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Image
Arhats (on left wall) and Drukpa Kagyu lineage, in Lama Lhakhang, Chemre Mo...
Available to Purchase
in “Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
> Archives of Asian Art
Published: 01 October 2017
Figure 31. Arhats (on left wall) and Drukpa Kagyu lineage, in Lama Lhakhang, Chemre Monastery, Ladakh, ca. mid-seventeenth century. Photograph: author, 2015.
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Journal Article
Newly Discovered Śaiva-Ascetic Icons from West Bengal
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Archives of Asian Art (2021) 71 (1): 93–122.
Published: 01 April 2021
... not yet know if any new dimension was added to the corpus of rituals, and the Śiva-Śakti power equation after the Saiddhāntika Śaiva preceptors affiliated with Golagī great monastery of Durvāsas lineage entered Devīkoṭa at the end of the tenth century. This essay searches for answers in the visual...
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Journal Article
Art-Historical Fiction or Fictional Art History?: Zhang Taijie, Dong Qichang, and the Literary Making of the Past in Early Modern China
Available to Purchase
Archives of Asian Art (2022) 72 (2): 181–219.
Published: 01 October 2022
... claims registered in art-historical writings of the time, wherein leading critics and connoisseurs, including Dong Qichang (1555–1636), propounded completely contrived arguments by which they tried to establish legitimate lineages in Chinese art. Such propositions represent, borrowing from Eric...
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View articletitled, Art-Historical Fiction or Fictional Art History?: Zhang Taijie, Dong Qichang, and the Literary Making of the Past in Early Modern China
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Journal Article
To Fill “a Gap in Indian History”: An Archival Reckoning with the Term Company Painting
Available to Purchase
Archives of Asian Art (2024) 74 (1): 79–128.
Published: 01 April 2024
... and Indian artists at Patna. Further, Prasad emerges as a key interlocutor between the critic and educator E. B. Havell (1861–1934) and the artist Abanindranath Tagore (1871–1951), integrating Mughal and Company lineages within the growing pan-Asian sensibility at the Calcutta School of Art. Foregrounding...
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Journal Article
Distinguishing “Set” from “Series” in Tibetan Painting
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Archives of Asian Art (2014) 64 (1): 59–73.
Published: 01 April 2014
...-known examples of ings as well.1 This is particularly true in relation to a
a series depicting a Tibetan Buddhist incarnation lineage. number of works commissioned at the well-known
Ngor Evam Choden Monastery (ngor e waM chos ldan...
Journal Article
Recontextualizing Kanjingsi: Finding Meaning in the Emptiness at Longmen
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Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
.... Parma
element in the multilayered and complex reality of actual 19 11.Punyayasas
practice at Longmen during the Tang. It synthesizes recent 20 6 12. Asvagtmasa
scholarship on the lineage schemes being formulated 21...
Journal Article
Votive Paintings of the Kabuki Actors Ichikawa Danjūrō at Naritasan Shinshōji Temple
Available to Purchase
Archives of Asian Art (2012) 62 (1): 69–79.
Published: 01 April 2012
... beliefs, Shugendo¯
a deep connection between the Ichikawa Danju¯ro¯ lineage practices, and Fudo¯ Myo¯ o¯ ’s fierce aspect.5 Danju¯ ro¯ I
of actors and Naritasan Shinsho¯ji. The Danju¯ro¯ actors also expressed his devotion by writing plays about
actively fostered this association by attributing...
Journal Article
Portraiture on the Periphery: Recognizing Changsem Sherab Zangpo
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Archives of Asian Art (2013) 63 (1): 59–86.
Published: 01 April 2013
... distinctive history tends to pale or this type of narrowing and undermining of the ‘‘multi-
even disappear, as happened among monasteries with ple unity’’ on the later arts of Ladakh and Zangskar.
Geluk (dge lugs) lineage affiliations during the rise to Landscape settings, in particular, were adopted...
Journal Article
The “Taklung” Thankas: Their History and Provenance Reconsidered
Available to Purchase
Archives of Asian Art (2006) 56 (1): 1–10.
Published: 01 April 2006
... of
teacher in mind."33 What is most significant about the the Metropolitan Museum of Art, provides some of the
inscription is its implication that the thanka was produced answers (Fig. 9). It includes a Kagyu lineage, with inscrip-
for one of Onpo's followers at Riwoche, the locus of his tions...
Journal Article
Expanding the Ghurid Architectural Corpus East of the Indus: The Jāgeśvara Temple at Sādaḍi, Rajasthan
Available to Purchase
Archives of Asian Art (2009) 59 (1): 33–56.
