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Image
Published: 01 April 2017
Figure 16. Monks receiving a gift from a king , mid-1st century bce . Kanaganahalli, India. Photograph: author. Figure 16. Monks receiving a gift from a king, mid-1st century bce. Kanaganahalli, India. Photograph: author. More
Image
Published: 01 April 2019
Figure 5. Jin Chushi (Chinese, active late twelfth c.), King Enma , before 1195. One from a set of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 129.5 × 49.5 cm. The Metropolitan Museum of Art, Rogers Fund, 1930 (30.76.293). Artwork in public domain. Photograph More
Image
Published: 01 April 2019
Figure 13. King Enma , Japan, fifteenth century. One of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 99.2 × 42.7 cm. Jōfukuji, Kyoto. Figure 13. King Enma, Japan, fifteenth century. One of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk More
Image
Published: 01 April 2019
Figure 16. King Yanluo’s (Yama’s) court, Scripture on the Ten Kings , China, tenth century. Handscroll, ink and color on paper, 29 × 1281 cm. Photograph: courtesy of the Kubosō Memorial Museum of Arts. Figure 16. King Yanluo’s (Yama’s) court, Scripture on the Ten Kings, China, tenth century More
Image
Published: 01 April 2019
Figure 17. King Wuguan’s court, Scripture on the Ten Kings , China, tenth century. Handscroll, ink and color on paper, 29 × 1281 cm. Photograph: courtesy of the Kubosō Memorial Museum of Arts. Figure 17. King Wuguan’s court, Scripture on the Ten Kings, China, tenth century. Handscroll, ink and More
Image
Published: 01 April 2019
Figure 25. Statue of King Shokō from the Enma Hall at Ennōji, Kamakura, mid-thirteenth century. Wood sculpture, 100 cm. Photograph: courtesy of Ennōji. Figure 25. Statue of King Shokō from the Enma Hall at Ennōji, Kamakura, mid-thirteenth century. Wood sculpture, 100 cm. Photograph: courtesy of More
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 51–80.
Published: 01 April 2016
... as much impact on his art as King Jeongjo 正祖 (r. 1776–1800). By examining written records and Kim's extant paintings, this paper explores and assesses the significance of King Jeongjo's patronage in unlocking the opportunities that enabled Kim Hong-do to reach his full potential as the most versatile...
Image
Published: 01 October 2018
Figure 10. Dishoom Godown, King's Cross, London, est. 2014, December 2015. Photograph: Sonal Khullar. Figure 10. Dishoom Godown, King's Cross, London, est. 2014, December 2015. Photograph: Sonal Khullar. More
Image
Published: 01 April 2019
Figure 14. Dizang and the Ten Kings , China, second half of the tenth century. Ink and color on silk, 89 × 54.8 cm. Musée des Arts Asiatiques-Guimet. Photograph: RMN-Grand Palais/Art Resource, NY. Figure 14. Dizang and the Ten Kings, China, second half of the tenth century. Ink and color on More
Image
Published: 01 April 2019
Figure 15. Frontispiece to the Scripture on the Ten Kings , China, tenth century. Handscroll, ink and color on paper, 30 × 300.3 cm. Bibliothèque Nationale de France, Pelliot 4523. Figure 15. Frontispiece to the Scripture on the Ten Kings, China, tenth century. Handscroll, ink and color on More
Image
Published: 01 April 2019
Figure 18. Illustration of a Pure Land with Dizang and the Ten Kings , China, tenth century. Ink and color on hemp cloth, 127 × 69 cm. Musée des Arts Asiatiques-Guimet. Photograph: RMN-Grand Palais/Art Resource, NY. Figure 18. Illustration of a Pure Land with Dizang and the Ten Kings, China More
Image
Published: 01 April 2019
Figure 19. Dizang (Kṣitigarbha) and the Ten Kings , Korea, Goryeo dynasty, fourteenth century. Hanging scroll, ink and color on silk, 109 × 56.5 cm. Museum für Asiatische Kunst. Photograph: BPK Bildagentur, Museum für Asiatische Kunst, Staatliche Museen, Berlin, Germany/Art Resource, NY More
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 21–53.
Published: 01 April 2019
...Figure 5. Jin Chushi (Chinese, active late twelfth c.), King Enma , before 1195. One from a set of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 129.5 × 49.5 cm. The Metropolitan Museum of Art, Rogers Fund, 1930 (30.76.293). Artwork in public domain. Photograph...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 153–185.
Published: 01 October 2016
...Jessica Lee Patterson Abstract Reverse glass paintings, a form of Chinese export art, were extensively traded in the nineteenth century. Several examples are on display in prominent Thai Buddhist monasteries in Bangkok. King Nangklao of Siam, Rama III, encouraged Sino-Siamese trade that brought...
Image
Published: 01 April 2019
Figure 23. Enma and his attendants. Honzon from the Enma Hall at Hōshakuji, Kyoto, thirteenth century. Wood sculptures. Middle of the back row : King Enma, h. 160.1 cm. Photograph: courtesy of Hōshakuji. Figure 23. Enma and his attendants. Honzon from the Enma Hall at Hōshakuji, Kyoto More
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 91–106.
Published: 01 April 2011
... chatrı¯s which are pan-Indic metonyms of political and religious cenotaphs that mark the locations where three authority. maha¯ ra¯ ja¯ s kings of the Scindia Mara¯tha¯ dynasty— The origins of the chatrı¯ tradition date from at least Daolat Rao (r. 1794–1827), Jankoji Rao˙ (1827–1843), the early 16th...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 113–133.
Published: 01 April 2008
..., the seventeenth to the early twen- traits, birthday celebrations of members of the royal tieth centuries. The earliest extant euigwe, which con- family, funeral rites, and the building and repairing of cerns the rebuilding of King Jungjong’s tomb ( Jungjong royal tombs, important palace buildings...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 111–142.
Published: 01 April 2017
...Figure 16. Monks receiving a gift from a king , mid-1st century bce . Kanaganahalli, India. Photograph: author. Figure 16. Monks receiving a gift from a king, mid-1st century bce. Kanaganahalli, India. Photograph: author. ...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 105–133.
Published: 01 April 2009
..., Avalokites´vara, and Maha¯stha¯mapra¯pta for the sake of the king . . .24 This stone Buddha image is . . . three k (hundred?) sixteen devotees. . . .25...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 3–32.
Published: 01 April 2014
.... cultural, and economic upheavals resulting from this dy- In addition, we will see how King Jeongjo 正祖 (1752– namic spirit of consumerism. With an inflow of Chinese 1800, r. 1776–1800) used chaekgeori as both a per- books and foreign objects, mainly through tributary sonal and political propaganda tool...