...Wen-Chien Cheng Abstract This paper is a study of Song dynasty panche tu (paintings of traveling bullock carts), a unique genre combining elements of jiehua (paintings requiring the aid of measuring tools), landscape, and genre art. As early as the Five Dynasties, bullock carts were represented...

...Birgitta Augustin Abstract In the late thirteenth century, the poet-painter Qian Xuan 錢選 (style [ zi (字)] Shunju 舜举, sobriquets [hao 號] Zhaxi weng 霅溪翁, Yutan 玉潭; ca. 1235–ca. 1307) created a horizontal, multi-colored landscape painting known today as Wang Xizhi Watching Geese and owned...

...Tingting Xu Abstract Most of Gong Xian's (1618–1689) long landscape handscrolls were originally structured as accordion albums. This article discusses the morphology and metamorphosis of the accordion folds as a painting format, and rethinks the issues of surface, depth, and depths of Chinese...

... the deceased as a neighbor of the ancient filial paragons who dwell in an ideal landscape as recluses. In addition to the visual analysis of the sarcophagus, this article also examines the epitaph buried along with the sarcophagus. While the carving praises the private virtue of the dead, the text paints...

... the development of the landscape handscroll in East Asia. While the Ippen is usually understood as a biographical narative, it can also be seen as an ink landscape journey in handscroll form. A comparison between the Ippen hijiri-e , the Shōjūraigoji Six Realms paintings (before 1307), and the Yamai no sōshi...

... painting, and the landscape painter Li Bi, are in other 15th-century cultural and political contexts? as well represented as the two famous masters, with In addition, another important question emerges: how twenty-four paintings each. can our own perspectives on Chinese painting history Prince...

... tradition of politically charged landscape painting in China. As Wang Cheng-hua maintains, works from the garden.54 Bishu shanzhuang (The Mountain Northern Song dynasty (960–1127) such as Zhang Villa to Escape the Heat) (Fig. 8) by Leng Mei 冷枚 Zeduan’s Qingming shanghe tu The represents...

..., a turning Ming: as I have shown in various writings, he devised point in Chinese painting, of which the sharp decline in the unprecedented techniques for making his pictures approxi- production and importance of landscape is only one symp- mate better what he saw (in a Gombrichian sense...

... has revealed some interesting changes in the reception of the painter's work. In the sixteenth century, for example, six authors mentioned landscapes and grapes as subjects of Saimdang's painting. In the seventeenth century seven authors discussed her work and stated that she painted orchids...

... farewell painting, on which he inscribed a farewell poem, had its beginnings in earlier times (Wang Wei to give to an official about to embark on a mission for the [ca.700–ca.760] has been proposed as author of this prac- Northern Song (960-1127) court (Figs. 1, 2).1 A landscape tices); judging...

... accompanied the exhibition his research to describe not just the what and how of he curated for the University of Illinois' Krannert Art Chinese landscape painting but also to explain the why. In Museum and The Metropolitan Museum of Art. This 1965 Munakata became the first graduate of Princeton's...

... mentioned. 3 Scholars of Chinese painting have largely described Pure Land mountain images at Dunhuang as “blue and green landscapes” ( qinglü shanshui 青绿山水) in the development of the landscape painting genre, whereas historians of Buddhist art have limited their focus to the religious iconography...

... of the scene in to believe that he˙ would not have assigned Castiglione a pale blue planter atop a natural-looking yet decorative to paint it: imperial archival records demonstrate that wood pedestal is a penjing miniature landscape in a Castiglione was painting until his death. That is, of basin more...

... and calligraphy aboard the art boat offered a sharp contrast to creating and appraising art in the garden studio. Confined to the private studio, landscape painting invariably called on conjured innerscapes or the mind's eye ( xinmu 心目). 62 Painting from one's imagination has been for centuries both...

... their real- ism (Fig. 35). This sense of space and awareness of nature as a subject for painting--as landscape painting—was new to Koguryd in the sixth century. In both the lotus pond painting in Jinpari Tomb 4 and the Black Tortoise-and-Serpent painting in Jinpari Tomb it is the landscape...

... on toward the sea, or depicted with such beauty. For its water ure of his fellow China art historians, both his generational alone, it is one of the finest early Chinese landscape paintings in peers and their successors, to complete the task of arranging existence a clear history of painting...

... the calligraphy scroll The Sutra on the Lotus of the Sublime Dharma (which contains “one”) shatters, entering into an animated landscape. The landscape is recognizable as a variation of Autumn Colors on the Qiao and Hua Mountains 鵲華秋色圖, “which we believe [Zhao Mengfu] painted in the winter of 1295 to [12]96...

... on 210 ARCHIVES OF ASIAN ART Chinese painting in the English language. It was to early Michael was blessed with long life, which most landscapes that he turned for his dissertation topic, later Chinese traditionally took as evidence of virtue. (Of published as The Birth of Landscape Painting...

... Harris's book In the Image of Tibet: Tibetan Painting after 1959 (1999) provided context for Chopel's innovative style and subject matter as she documented Tibet's wider artistic landscape of the twentieth century. In 2003 Tsewang Tashi published his article “Twentieth Century Tibetan Painting,” which...