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japanese

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Published: 01 October 2021
Figure 23. Asai Chū (Japanese, 1856–1907) and Ikebe Yoshikata (Japanese, 1861–1923), Rickshaw Puller and Oxcart Puller , from the book Present-day Customs and Manners: A Poetry Contest in Fifty Rounds ( Tōsei fūzoku gojūban utaawase ), 1:18, 1907. Tokyo: Yoshikawa Hanshichi. Freer Gallery More
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Published: 01 October 2018
Hakuin Ekaku (Japanese, 1685–1768), One Hand Clapping . Hanging scroll; ink on paper, overall 170.2 × 30.5 cm. Asian Art Museum of San Francisco, 2016.53. Gift from the Collection of George Gund III. Photograph: © Asian Art Museum of San Francisco. More
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Published: 01 October 2018
Kinkozan V (Japanese, 1868–1927), Satsuma Ware Vase , Japan, Meiji-Taisho (1875–1927). Porcelain enamel ware, 35.6 × 24.1 cm. Eskenazi Museum of Art, Indiana University, 2017.125. Gift of Drs. Walter S. Mellon and John M. Clum. More
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Published: 01 October 2018
Yagi Kazuo (Japanese, 1918–79), Irabo-Glazed Tubular Sculpture , ca. 1957. Glazed stoneware, 15.2 × 14 × 11.4 cm. Samuel P. Harn Museum of Art, 2016.25. Museum purchase, funds provided by the Kathleen M. Axline Acquisition Endowment. More
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Published: 01 October 2018
Zeshin Shibata (Japanese, 1807–91), Miniature Album of Lacquer Paintings , nineteenth century. Album of 12 leaves; lacquer on paper, each page 10.8 × 8.5 cm. Samuel P. Harn Museum of Art, 2016.26. Museum purchase, funds provided by the David A. Cofrin Fund for Asian Art. More
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Published: 01 October 2018
Oda Mayumi (Japanese, b. 1941), Dragon Head Kannon , Japan, Heisei period (1989–), 2008. Serigraph, primary support 48.58 × 31.75 cm). Los Angeles County Museum of Art, M.2016.352.6. Gift of Susan L. Peters in honor of Hollis Goodall. Photograph: © Museum Associates / LACMA. More
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Published: 01 October 2018
Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall. More
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Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. More
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Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. More
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Published: 01 October 2018
Washimi Shungaku (Japanese, 1822–93), Myriad Fishes , Japan, late Edo period (1615–1868) or Meiji period (1868–1912), mid-late nineteenth century. Hanging scroll; ink and color on paper, image 168.59 × 96.52 cm, mount 252.1 × 113.03 cm. Los Angeles County Museum of Art, M.2017.14. Gift of Lenore More
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Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation More
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Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation More
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Published: 01 October 2018
Studio of Kano Takanobu (Japanese, 1571–1618), Women’s Kabuki (Onna kabuki zu byōbu) , Japan, Edo period (1615–1868), probably mid- to late 1610s. Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper, image 80 × 268.4 cm. The Metropolitan Museum of Art, 2017.730. Purchase More
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Published: 01 October 2018
Munakata Shikō (Japanese, 1903–75), Maudgalyāyana, Master of Supernatural Forces, from the series Ten Great Disciples of Buddha , Japan, Shōwa period (1926–89), 1939/1948 (blocks carved), 1960 (printed). Woodblock print; ink on paper, sheet 106 × 47.6 cm. The Metropolitan Museum of Art, 2017.245.9 More
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Published: 01 October 2018
Yagi Kazuo (Japanese, 1918–79), Direction of the Wind—Unglazed Clay Pipes (Fūi-Yakishime paipu) , Japan, Shōwa period (1926–89), 1955. Unglazed Shigaraki white clay, 34.3 × 21.6 × 10.5 cm. The Metropolitan Museum of Art, 2017.166.16. Gift of Halsey and Alice North, 2017. More
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Published: 01 October 2018
Tsukioka Yoshitashi (Japanese, 1839–92), By Request, Picture of Fujiwara Yasumasa Playing the Flute by Moonlight , Japan, February 1883. Vertical ōban triptych; woodblock print ( nishiki-e ); ink and color on paper, image assembled 36.04 × 71.6 cm, sheet 37.15 × 72.87 cm). Minneapolis Institute More
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Published: 01 October 2018
Kikuji Kawada (Japanese, b. 1933), The Map , Japan, Heisei era (1989–), 2017. Pair of six-panel folding screens; photograph, platinum print on handmade Japanese Tosa paper, each 76.2 × 283.6 cm. Museum of Fine Arts, Boston, 2017.3912.1–2. Museum purchase with funds donated by Edward A. Studzinski More
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Published: 01 October 2018
Kikuji Kawada (Japanese, b. 1933), The Map , Japan, Heisei era (1989–), 2017. Pair of six-panel folding screens; photograph, platinum print on handmade Japanese Tosa paper, each 76.2 × 283.6 cm. Museum of Fine Arts, Boston, 2017.3912.1–2. Museum purchase with funds donated by Edward A. Studzinski More
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Published: 01 October 2018
Kitsukawa Reika (Japanese, 1875–1929), Tales of Ise , Japan, Meiji period (1868–1912) or Taishō period (1912–26) or Shōwa period (1926–89), early twentieth century. Ink and color on silk, mounted as a hanging scroll, mount with scroll ends 130.8 × 70.5 cm. Philadelphia Museum of Art, 2017-47-7 More
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Published: 01 October 2018
Attributed to Katsushika Hokusai (Japanese, 1760–1849), Preparatory Study for Illustration in An Illustrated New Edition of “The Water Margin” (Shinpen suiko gaden) , Japan, Edo period (1600–1878), late 1820s. Black and toned ink under-drawing on joined paper, 29.8 × 31.5 cm. Princeton University More