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Published: 01 October 2018
Figure 27. Pendant, Southern Song–dynasty tomb (1127–1279), Nanjing, Jiangsu province. Jade, dimensions unrecorded. From Guojia wenwu ju, “Nanjing Jianzhongcun Nan Song mu,” 172. More
Journal Article
Archives of Asian Art (2016) 66 (1): 81–105.
Published: 01 April 2016
... Buddhism Huayan Buddhism The Thousand-armed Man˜ jus´rı¯ at Dunhuang and Paired Images in Buddhist Visual Culture michelle c. wang Georgetown University Abstract...
Image
Published: 01 April 2022
Figure 36. Illustration of pan basin shown in figure 35. Redrawn by Katia Barrios, after Shanxi sheng wenwu gongzuo wei yuan hui , Yanbei xingzheng gongshu wenhua ju, and Datong bowuguan, “Shanxi Hunyuan Bicun Xi Han mu guo mu,” 47, fig. 10. More
Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
.... In 1829 Hong Gil-ju copied the eldest areas of Yeongdong. Gang decided to accompany the brother Hong Seok-ju’s essay and poems on the pages two Kims to the Diamond Mountains. He spent two of the album. It is assumed that Kim’s Sea and Moun- days sketching and sightseeing with them and one day tains...
Image
Published: 01 October 2018
Figure 7. Shield-shaped pendant, tomb M2 of Dou Wan, Mancheng, Hebei province, Western Han dynasty (206 bce –9 ce ). Jade, l. 5.2 cm, w. 4.1 cm, th. 0.3 cm. From Hebei sheng wenwu ju, Hebei wenwu jinghua , pl. 87. More
Image
Published: 01 October 2018
Figure 8. Shield-shaped pendant, tomb M1 of Liu Sheng, Mancheng, Hebei province, Western Han dynasty (206 bce –9 ce ). Jade, l. 10 cm, w. 4.1 cm, th. 0.3 cm. From Hebei sheng wenwu ju, Hebei wenwu jinghua , pl. 86. More
Journal Article
Archives of Asian Art (2016) 66 (2): 323.
Published: 01 October 2016
... Joint Poetry Illustrations’’ in vol. 64, no. 2: Man˜ jus´rı¯ at Dunhuang’’ in vol. 66, no. 1: p. 98: p. 97: A simple translation of the title might be: ‘‘Mountains Furthermore, poems dedicated to Man˜ jus´rı¯ and Mt. crowd together constricting...
Journal Article
Archives of Asian Art (2014) 64 (2): 119–163.
Published: 01 October 2014
... scene to the east, featuring the This principle corresponded to the general organization debate between layman Vimalakı¯rti and Bodhisattva scheme of the West Precinct housing these tableaux, Man˜ jus´rı¯ (Fig. 5); the Parinirva¯na scene to the north, which embodies the spatial and temporal expansion...
Journal Article
Archives of Asian Art (2016) 66 (1): 107–151.
Published: 01 April 2016
...¯ ramgama Sutra ˙ Avalokites´vara Bodhisattva Man˜ jus´rı¯ Bodhisattva No A¯ nanda...
Journal Article
Archives of Asian Art (2010) 60 (1): 19–42.
Published: 01 April 2010
...¯gata 2. Ho¯ getsu chigen ko¯ on jizaio¯ nyorai Jeweled-moon Wisdom-adorned, Radiating and Preaching-freely King, Tatha¯gata 3. Konjiki ho¯ ko¯ myo¯ gyo¯ jo¯ ju nyorai Golden-hued Jewel Light Marvelous Conduct...
Journal Article
Archives of Asian Art (2018) 68 (2): 157–190.
Published: 01 October 2018
...Figure 27. Pendant, Southern Song–dynasty tomb (1127–1279), Nanjing, Jiangsu province. Jade, dimensions unrecorded. From Guojia wenwu ju, “Nanjing Jianzhongcun Nan Song mu,” 172. ...
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Journal Article
Archives of Asian Art (2011) 61 (1): 37–60.
Published: 01 April 2011
... to this battle; together these works seem to have been Mukai’s exploit, Mukai pridefully described himself as ‘‘the first attempt to revitalize his own art as well as to bolster military-service painter (ju¯ gun gaka daiichigo¯ 14...
Journal Article
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
..., as well as Dr. David Ake Sensabaugh, for their expert hensive bibliography and study, see Fan Ju-chun suggestions. An earlier version of this essay was presented ‘‘Qiao Zhongchang hou chibifu tujuan yanjiu, jianlun Su at the Association of Asian Studies Annual Conference in Shi xingxiang yu Li Gonglin...
Journal Article
Archives of Asian Art (2008) 58 (1): 113–133.
Published: 01 April 2008
... the Chinese red color ju,whereashongchil re- other events, was always used at royal banquets in the ferred to red lacquer created by adding Japanese red area where the crown prince was to be seated. Blossom- color wae-juhong, which began to be imported in the ing Plum (maehwa) Screens and Screens...
Journal Article
Archives of Asian Art (2014) 64 (1): 43–57.
Published: 01 April 2014
... backing plate, 4.2 cm. From Shandong sheng wenwu kaogu yanjiusuo and Linyi shi wenhua ju, 14, fig. 22. This may be because at the end of the Western Jin...
Journal Article
Archives of Asian Art (2022) 72 (2): 221–253.
Published: 01 October 2022
... to an eighteenth-century Chinese local gazetteer, the name Juyong, which literally means “the residence ( ju 居) of the corvée laborers ( yong 庸),” originates from the times of the Qin 秦 emperor (r. 221–210 bce ), when corvée laborers ( yongtu 庸徒) resided in the area for the construction of the Great Wall...
FIGURES | View All (25)
Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... that Qianlong identified himself of Yuanmingyuan sites each to be accompanied by an with Na¯ra¯yana exclusively on the Figure 3 version of imperial poem. One scene pictured in the album was the composition˙ and its inscription. As a three-faced the Yuedi yun ju (Cloud-Residence on the Land of the being, Na¯ra...
Journal Article
Archives of Asian Art (2021) 71 (2): 131–170.
Published: 01 October 2021
... of the stele is represented as a four-legged dais, as seen in many bronze sculptures, in front of which two donor-worshippers dressed in Xianbei garb kneel facing an incense burner. The inscriptions beside themread Zu Ju Gui gongyang 祖鞠癸供養 (“Offering for Grandfather Ju Gui”) and Zumu Wang Arong gongyang 祖母...
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Journal Article
Archives of Asian Art (2012) 62 (1): 69–79.
Published: 01 April 2012
... Toyokuni in homage to the Naritasan Fudo¯ Myo¯o¯. Ebizo¯’s (1769–1825) a painting of the famed actor Ichikawa father, Ju¯ zo¯ was born near Naritasan in Hataya Danju¯ro¯ VII (1791–1859) (Fig. 1). In the 幡谷 village. He moved his family to Edo before Ebizo¯ ’s painting Danju¯ ro¯ performs...
Journal Article
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
.... The role of drunkenness in Tao's experience of revela- Still today the flowers of the eastern fence tion is challenged in a sustained discussion by Han Ju (d. Are as fresh as the ferns of Shouyang.I0I 1135) in his inscription, in prose...