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Published: 01 October 2023
Figure 16. Hathi Pol and eastern facade of Man Singh Palace, reign of Man Singh Tomar (ca. 1486–1516), Gwalior. Photograph: Ross Lee Bernhaut, 2023. More
Image
Published: 01 October 2023
Figure 17. Southern facade of Man Singh Palace, reign of Man Singh Tomar (ca. 1486–1516), Gwalior. Photograph: Ross Lee Bernhaut, 2022. More
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Published: 01 October 2023
Figure 7. Silk painting depicting a man riding a dragon, Warring States period (475–221 bce ). Color on silk, 37 × 28 cm. Hunan Provincial Museum. More
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Published: 01 April 2024
Figure 15. Inscriptions B26 and B27. Photograph: Hsueh-man Shen. More
Image
Published: 01 October 2017
52. Kagawa Michiko (Japanese, b. 1928), Man-Woman-Child , Japan, Shōwa period (1926–1989), ca. 1950. Ink on paper mounted as two-fold screen, image 118.7 × 59.7 cm, mount 138.4 × 70.8 cm. Philadelphia Museum of Art, 2015–75–1. Gift of Theodore T. Newbold and Helen Cunningham in honor of Bill More
Journal Article
Archives of Asian Art (2003) 53 (1): 26–53.
Published: 01 April 2003
...Padma Kaimal Copyright © Asia Society 2003 A Man's World? Gender, Family, and Architectural Patronage, in Medieval India PADMA KAIMAL COLGATE UNIVERSITY Shortly before 908 C.E., a woman. named Nangai Bhiiti she certainly continued to make large gifts to her temple Aditya...
Journal Article
Archives of Asian Art (2024) 74 (1): 37–63.
Published: 01 April 2024
...Figure 15. Inscriptions B26 and B27. Photograph: Hsueh-man Shen. ...
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Journal Article
Archives of Asian Art (2024) 74 (2): 197–231.
Published: 01 October 2024
... Rawan is built to the north of a man-made tank called Pariyon ka Talab, literally “Fairies’ Pond” in Hindi/Urdu (see Figure 8 ). Recent research has revealed that the stone coursing around the Fairies’ Pond is identical to that seen in Yadava-period structures at Daulatabad, indicating...
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Image
Published: 01 April 2024
Figure 11. Inscriptions A5 in the foreground and B28 in the background. Photograph: Hsueh-man Shen. More
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Published: 01 April 2024
Figure 17. Inscription B21 on the right with visitors approaching it from the left. Photograph: Hsueh-man Shen. More
Image
Published: 01 April 2024
Figure 4. View of the Wolf Gorge, looking from the east toward the west side. Photograph: Hsueh-man Shen. More
Journal Article
Archives of Asian Art (2015) 65 (1-2): 25–56.
Published: 01 October 2015
...Chelsea Foxwell Abstract The Ippen hijiri-e (Illustrated Life of the Holy Man Ippen, 1299) by En'i is distinctive among medieval Japanese hagiographic emaki (picture handscrolls) for its use of a high, distant vantage point in each of the forty-eight scenes. This article situates the Ippen within...
Journal Article
Archives of Asian Art (2022) 72 (2): 155–180.
Published: 01 October 2022
... is transformed from an iconographic puzzle into an innovative visual strategy to reconcile what might seem opposing facets of a divine persona—that is, the ascetic and the family man. By presenting these icons as a “family portrait,” this study recontextualizes important works of art from early India...
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Image
Published: 01 October 2017
Figure 25. Sculptural panels depicting Life Story episode of prince's encounter with aged man (top), and the Śibi jātaka (bottom), in circumambulation gallery, Borobudur, Java, ninth century. Photograph: author, 1986. More
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Published: 01 October 2021
Figure 4. Marriage Scene , Maitreya Buddha Tableau , Yulin Cave 25, north wall, Tang dynasty (618–907), Anxi, China. Mural painting. A man and a woman sit at a table underneath a tent and one person is visible seated across from them. Two standing figures serve them. One figure bows prostrate More
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Published: 01 October 2021
Figure 5. Living Funeral Scene , Maitreya Buddha Tableau , Yulin Cave 25, north wall, Tang dynasty (618–907), Anxi, China. Mural painting. An elderly man is seated in his tomb, a rounded structure enclosed within a walled compound. Painted inside the tomb is a mountain scene. The elderly man More
Image
Published: 01 October 2023
Figure 47. Chen Zuoyi (Chinese, 1858–1934), Paying Homage to the Sage at the Hall of Learning ( Xuegong ye sheng ). From Chen, Old Man Feng's Eighty Years' Experience in Images and Records , photolithographic edition, no publisher or date. Nanjing Library. More
Journal Article
Archives of Asian Art (2016) 66 (1): 81–105.
Published: 01 April 2016
... Buddhism Huayan Buddhism The Thousand-armed Man˜ jus´rı¯ at Dunhuang and Paired Images in Buddhist Visual Culture michelle c. wang Georgetown University Abstract...
Journal Article
Archives of Asian Art (2016) 66 (2): 323.
Published: 01 October 2016
... Joint Poetry Illustrations’’ in vol. 64, no. 2: Man˜ jus´rı¯ at Dunhuang’’ in vol. 66, no. 1: p. 98: p. 97: A simple translation of the title might be: ‘‘Mountains Furthermore, poems dedicated to Man˜ jus´rı¯ and Mt. crowd together constricting...
Journal Article
Archives of Asian Art (2006) 56 (1): 105–106.
Published: 01 April 2006
... was the identity of a certain painter. while cultivating inner strength, pursuing what matters to One Wang Liyong was a man of the early Southern Song, the soul amid the worldly hubbub. The way of the bod- a scholar of Daoist subjects, a figure painter, and a daibi hisattva focuses outward rather than inward...