attributed to Zhao Lingrang (Chinese, active 1070–1100), Orange and Tangerine Groves. Fan mounted as album leaf, ink and colors on silk, 24.2 × 24.9 cm. National Palace Museum, Taipei. Figure 29. Attributed to Zhao Lingrang (Chinese, active 1070–1100), Orange and Tangerine Groves More
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Published: 01 October 2018
Kitsukawa Reika (Japanese, 1875–1929), Tales of Ise , Japan, Meiji period (1868–1912) or Taishō period (1912–26) or Shōwa period (1926–89), early twentieth century. Ink and color on silk, mounted as a hanging scroll, mount with scroll ends 130.8 × 70.5 cm. Philadelphia Museum of Art, 2017-47-7 More
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Published: 01 April 2019
Figure 13. Attributed to Li Song (Chinese, active 1190–1230), The Hangzhou Tidal Bore by Moonlight . Fan mounted as an album leaf, ink and colors on silk, 22.3 × 22 cm. National Palace Museum, Taipei. Figure 13. Attributed to Li Song (Chinese, active 1190–1230), The Hangzhou Tidal Bore by More
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Published: 01 April 2019
Figure 16. Wang Juzhen, (Chinese, active late twelfth c.), One Hundred Children at Play. Fan mounted as an album leaf, ink and color on silk, image 28.7 × 31.2 cm. Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1961.261. Figure 16. Wang Juzhen, (Chinese, active late twelfth c More
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Published: 01 April 2019
Figure 18. Anonymous Song painter; inscribed by Zhao Gou (Chinese, Emperor Gaozong, 1107–1187), Autumn River in Twilight. Fan mounted as an album leaf, ink and colors on silk, 23.7 × 24.3 cm. Palace Museum, Beijing. Figure 18. Anonymous Song painter; inscribed by Zhao Gou (Chinese, Emperor More
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Published: 01 April 2019
Figure 19. Anonymous painter; inscribed by Zhao Gou (Chinese, Emperor Gaozong, 1107–1187), Returning Boat at Day's End. Fan mounted as an album leaf, ink and colors on silk, 24.2 × 25.6 cm. Palace Museum, Beijing. Figure 19. Anonymous painter; inscribed by Zhao Gou (Chinese, Emperor Gaozong More
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Published: 01 April 2017
Figure 4. Yun Shouping (China, 1633–1690), Carnations and Amaranthus , n.d. Folding fan mounted as an album leaf, color on paper, 17 × 50.8 cm. The Metropolitan Museum of Art, Bequest of John M. Crawford, Jr., 1988. Artwork in the public domain. Photograph: © The Metropolitan Museum of Art More