Published: 01 April 2009
... in-
scriptions relevant to the Ca¯hama¯na dynasty and its
˙ 3
various lineages (ca. 750–ca. 1390 ce ), he meticulously
examined...
Journal Article
Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space
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Archives of Asian Art (2022) 72 (2): 273–275.
Published: 01 October 2022
... of the divine with emanations that complement one another. “Walking clockwise looks like a form of prayer for fecundities, prosperity, and continuities of lineages from the past and into the future generations. Walking counterclockwise looks like prayer seeking protective power, victory, restraint of the self...
Journal Article
Wang Chi-ch'ien (1907–2003)
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Archives of Asian Art (2004) 54 (1): 95–96.
Published: 01 April 2004
... the room, and said
July 3rd. He was ninety-six years old. Because he was, for "Ah, you bought a Xie Shichen!"
many of us in Chinese art studies and for a great many
others as well, a living embodiment of the great Chinese Born near Suzhou into a scholar-official family, Wang
lineage of scholar...
Journal Article
The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
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Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... and to situate Puyi's court circle in relation to the society of artists, aesthetic discourses on ink painting, typology, and lineages, and the modernization of the art canon. Through examining these artworks and their constituent networks, we open up a new investigative angle on the process of modernist reform...
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Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
... and callig-
literati artist/collectors of the nineteenth century, attempted raphers19 A genealogy, with its emphasis on lineage,
to compile a book of biographies of painters and callig- presupposes that information regarding a person’s family
raphers similar to the Qing-period Biographical records line...
View articletitled, O Sech'ang's Compilation of Kŭnyŏk sŏhwa sa 槿域書畵史 (History of Korean painting and calligraphy) and the Publication of Kŭnyŏk sŏhwa ching 槿域書畵徵 (Biographical records of Korean painters and calligraphers)
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for article titled, O Sech'ang's Compilation of Kŭnyŏk sŏhwa sa 槿域書畵史 (History of Korean painting and calligraphy) and the Publication of Kŭnyŏk sŏhwa ching 槿域書畵徵 (Biographical records of Korean painters and calligraphers)
Journal Article
“Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
Available to Purchase
Archives of Asian Art (2017) 67 (2): 143–187.
Published: 01 October 2017
...Figure 31. Arhats (on left wall) and Drukpa Kagyu lineage, in Lama Lhakhang, Chemre Monastery, Ladakh, ca. mid-seventeenth century. Photograph: author, 2015. ...
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Journal Article
Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
Available to Purchase
Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
... political legitimacy. In the temple the living between the Sisodia chatrı¯s and the Eklin˙ gjı¯ Temple
˙
MELIA BELLI Keeping Up with the Rajputs 99
therefore allude to the continuity of Sisodia lineage, and in north India in 1818...
View articletitled, Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
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for article titled, Keeping Up with the Rajputs: Appropriation and the Articulation of Sacrality and Political Legitimacy in Scindia Funerary Art
Journal Article
A Standing Kannon in the Tokyo National Museum
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Archives of Asian Art (2003) 53 (1): 7–25.
Published: 01 April 2003
... of analysis in Zenkuji and Its Icon: A 14. Ohashi Katsuaki, "Hakuhb Chokoku Ron" ("Treatise on
Study in Medieval Japanese Religious Art (Princeton: Princeton Univ. Pr., Hakuho Sculpture Bukkyo Geyutsu, vol. 223 (1995): pp. 37-56.
1994); in "The Saidaiji Lineage of the Seiryoji Shaka Tradition," Archives...
Journal Article
Donald F. McCallum (1939–2013)
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Archives of Asian Art (2013) 63 (2): 211–213.
Published: 01 October 2013
.... For about two years, before re- and the Orthodox Style’’ in Artibus Asiae (1974), ‘‘The
turning to the United States, they lived outside Kyoto in Saidaiji Lineage of the Seiryo¯ ji Shaka Tradition’’ in
Iwakura in a little house surrounded by rice fields in the Archives of Asian Art (1996...
Journal Article
Fashioning a Political Body: The Tomb of a Rouran Princess
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Archives of Asian Art (2007) 57 (1): 23–49.
Published: 01 April 2007
...
subsumed within their function as funerary goods. her tomb in light of historical events unfolding at the
Moreover, as in many families during the late Northern time.
Dynasties, the ethnicity of the Gao clan was unclear,
given the practices of intermarriage and of constructing
false lineages...
Journal Article
Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
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Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
... and Horse Commissioned with Extraordinary Powers, Commander-in-Chief of Domestic and Foreign Military Affairs, Lord Specially Advanced, [and] Prefectural Governor of the Metropolitan Area. A member of the imperial lineage, [he] descended from remote ancestry, and was well-versed in Golden Scriptures...
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