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Journal Article
Archives of Asian Art (2017) 67 (2): 257–276.
Published: 01 October 2017
... this method, and hypothesizes an invention termed the component-model method of mirror manufacturing. Multiple transfers were performed on models and molds applied at different stages of the production process. The method was devised to satisfy the burgeoning needs of a growing number of consumers while...
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Published: 01 April 2022
Figure 29. Model of a sedan carriage, driver, and four horses, Qin dynasty, 221–207 bce . Excavated in 1980 from the mausoleum of the First Emperor of Qin, Lintong, Shaanxi province. Bronze with gold, silver, and polychrome paint, overall l. 317 cm, h. of chariot 106.2 cm. The First Emperor More
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Published: 01 April 2023
Figure 8. Louis Kahn Architecture office, working on the model of the Assembly complex. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1967. More
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Published: 01 October 2018
Figure 14. “Carved model of pavilions in ivory.” From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library. More
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Published: 01 October 2020
Figure 15. Pottery house model with windows, Xinji Tomb 1, Pengyang, Guyuan, Ningxia Hui Autonomous Region, Northern Wei, fifth century. Courtesy of Guyuan Museum of Ningxia. Photograph: Guyuan Museum of Ningxia. More
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Published: 01 October 2017
Figure 1. Models at different production stages. ( Left ) component model; ( center ) pad model; ( right ) background model before cropping. The red circle signifies the circular plate. More
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Published: 01 October 2017
Figure 2. Background model after cropping. More
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Published: 01 October 2017
Figure 20. Eight pad models with grids superimposed. Each pad model consists of nine rectangular pattern units. More
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Published: 01 October 2017
Figure 29. The upper two pad models are rotated 180 degrees so that the five pad models are in the same orientation. Red arrows indicate the locations of five empty bands. More
Journal Article
Archives of Asian Art (2014) 64 (1): 33–41.
Published: 01 April 2014
...Pia Brancaccio Copyright © Asia Society 2014 Looking to the West: Stone Molds and Foreign Visual Models in Satavahana Material Culture (First–Second Century ce) pia brancaccio...
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Published: 01 October 2017
Figure 18. Eight sections of the Guokeda M4 mirror (possible pad models). More
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Published: 01 October 2017
Figure 19. Eight pad models. The upper four portions (of the eight illustrated in Figure 18 ) are rotated 180 degrees so that their orientation is the same as that of the bottom four portions. Each pad model is about 7.8 × 4.8 cm. More
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Published: 01 October 2017
Figure 28. Red rectangles marking five pad models and two locations of possible empty bands but strangely linked by curls (indicated by yellow ellipses) More
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Published: 01 October 2017
Figure 22. Detail of the bottom part of the Jianshe Yinhang mirror illustrated in Figure 21 . Photograph: author. The image at bottom left is the component model from the Guokeda M4 mirror (see Figure 13 ). More
Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
... interest in the vision cult of Wutai Shan's resident deity Mañjuśrī is displayed in the building of the three monasteries, which were all modelled after famed temples at Wutai Shan. An investigation of the ritual, architectural, and artistic productions surrounding the three monasteries reveals...
Journal Article
Archives of Asian Art (2019) 69 (2): 217–242.
Published: 01 October 2019
... was an exposed, leveled ground built on an elevated terrace at the northwest corner of the monastery proper. In combination with the ordination facility and the Buddhist pagoda, the initial ordination platform of T'ongdosa served as an important model for those subsequently built in Unified Silla and beyond...
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Journal Article
Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
... imprisoned royal consort and model Pure Land adept, within mountain ranges where she converses with the Buddha. I argue that Lady Vaidehī's encounter with the Buddha is mapped onto the space of a Dunhuang cave to enable the viewer to assume her position when facing the icon of Śākyamuni surrounded by Vulture...
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Published: 01 October 2017
this for a model, but in fact it is a mold. More
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... of propaganda to mobilize and win the munist China. With their works, they transformed nian- support of the peasants (Fig. 2).3 Pointing to these early hua into a type of visual art that amalgamated a variety Communist works as a model, Shen Yanbing in his of pictorial languages, including traditional folk...
Journal Article
Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
... and performances of kingship. Among these were the through models they appropriated from three of the chatrı¯s. Each of the Mara¯tha¯ dynasties appropriated ˙ most powerful Hindu Rajput dynasties—the Kachha- the chatrı¯ tradition from...