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Journal Article

Kitagawa Tamiji: Painting in the Pursuit of Pigmented Knowledge of Self and Other

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Bert Winther-Tamaki
Archives of Asian Art (2013) 63 (2): 189–207.
DOI: https://doi.org/10.1353/aaa.2014.0005
Published: 01 October 2013
...Bert Winther-Tamaki Copyright © Asia Society 2013 Kitagawa Tamiji: Painting in the Pursuit of Pigmented Knowledge of Self and Other bert winther-tamaki University...
View articletitled, <span class="search-highlight">Kitagawa</span> Tamiji: Painting in the Pursuit of Pigmented Knowledge of Self and Other View PDF for article titled, <span class="search-highlight">Kitagawa</span> Tamiji: Painting in the Pursuit of Pigmented Knowledge of Self and Other
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Kitagawa Utamaro (Japanese, 1754–1806), Hands inside the Sleeves (Futokorode), from the series Eight Views of Tea Stalls in Celebrated Places (Meisho koshikake hakkei), ca. 1795–96. Woodblock print; ink and color on paper, sheet 38.1 × 24.1 cm. Seattle Art Museum, 2017.23.6. Gift of Mary and Allan Kollar, in honor of the 75th Anniversary of the Seattle Art Museum. Photographer: Colleen Kollar Zorn.

Kitagawa Utamaro (Japanese, 1754–1806), Hands inside the Sleeves (Futokoro...

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in Art of Asia Acquired by North American Museums, 2016–2017 > Archives of Asian Art
Published: 01 October 2018
Kitagawa Utamaro (Japanese, 1754–1806), Hands inside the Sleeves (Futokorode), from the series Eight Views of Tea Stalls in Celebrated Places (Meisho koshikake hakkei) , ca. 1795–96. Woodblock print; ink and color on paper, sheet 38.1 × 24.1 cm. Seattle Art Museum, 2017.23.6. Gift of Mary More
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Figure 13. Kitagawa Utamaro (Japanese, ca. 1753–1806), Hanaōgi of Ōgiya, from the series “Renowned Beauties Likened to the Six Immortal Poets,” ca. 1795–96. Woodblock print; ink and colors on paper, 38.6 × 25.8 cm. Museum of Fine Arts, Boston, William S. and John T. Spaulding Collection, 21.6539. Photograph: © 2020 Museum of Fine Arts, Boston.

Kitagawa Utamaro (Japanese, ca. 1753–1806), Hanaōgi of Ōgiya , from the se...

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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913) > Archives of Asian Art
Published: 01 October 2020
Figure 13. Kitagawa Utamaro (Japanese, ca. 1753–1806), Hanaōgi of Ōgiya , from the series “Renowned Beauties Likened to the Six Immortal Poets,” ca. 1795–96. Woodblock print; ink and colors on paper, 38.6 × 25.8 cm. Museum of Fine Arts, Boston, William S. and John T. Spaulding Collection More
Journal Article

Art of Asia Acquired by North American Museums, 2016–2017

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Archives of Asian Art (2018) 68 (2): 233–262.
DOI: https://doi.org/10.1215/00666637-7162264
Published: 01 October 2018
...Kitagawa Utamaro (Japanese, 1754–1806), Hands inside the Sleeves (Futokorode), from the series Eight Views of Tea Stalls in Celebrated Places (Meisho koshikake hakkei) , ca. 1795–96. Woodblock print; ink and color on paper, sheet 38.1 × 24.1 cm. Seattle Art Museum, 2017.23.6. Gift of Mary...
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Journal Article

Art of Asia Acquired by North American Museums, 2003–2004

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Archives of Asian Art (2006) 56 (1): 109–132.
DOI: https://doi.org/10.1484/aaa.2006.0008
Published: 01 April 2006
.... Chu-ts ng Li. Los ANGELES, CALIFORNIA Los Angeles County Museum of Art Photographs © 2005 Museum Associates/LACMA Fig. 25 / Kitagawa Utamaro, 1753-1806. Beauty Smoking a Pipe after Bathing. Japan. Circa 1792-1793. Color woodblock print. Image and sheet: 36.2 X 24.6 cm. Los...
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Journal Article

Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)

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Yurika Wakamatsu
Archives of Asian Art (2020) 70 (2): 119–149.
DOI: https://doi.org/10.1215/00666637-8620348
Published: 01 October 2020
...Figure 13. Kitagawa Utamaro (Japanese, ca. 1753–1806), Hanaōgi of Ōgiya , from the series “Renowned Beauties Likened to the Six Immortal Poets,” ca. 1795–96. Woodblock print; ink and colors on paper, 38.6 × 25.8 cm. Museum of Fine Arts, Boston, William S. and John T. Spaulding Collection...
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Journal Article

New Research on Central Asian Paintings in the National Museum of Korea

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Kim Haewon, Jo Yeontae, Cheon Juhyun, Park Seungwon
Archives of Asian Art (2013) 63 (2): 165–178.
DOI: https://doi.org/10.1353/aaa.2014.0003
Published: 01 October 2013
... ˙ For different opinions, see Kumagai, ‘‘Mı¯ran daisan oyobi in neunten Tempel von Ba¨za¨klik Sitzungsbericht der K. daigo goshi sho¯ rai hekiga 9–10; Akiyama Terukazu 秋山 Preussischen Akademie der Wissenschaften (1913): 865, ‘‘Mı¯ran daigo goshi kairo¯ kitagawa gaiga’’ 875; Murakami Shinkan Saiiki...
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Journal Article

Rethinking Shunga : The Interpretation of Sexual Imagery of the Edo Period

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Paul Berry
Archives of Asian Art (2004) 54 (1): 7–22.
DOI: https://doi.org/10.1484/aaa.2004.0002
Published: 01 April 2004
... as an arbitrary necessity for achieving a period on the roadway as her male companion flees in the dis- focus, yet the justification that these chronological bound- tance.4' Finally, Kitagawa Utamaro's (1754-1806) Ehon aries are found in the material itself, that the sexual Futamigata, circa I801–I803...
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Journal Article

The Pulled Back View: The Illustrated Life of Ippen and the Visibility of Karma in Medieval Japan

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Chelsea Foxwell
Archives of Asian Art (2015) 65 (1-2): 25–56.
DOI: https://doi.org/10.1353/aaa.2016.0000
Published: 01 October 2015
...) by mation of Medieval Jap­a­nese Buddhism­ (Honolulu: Uni­ Kitagawa Utamaro (Smart Museum of Art, Tokyo Na­ versity of Hawai‘i Press, 2003), 63. tional Museum); and Sheltering from the Rain (fold­ing 50. Kasuya Makoto Bukkyō setsuwaga no screen pair) by Kō Sūkoku...
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