Figure 23. Asai Chū (Japanese, 1856–1907) and Ikebe Yoshikata (Japanese, 1861–1923), Rickshaw Puller and Oxcart Puller , from the book Present-day Customs and Manners: A Poetry Contest in Fifty Rounds ( Tōsei fūzoku gojūban utaawase ), 1:18, 1907. Tokyo: Yoshikawa Hanshichi. Freer Gallery More

Figure 3. Urakami Gyokudō (Japanese, 1745–1820), Mountains Dyed Scarlet ( Sankō osen-zu 山紅於染図), early nineteenth century. Hanging scroll; ink and colors on paper, 36.5 × 65.5 cm. Aichi Prefectural Museum of Art (Kimura Teizō Collection). Photograph: courtesy of the Aichi Prefectural Museum More

Figure 4. Okuhara Seiko (Japanese, 1837–1913), Beauty by Plum and Window , 1907. Hanging scroll; ink, light colors, and gold on paper, 125.5 × 45.6 cm. Private collection. Photograph: Yurika Wakamatsu. More

Figure 13. Kitagawa Utamaro (Japanese, ca. 1753–1806), Hanaōgi of Ōgiya , from the series “Renowned Beauties Likened to the Six Immortal Poets,” ca. 1795–96. Woodblock print; ink and colors on paper, 38.6 × 25.8 cm. Museum of Fine Arts, Boston, William S. and John T. Spaulding Collection More

Figure 14. Kuroda Seiki (Japanese, 1866–1924), Reading ( Dokusho-zu 読書図), 1891. Oil on canvas, 98.2 × 78.8 cm. Tokyo National Museum. Photograph: TNM Image Archives. More

Figure 15. Watanabe Kazan (Japanese, 1793–1841), Courtesan , 1838. Hanging scroll; ink and colors on silk, 110.2 × 42.5 cm. Seikadō Bunko Art Museum. Photograph: Seikadō Bunko Art Museum Image Archives/DNPartcom. More

Hakuin Ekaku (Japanese, 1685–1768), One Hand Clapping . Hanging scroll; ink on paper, overall 170.2 × 30.5 cm. Asian Art Museum of San Francisco, 2016.53. Gift from the Collection of George Gund III. Photograph: © Asian Art Museum of San Francisco. More

Kinkozan V (Japanese, 1868–1927), Satsuma Ware Vase , Japan, Meiji-Taisho (1875–1927). Porcelain enamel ware, 35.6 × 24.1 cm. Eskenazi Museum of Art, Indiana University, 2017.125. Gift of Drs. Walter S. Mellon and John M. Clum. More

Yagi Kazuo (Japanese, 1918–79), Irabo-Glazed Tubular Sculpture , ca. 1957. Glazed stoneware, 15.2 × 14 × 11.4 cm. Samuel P. Harn Museum of Art, 2016.25. Museum purchase, funds provided by the Kathleen M. Axline Acquisition Endowment. More

Zeshin Shibata (Japanese, 1807–91), Miniature Album of Lacquer Paintings , nineteenth century. Album of 12 leaves; lacquer on paper, each page 10.8 × 8.5 cm. Samuel P. Harn Museum of Art, 2016.26. Museum purchase, funds provided by the David A. Cofrin Fund for Asian Art. More

Oda Mayumi (Japanese, b. 1941), Dragon Head Kannon , Japan, Heisei period (1989–), 2008. Serigraph, primary support 48.58 × 31.75 cm). Los Angeles County Museum of Art, M.2016.352.6. Gift of Susan L. Peters in honor of Hollis Goodall. Photograph: © Museum Associates / LACMA. More

Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall. More

Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. More

Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. More

Washimi Shungaku (Japanese, 1822–93), Myriad Fishes , Japan, late Edo period (1615–1868) or Meiji period (1868–1912), mid-late nineteenth century. Hanging scroll; ink and color on paper, image 168.59 × 96.52 cm, mount 252.1 × 113.03 cm. Los Angeles County Museum of Art, M.2017.14. Gift of Lenore More

Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation More

Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation More

Studio of Kano Takanobu (Japanese, 1571–1618), Women’s Kabuki (Onna kabuki zu byōbu) , Japan, Edo period (1615–1868), probably mid- to late 1610s. Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper, image 80 × 268.4 cm. The Metropolitan Museum of Art, 2017.730. Purchase More