1-20 of 122 Search Results for

landscape art

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 1–24.
Published: 01 October 2015
...Mia Yinxing Liu Abstract This paper examines Lang Jingshan's landscape photography in its historical and political contexts. Tracing Lang's oeuvre from Shanghai to Chongqing to Taiwan, it also studies how the pictures were commissioned, made, and perceived. I argue that Lang's photographic art...
Image
Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
Image
Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
Image
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
Image
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
Image
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
Image
Published: 01 October 2017
49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More
Image
Published: 01 October 2017
49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More
Image
Published: 01 October 2017
15. Sun Junze (Chinese, active 14th c.), Landscape with Buildings , China, Yuan dynasty (1279–1368), early fourteenth century. Hanging scroll; ink and color on silk, 185.2 × 112.4 cm. University of California, Berkeley Art Museum and Pacific Film Archive, 2016.4. Gift of Sarah Cahill, in memory More
Image
Published: 01 October 2018
Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall. Okuhara Seikō More
Image
Published: 01 October 2018
Vase with a Scholar in a Landscape , China, Ming dynasty (1368–1644), Chongzhen period (1628–44), seventeenth century. Porcelain with cobalt blue under clear glaze (Jingdezhen ware), 44.5 × 12.5 cm). Yale University Art Gallery, 2017.72.1. Leonard C. Hanna, Jr., Class of 1913, Fund. Vase with a More
Image
Published: 01 October 2017
and colors on paper, painting proper 49.8 × 46 cm, frame 71.8 × 61 cm. Harvard Art Museums/Arthur M. Sackler Museum, 2015.27. Gift of Christina Marcove and Laura Marcove Hoffman in honor of Robert D. Mowry. 22. Nahan (Chinese, Luohan) Standing in a Landscape Viewing an Ink-Painted Scroll Depicting a More
Image
Published: 01 April 2017
Figure 14. Detail of Huang Yuanjie (China, mid-17th c.), Landscape in the Manner of Huang Gongwang , 1651. Handscroll, ink on paper, 25.1 × 37.2 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. Figure 14. Detail of Huang Yuanjie (China, mid-17th c.), Landscape in the Manner More
Image
Published: 01 April 2018
Figure 8. Yang P'aengson (1480–1545), Landscape , first half of sixteenth century. Hanging scroll, ink on paper, image 88.2 × 46.5  cm. The National Museum of Korea, Seoul. Photograph: courtesy of the National Museum of Korea. Figure 8. Yang P'aengson (1480–1545), Landscape, first half of More
Image
Published: 01 April 2018
Figure 18. The “Tōji” Landscape Screen, eleventh century. Six-panel folding screen, ink and pigment on silk, each panel 146.4 × 42.7  cm. Tōji (a.k.a. Kyōōgokokuji) and the Kyoto National Museum. Photograph: © Kyoto National Museum. Note the rectangular cartouche in the upper left corner of the More
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 239–269.
Published: 01 October 2016
...Wen-Chien Cheng Abstract This paper is a study of Song dynasty panche tu (paintings of traveling bullock carts), a unique genre combining elements of jiehua (paintings requiring the aid of measuring tools), landscape, and genre art. As early as the Five Dynasties, bullock carts were represented in...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 121–127.
Published: 01 April 2001
... Unique Characteristics of Chinese Landscape Art of the Han Period, vol. 21 (1967-1968), pp. 20-38; The Eastern Pictures, vol. 6 (1952), pp. 45-63. Han Tomb at Ho-lin-ko-erh (Holingol), vol. 31 (1977-1978), pp. 79-103. David, Percival...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 277–306.
Published: 01 October 2017
...56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 135–180.
Published: 01 April 2009
... Curator of Chinese Art at the Freer and Sackler Galleries. 16. Sotan, attrib. (15th c Pair of hanging scrolls with landscapes. Hanging scrolls; ink and color on paper; each image 24.4 Â 33.9 cm. Freer Gallery of...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 100–102.
Published: 01 April 2012
...Catherine Becker Copyright © Asia Society 2012 100 ARCHIVES OF ASIAN ART capable of relaying this information—that it was specific workshops in which former prisoners and homeless locality that rendered the sculpture legible. Would a veterans developed and staged a series of...