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japanese
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in Vernacular Painting and Transitional Beijing: Chen Shizeng's Beijing Fengsu Album, ca. 1915
> Archives of Asian Art
Published: 01 October 2021
Figure 23. Asai Chū (Japanese, 1856–1907) and Ikebe Yoshikata (Japanese, 1861–1923), Rickshaw Puller and Oxcart Puller , from the book Present-day Customs and Manners: A Poetry Contest in Fifty Rounds ( Tōsei fūzoku gojūban utaawase ), 1:18, 1907. Tokyo: Yoshikawa Hanshichi. Freer Gallery
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Journal Article
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
...Bert Winther-Tamaki Abstract The Japanese movement of printmaking known as Sōsaku Hanga (“Creative Prints”) received a tremendous boost after World War II from the patronage of collectors associated with the US military. One appeal of Sōsaku prints by Munakata Shikō, Saitō Kiyoshi, Azechi Umetarō...
Journal Article
Archives of Asian Art (2020) 70 (2): 119–149.
Published: 01 October 2020
...Yurika Wakamatsu Abstract Beauty by Plum and Window , a hanging scroll produced in 1907 by the Japanese artist Okuhara Seiko, calls into question fundamental presumptions about literati art, a mode of art-making often seen as a means of self-representation. Instead of creating a singular subject...
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 3. Urakami Gyokudō (Japanese, 1745–1820), Mountains Dyed Scarlet ( Sankō osen-zu 山紅於染図), early nineteenth century. Hanging scroll; ink and colors on paper, 36.5 × 65.5 cm. Aichi Prefectural Museum of Art (Kimura Teizō Collection). Photograph: courtesy of the Aichi Prefectural Museum
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Image
in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 4. Okuhara Seiko (Japanese, 1837–1913), Beauty by Plum and Window , 1907. Hanging scroll; ink, light colors, and gold on paper, 125.5 × 45.6 cm. Private collection. Photograph: Yurika Wakamatsu.
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Image
in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 13. Kitagawa Utamaro (Japanese, ca. 1753–1806), Hanaōgi of Ōgiya , from the series “Renowned Beauties Likened to the Six Immortal Poets,” ca. 1795–96. Woodblock print; ink and colors on paper, 38.6 × 25.8 cm. Museum of Fine Arts, Boston, William S. and John T. Spaulding Collection
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Image
in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 14. Kuroda Seiki (Japanese, 1866–1924), Reading ( Dokusho-zu 読書図), 1891. Oil on canvas, 98.2 × 78.8 cm. Tokyo National Museum. Photograph: TNM Image Archives.
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Image
in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 15. Watanabe Kazan (Japanese, 1793–1841), Courtesan , 1838. Hanging scroll; ink and colors on silk, 110.2 × 42.5 cm. Seikadō Bunko Art Museum. Photograph: Seikadō Bunko Art Museum Image Archives/DNPartcom.
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Image
Published: 01 October 2018
Hakuin Ekaku (Japanese, 1685–1768), One Hand Clapping . Hanging scroll; ink on paper, overall 170.2 × 30.5 cm. Asian Art Museum of San Francisco, 2016.53. Gift from the Collection of George Gund III. Photograph: © Asian Art Museum of San Francisco.
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Image
Published: 01 October 2018
Kinkozan V (Japanese, 1868–1927), Satsuma Ware Vase , Japan, Meiji-Taisho (1875–1927). Porcelain enamel ware, 35.6 × 24.1 cm. Eskenazi Museum of Art, Indiana University, 2017.125. Gift of Drs. Walter S. Mellon and John M. Clum.
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Image
Published: 01 October 2018
Yagi Kazuo (Japanese, 1918–79), Irabo-Glazed Tubular Sculpture , ca. 1957. Glazed stoneware, 15.2 × 14 × 11.4 cm. Samuel P. Harn Museum of Art, 2016.25. Museum purchase, funds provided by the Kathleen M. Axline Acquisition Endowment.
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Image
Published: 01 October 2018
Zeshin Shibata (Japanese, 1807–91), Miniature Album of Lacquer Paintings , nineteenth century. Album of 12 leaves; lacquer on paper, each page 10.8 × 8.5 cm. Samuel P. Harn Museum of Art, 2016.26. Museum purchase, funds provided by the David A. Cofrin Fund for Asian Art.
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Image
Published: 01 October 2018
Oda Mayumi (Japanese, b. 1941), Dragon Head Kannon , Japan, Heisei period (1989–), 2008. Serigraph, primary support 48.58 × 31.75 cm). Los Angeles County Museum of Art, M.2016.352.6. Gift of Susan L. Peters in honor of Hollis Goodall. Photograph: © Museum Associates / LACMA.
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Image
Published: 01 October 2018
Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall.
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Image
Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry.
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Image
Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry.
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Image
Published: 01 October 2018
Washimi Shungaku (Japanese, 1822–93), Myriad Fishes , Japan, late Edo period (1615–1868) or Meiji period (1868–1912), mid-late nineteenth century. Hanging scroll; ink and color on paper, image 168.59 × 96.52 cm, mount 252.1 × 113.03 cm. Los Angeles County Museum of Art, M.2017.14. Gift of Lenore
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Image
Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation
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Image
Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation
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Image
Published: 01 October 2018
Studio of Kano Takanobu (Japanese, 1571–1618), Women’s Kabuki (Onna kabuki zu byōbu) , Japan, Edo period (1615–1868), probably mid- to late 1610s. Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper, image 80 × 268.4 cm. The Metropolitan Museum of Art, 2017.730. Purchase
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