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Warrior Goddess, Mathura, Uttar Pradesh, Late Kushan period (late third–ear...
Available to PurchasePublished: 01 April 2022
Figure 3. Warrior Goddess, Mathura, Uttar Pradesh, Late Kushan period (late third–early fourth c.). Red sandstone. H. 20.32 cm. Museum für Asiatische Kunst, Berlin (MIK I 5817). Photograph: courtesy of the Museum für Asiatische Kunst.
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Journal Article
Kim Hongdo's Sandalwood Garden: A Self-Image of a Late-Chosŏn Court Painter
Available to Purchase
Archives of Asian Art (2012) 62 (1): 47–67.
Published: 01 April 2012
...Jiyeon Kim Copyright © Asia Society 2012 Kim Hongdo’s Sandalwood Garden: A Self-Image of a
Late-Choso˘ n Court Painter
jiyeon kim
Ulsan...
Image
in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 18. Birth, bath, and first seven steps . Late 3rd century ce . Phanigiri, Andhra Pradesh. Photograph: author.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 23. Māyā presents the infant Śākyamuni , late 1st–2nd century ce . Candavaram, Andhra Pradesh. State Archaeological Museum, Hyderabad, P.6647. Photograph: author.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 25. Māyā presents the infant Śākyamuni , late 3rd century ce . Nagarjunakoṇḍa, Andhra Pradesh. National Museum of India, New Delhi, detail of 50.17. Photograph: author.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 26. Māyā presents the infant Śākyamuni; Asita’s prediction , late 3rd century ce . Nagarjunakoṇḍa, Andhra Pradesh. Government Museum, Chennai. Photograph: University of Michigan, History of Art Department, Visual Resources Collections.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 27. Scenes from Vaiśālī , late 2nd century bce . Amaravati, Andhra Pradesh. Amaravati Site Museum, Amaravati. Photograph: University of Michigan, History of Art Department, Visual Resources Collections.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 28. Yakṣī, mother of Priyaṃkara , late 2nd century bce . Kanaganahalli, India. Photograph: author.
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Image
Published: 01 April 2017
Figure 6. Wang Yuyan (China, fl. late 18th c.), Orchid and Rock . Fan, ink and colors on paper, 16. × 55.1 cm. Cheng Xun Tang Collection.
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Journal Article
From Studiolo to Chaekgeori , A Transcultural Journey: An Introduction to Sunglim Kim's “ Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea”
Available to Purchase
Archives of Asian Art (2014) 64 (1): 1–2.
Published: 01 April 2014
...Jerome Silbergeld Copyright © Asia Society 2014 From Studiolo to Chaekgeori, A Transcultural Journey:
An Introduction to Sunglim Kim’s ‘‘Chaekgeori:
Multi-Dimensional Messages in Late Joseon Korea’’1...
View articletitled, From Studiolo to Chaekgeori , A Transcultural Journey: An Introduction to Sunglim Kim's “ Chaekgeori: Multi-Dimensional Messages in <span class="search-highlight">Late</span> Joseon Korea”
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for article titled, From Studiolo to Chaekgeori , A Transcultural Journey: An Introduction to Sunglim Kim's “ Chaekgeori: Multi-Dimensional Messages in <span class="search-highlight">Late</span> Joseon Korea”
Journal Article
Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea
Available to Purchase
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
...Sunglim Kim Copyright © Asia Society 2014 Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea
sunglim kim
Dartmouth College
he rapid rise of consumer culture between the eigh...
Journal Article
The Aesthetics of Scholarship: Weng Fanggang and the Cult of Su Shi in Late-Eighteenth-Century Beijing
Available to Purchase
Archives of Asian Art (2019) 69 (1): 103–120.
Published: 01 April 2019
...Michele Matteini Abstract In the late 1770s Weng Fanggang (1733–1818) initiated what would become a defining feature of High Qing cultural and social life: ceremonies in honor of Su Shi's birthday. These elaborate, collective rituals took place yearly in Weng's Beijing residence and centered...
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View articletitled, The Aesthetics of Scholarship: Weng Fanggang and the Cult of Su Shi in <span class="search-highlight">Late</span>-Eighteenth-Century Beijing
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for article titled, The Aesthetics of Scholarship: Weng Fanggang and the Cult of Su Shi in <span class="search-highlight">Late</span>-Eighteenth-Century Beijing
Image
Star-Uşak carpet, late fifteenth century, wool (warp, weft, and pile), symm...
