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modern ink painting

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Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... Both A Painting of Viewing Paintings and Beijing Fengsu express the need to turn ink painting into an alternative medium to render social reality vis-à-vis modern reprographic ones. In Chen's painting theory, photography was posited as an inferior medium to painting because it was only good...
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... and to situate Puyi's court circle in relation to the society of artists, aesthetic discourses on ink painting, typology, and lineages, and the modernization of the art canon. Through examining these artworks and their constituent networks, we open up a new investigative angle on the process of modernist reform...
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Journal Article
Archives of Asian Art (2020) 70 (2): 119–149.
Published: 01 October 2020
... continued to paint for her patrons while traveling widely throughout the archipelago until her death in 1913. Working as a Japanese woman painter of a non–scholar-official class in the era of modernization, Seiko can be seen as quadruply removed from the conventional persona of the literati artist. Yet...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
..., ornament and substance, surface and depth, hierarchies of value embedded within conventional dichotomies continue to drive the study of twentieth-century Chinese art, foregrounding painting in ink and oil to the detriment of other, equally pervasive interests that shaped the development of modernism...
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Journal Article
Archives of Asian Art (2010) 60 (1): 95–159.
Published: 01 April 2010
... Curator of Asian Art 9. Xun Chu. Visiting a Friend on Pine Mountain. China. Ming dynasty (1368–1644). 1551. Fan painting mounted on board; ink and color on gold surfaced paper; 17.4 Â 55.2 cm. Brooklyn Museum, 2009.22. Purchase gift of Carol Mandel, Vincent Covello, and Mickey and Marty Baumrind...
Journal Article
Archives of Asian Art (2018) 68 (1): 1–32.
Published: 01 April 2018
... structurally opposed to modern papier collé , such conspicuousness at the locus of the seam reminds one of Clement Greenberg's observation regarding Cubist collage that “the area adjacent to one edge of a piece of affixed material—or simply of a painted-in form—will be shaded to pry that edge away from...
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Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
... boat is the act of collecting pieces for display and appraisal—an act akin to modern curatorial discernment. The selection of works that accompanied the patron onboard became an expressive medium. The painting-and-calligraphy boat also privileged a sense of fortuity. Chance encounters and spontaneous...
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Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
... calligraphy and painting circa 1800. It goes on to suggest that Huang Yi's choice of shuanggou outlines, while firmly rooted in an epigraphic obsession with the material past, also marked the horizon of a changing attitude toward brushwork, and had more in common with modern methods of visualizing the world...
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Journal Article
Archives of Asian Art (2012) 62 (1): 105–153.
Published: 01 April 2012
.... 2004. Painting; ink on paper; 250.2 Â 283.2 cm. Asian Art Museum of San Francisco, 2011.57. Gift of Bill and Mary Kim. 112 ASIAN ART MUSEUM OF SAN FRANCISCO 8. Artist unknown. White robed Avalokiteshvara (Byakue...
Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
... colors of the Five Phases (green, yellow, red, and white pigments, plus black ink) prescribed for the Double Fifth, such as the beautiful painting The Immortal Lü Dongbin Appearing over the Yueyang Pavilion in the Metropolitan Museum of Art ( Figure 12 ), were almost certainly made for this festival...
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Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
... screen paintings, ink and color on silk; 26.5 Â 32.5 cm. From Chinese Paintings and Calligraphy the public was encouraged in the zoo’s literature to (Modern Times) (Beijing: Hanhai, 1997), fig. 7. visually savor the animals (guanshang as if they were...
Journal Article
Archives of Asian Art (2007) 57 (1): 121–150.
Published: 01 April 2007
... JOHN D. SZOSTAK Two Paths to the Pure Land 131 Fig. 8. Hada Teruo. Entotsu (Smokestack). 1911. Japan. Framed; ink, color on silk; 110.0 Â 86.9 cm. Kyoto National Museum of Modern Art. of which was an experimental painting group called the Heigo Painting Society (Heigo Gakai). The Heigo...
Journal Article
Archives of Asian Art (2004) 54 (1): 95–96.
Published: 01 April 2004
... to learn some- to NewYork in 1947, he began attending classes at the Art thing about the great tradition from an insider. Students League to learn about modern Western art, orig- inally with the aim of making his own paintings more Even more...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
... to Romantic and ness of every performance." Later Chinese painting, then, in Neo-Classical to Modern—this need not imply that this version, is a performance art. Chinese painting stopped being innovative. It might alter- Danto misreads a statement in an essay by Sherman Lee, natively...
Journal Article
Archives of Asian Art (2005) 55 (1): 79–98.
Published: 01 April 2005
... Zhansi 8th_19th century), Zhang Cining (b. 1743), Zhu Wenxin (act. in Beijing 1761-1819). Paintings of Shikan (Shrine for Poetry) by Seven Masters. China. Handscroll; ink and color on paper; 47.9 X 2,141.2 cm. Los Angeles County Museum of Art, M.2003.195. Gift of Mr. and Mrs. Theodore Hsi-en...
Journal Article
Archives of Asian Art (2018) 68 (2): 233–262.
Published: 01 October 2018
... Curator, Chinese Paintings Shi-yee Liu, Assistant Research Curator, Chinese Paintings Pengliang Lu, Henry A. Kissinger Curatorial Fellow Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink...
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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... – 104 . Bickford, Maggie . Ink Plum: The Making of a Chinese Scholar-Painting Genre . Cambridge and New York : Cambridge University Press , 1996 . Birrell, Anne . New Songs from a Jade Terrace: An Anthology of Early Chinese Love Poetry . London : Allen and Unwin , 1982 . Brook...
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Journal Article
Archives of Asian Art (2019) 69 (2): 243–298.
Published: 01 October 2019
...; terracotta with traces of pigment, 55.9 × 39.4 × 15.9 cm. Brooklyn Museum, 2018.42.1. Gift of Gwenn Miller in memory of Barbara Stoler Miller. Tai Xiangzhou (Chinese, b. 1968), Celestial Chaos No. 3, 2014. Flat painting; ink on silk, 198 × 98 cm. Brooklyn Museum, 2018.26. Gift of Kathleen Yang in memory...
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... as its subject and similarly painted with ink and color in a nianhua design, Li and Peasants, which took place from September 25 to Keran’s Model Workers and Peasants at Beihai October 2, 1950, in conjunction with the first anniver- Park (Fig. 4...
Journal Article
Archives of Asian Art (2007) 57 (1): 151–152.
Published: 01 April 2007
... problems. But as a person of sellers in Japan, did he and his wife, Doris, have the vast intellectual and creative energies, he brought his money to collect. prestige and insight into the understanding of Japanese Focusing at first on Muromachi ink painting, Peter art...