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Published: 01 April 2017
Figure 10. Additional poetic colophons by Yan Wenjun (1791–1850), Mao Yuanming ( jinshi 1773), an unidentified writer (fl. 1798), and Zhou Zhigui (n.d.) for the handscroll illustrated in Figure 7 . Photograph: © The Palace Museum, Beijing; all rights reserved. More
Journal Article
Archives of Asian Art (2007) 57 (1): 1–21.
Published: 01 April 2007
... n 5 August 1968 Mao Zedong sent mangoes the Gang of Four) on drafts of a critique of the play, Ofrom Pakistan to the Worker-Peasant Propaganda which Yao published in November 1965.1 Teams who were then bringing warring factions of Red The following spring attacks against Mao Zedong’s...
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
...) was awarded a third prize in the same sary of the People’s Republic of China.14 His picture national competition in 1952.16 In contrast to Lin’s shows Chairman Mao Zedong talking to a con- Zhao Guilan at the Heroes’ Reception, Li’s work neither gress deputy Zhao Guilan at the mid-autumn directly...
Journal Article
Archives of Asian Art (2003) 53 (1): 3.
Published: 01 April 2003
.... Kinney Dr. Robert W. Lyons Jeanette Lerman-Neubauer and Joseph Neubauer Meg Maggio Robert Rosenkranz and Alexandra Munroe Christophe W. Mao Mr. & Mrs. Donald Rubin Joan Mirviss David Solo...
Journal Article
Archives of Asian Art (2004) 54 (1): 23–33.
Published: 01 April 2004
... interested Rusong, son of General Li Chengliang, Earl of Ningyuan. in military strategy, such as Tang Shunzhi, Mao Kun, and Xu Wei participated in the tradition of literati painting Shen Mingchen:4 called xieyi (sketching the idea).Works such as his famous In 1557 Hu Zongxian intensified efforts...
Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
...Figure 10. Additional poetic colophons by Yan Wenjun (1791–1850), Mao Yuanming ( jinshi 1773), an unidentified writer (fl. 1798), and Zhou Zhigui (n.d.) for the handscroll illustrated in Figure 7 . Photograph: © The Palace Museum, Beijing; all rights reserved. ...
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Journal Article
Archives of Asian Art (2001) 52 (1): 121–127.
Published: 01 April 2001
.... Owyoung, Steven D. (review) The Huang Lin Collection, vol. 35 Mao, Philip Wen-Chee. A Ming Blue and White Incense Burner with (1982), pp. 55-70. a T'ai-Ch'ang Mark, vol. 23 (1969-1970), pp. 55-57. Maryon, Herbert. The Making of a Chinese Bronze Mirror, vol. Paine, Robert Treat Jr...
Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... enhanced ability to absorb qi , and therefore with the bird's long-lived nature. See Van Gulik, Gibbon in China , 38 . Edward H. Schafer also discusses the crane's Daoist associations in his essay “Cranes of Mao Shan.” For further discussion of the cultural history of the crane in ancient and early...
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Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
...] painted ink bamboo well and was a liance [of his original paintings] but the well-structured very close friend of Dongpo.64 [By him] we now have a method still exists. This is like [the famous beauties] Bamboo in the Wind and four paintings of Bamboo with Mao Qiang and Xi Shi who retained...
Journal Article
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
... identified the heartland of China. Master Zhou [Zhou Yu, the author’s name as ‘‘Wu Shengke recent publica- 175–210] was still young, wearing a kerchief of silk tions identify the writer as Mao Zhu a Northern and holding a plume fan. He employed the burning- Song official whose style-name was Shengke...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 87–115.
Published: 01 October 2015
... thangka kan rors. Unfortunately, I am re­li­ant on the Chi­nese trans­la­tion 15–17 shiji Hehuang dichu zangchuan fojiao xinyang of the text. See Anduo zhengjiao shi (A po­lit­i­ de  bianqian” 15–17世紀 cal and reli­­gious history­ of Amdo), trans. Wu Jun (Using the Ming and Qing Mao Jizu...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... . 8. It is no accident that in the early 1980s, the painters associated with the so-called decorative school, such as Yuan Yunsheng 袁運生 (b. 1937) and Wu Guanzhong 吳冠中 (1919–2010), would come to shape debates around formal beauty and formal value in the post-Mao era. See Yuan, “Bihua shijian zhong...
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Journal Article
Archives of Asian Art (2022) 72 (2): 221–253.
Published: 01 October 2022
... production in the Yuan dynasty, see Zhao Hansheng, “‘Dayuan zhanji gongwu ji’ suozai mao fangzhi shiliao shu.” Dayuan zhanji gongwu ji refers to a chapter on felt production in the Huangchao jingshi dadian . 113.   Song, Yuanshi , juan 87, 2202. 114.   Golombek, “Draped Universe...
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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... (accessed 1 June 2011). Mao’s Tiananmen Portrait in Remaking Beijing: Tianan- 23. James Cahill, An Index of Early Chinese Painters men Square and the Creation of a Political Space (Chi- and Paintings: T’ang, Sung, and Yu¨ an (Berkeley: Univer- cago: University of Chicago Press, 2005), pp. 68–84...
Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
... of post-Mao feminist humanist thought that sought to recuperate a female subjectivity from the state mobilization of women, identifies a subject different from that signified by nü yishujia 女艺术家 (female artist), or artist who happens to be a woman.” Welland, “Camouflaged Histories,” 94–95 . Works...
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Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
.... It LISA CLAYPOOL Habitat Dioramas 177 is true that animal paintings could refer to attaining cut away to reveal the bones of a mountain fading wealth and good health.49 For instance, the word for into a ravine of mist (see Fig. 12). Displayed next to the ‘‘cat’’ 貓 (mao) is a homophone...
Journal Article
Archives of Asian Art (2018) 68 (2): 157–190.
Published: 01 October 2018
.... Needham and Yates, Science and Civilisation in China , 118 . 10. Shijing , Mao 60/Waley 55. Waley, Book of Songs , 55 : “The branches of the vine-bean ( Metaplexis Stauntoni ); / A boy with knot-horn [ xi 觿] at his belt! / Even though he carries knot-horn at his belt, / Why should he...
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Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
... unknown (Shanghai The Artist: 1082-1136," Ph.D. diss., New York University, 1972; Dong Museum reproduced in Xie Zhiliu, Tang Wudai, pl. 34. The second Yanming, "Shi Tan Zhao Ji de Ruihe Tu' Juan" ("Notes on Zhao Ji's is Mao Tu UN (Musk Cat), attributed to Huizong, undated album leaf, `Auspicious...