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in Interpreting the Eye ( ‘ain ): Poetry and Painting in the Shrine of Aḥmad Shāh al-Walī al-Bahmanī (r. 1422–1436)
> Archives of Asian Art
Published: 01 October 2017
Figure 12. Star-Uşak carpet, late fifteenth century, wool (warp, weft, and pile), symmetrically knotted pile, 430.5 × 232.4 cm. The Metropolitan Museum of Art, New York, 58.63. Gift of Joseph V. McMullan, 1958. Photograph: © The Metropolitan Museum of Art ( www.metmuseum.org ).
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Journal Article
Two Farewell Handscrolls of the Late Northern Song
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Archives of Asian Art (2001) 52 (1): 44–62.
Published: 01 April 2001
...Elizabeth Brotherton Copyright © Asia Society 2001 Two Farewell Handscrolls of the Late Northern Song*
ELIZABETH BROTHERTON
STATE UNIVERSITY OF NEW YORK, NEW PALTZ
In the autumn of 1122 the artist Hu Shunchen made a farewell poem with a farewell painting may likewise have...
Journal Article
Toward Alternative Receptions of Ghurid Architecture in North India (Late Twelfth-Early Thirtheenth Century CE)
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Archives of Asian Art (2004) 54 (1): 35–61.
Published: 01 April 2004
...A. Patel Copyright © Asia Society 2004 Toward Alternative Receptions of Ghurid Architecture in
North India (Late Twelfth-Early Thirtheenth Century CE)t
A. PATEL
UNIVERSITY OF MICHIGAN, ANN ARBOR
It remains uncontroverted that the Shansabanis established which enmeshed northern...
View articletitled, Toward Alternative Receptions of Ghurid Architecture in North India (<span class="search-highlight">Late</span> Twelfth-Early Thirtheenth Century CE)
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for article titled, Toward Alternative Receptions of Ghurid Architecture in North India (<span class="search-highlight">Late</span> Twelfth-Early Thirtheenth Century CE)
Image
Attributed to Lü Jingfu (Chinese, active late 14th c.), Ming dynasty (1368–...
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in Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)
> Archives of Asian Art
Published: 01 April 2018
Figure 9. Attributed to Lü Jingfu (Chinese, active late 14th c.), Ming dynasty (1368–1644), fourteenth century. Hanging scroll, ink and color on silk, 101.6 × 53 cm. The Metropolitan Museum of Art, New York, Rogers Fund, 1912, 12.37.134. Artwork in public domain. Photograph: © The Metropolitan
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Shield-shaped pendant, late Ming (1368–1644) or early Qing (1644–1911) dyna...
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in The Shield-Shaped Jade Pendant: A Singular Han-Dynasty Type and Its Later Revivals
> Archives of Asian Art
Published: 01 October 2018
Figure 31. Shield-shaped pendant, late Ming (1368–1644) or early Qing (1644–1911) dynasty, found in Qing-dynasty tomb of a daughter of Songgotu, Haidian District, Beijing. Green jade, l. 7.7 cm. From Gu, Zhongguo chutu yuqi quanji 1:85.
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Shield-shaped pendant, late Ming (1368–1644) or early Qing (1644–1911) dyna...
Available to Purchase
in The Shield-Shaped Jade Pendant: A Singular Han-Dynasty Type and Its Later Revivals
> Archives of Asian Art
Published: 01 October 2018
Figure 32. Shield-shaped pendant, late Ming (1368–1644) or early Qing (1644–1911) dynasty, found in Qing-dynasty tomb of a daughter of Songgotu, Haidian District, Beijing, Qing dynasty (1644–1911). White jade, l. 8 cm. From Gu, Zhongguo chutu yuqi quanji 1:84.
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Image
Published: 01 October 2018
Unidentified artist, Dog with Orange Bib , Japan, late Edo period (1615–1868), mid-nineteenth century. Paulownia wood, gofun (ground shell white), silk, and pigments, 19.69 × 13.34 × 18.42 cm. Los Angeles County Museum of Art, M.2017.41. Gift of Mrs. Charlene S. Kornblum and Dr. S. Sanford
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Image
Published: 01 October 2018
Washimi Shungaku (Japanese, 1822–93), Myriad Fishes , Japan, late Edo period (1615–1868) or Meiji period (1868–1912), mid-late nineteenth century. Hanging scroll; ink and color on paper, image 168.59 × 96.52 cm, mount 252.1 × 113.03 cm. Los Angeles County Museum of Art, M.2017.14. Gift of Lenore
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