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Journal Article
Archives of Asian Art (2006) 56 (1): 107.
Published: 01 April 2006
...Timon Screech Copyright © Asia Society 2005 A Response to Paul Berry's Review of the Book, Sex in the Floating World: Erotic Images in Japan, 1700-1820 (University of Hawai'i Press, 1999) TIMON SCREECH SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON...
Journal Article
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
...Miriam Chusid Abstract By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one's past deeds, Enma's position as one king in a series of ten was common knowledge, and offerings made to him, as...
Journal Article
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
...Jung-Ah Woo Abstract This article analyzes the various practices of the WAWA Project as a case study of community-based art after the Great East Japan Earthquake on 11 March 2011 (“3.11”). Organized by Masato Nakamura (b. 1963), the Tokyo-based artist, college professor, and director of an artist...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 25–56.
Published: 01 October 2015
... (paintings of the Six Realms of Buddhist existence) illness and afflictions images of pilgrimage landscape painting The Pulled Back View: The Illustrated Life of Ippen and the Visibility of Karma in Medieval Japan Chelsea...
Image
Published: 01 October 2020
Figure 8. Unknown artist, Hanging Oratory , possibly Japan or Macao, seventeenth century. Lacquer and painted wood, 30.2 × 23. 5 × 4 cm. Collection of the Asian Civilisations Museum, 2016-00368. Figure 8. Unknown artist, Hanging Oratory, possibly Japan or Macao, seventeenth century. Lacquer More
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Published: 01 October 2020
Figure 11. Bronze Cross with the Figure of Amitabha , Japan, 1945–1950. Iron-copper, 25 × 19.6 cm. Collection of the Asian Civilisations Museum, 2011-02283. Figure 11. Bronze Cross with the Figure of Amitabha, Japan, 1945–1950. Iron-copper, 25 × 19.6 cm. Collection of the Asian Civilisations More
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Published: 01 October 2019
Figure 1. Bipedalism of caṅkrama as observed in Japan. (A) The widely practiced method of kyōgyō ( caṅkrama ); (B) the rarefied method of kinhin (via estranged Tō-on 唐音 yomi ) honored by such exclusive Sōtōshū 曹洞宗 communities as Eiheiji 永平寺 in Yoshida 吉田 (Fukui); (C) the method of “half More
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Published: 01 October 2018
Tea Leaf Storage Jar, Shigaraki Ware , Japan, Muromachi period (fifteenth–sixteenth c.). Ash-glazed stoneware, 50.17 × 45.09 cm. Newly acquired through the George and Mary Rockwell Fund. Photograph: courtesy of the Herbert F. Johnson Museum of Art, Cornell University. Tea Leaf Storage Jar More
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Published: 01 October 2018
Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall. Okuhara Seikō More
Image
Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. Imanaka Soyū (Japanese, 1886 More
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Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry. Imanaka Soyū (Japanese, 1886 More
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Published: 01 October 2018
Kikuji Kawada (Japanese, b. 1933), The Map , Japan, Heisei era (1989–), 2017. Pair of six-panel folding screens; photograph, platinum print on handmade Japanese Tosa paper, each 76.2 × 283.6 cm. Museum of Fine Arts, Boston, 2017.3912.1–2. Museum purchase with funds donated by Edward A. Studzinski More
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Published: 01 October 2018
Kitsukawa Reika (Japanese, 1875–1929), Tales of Ise , Japan, Meiji period (1868–1912) or Taishō period (1912–26) or Shōwa period (1926–89), early twentieth century. Ink and color on silk, mounted as a hanging scroll, mount with scroll ends 130.8 × 70.5 cm. Philadelphia Museum of Art, 2017-47-7 More
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Published: 01 October 2018
Kitaoji Rosanjin (Japanese, 1883–1959), Tea Jar , Japan, Shōwa period (1926–89), 1950s. Yellow and green glazed stoneware, 15.88 × 15.88 × 15.57 cm. The San Diego Museum of Art, 2017.253. Gift of Dr. Howard Waldman. Kitaoji Rosanjin (Japanese, 1883–1959), Tea Jar, Japan, Shōwa period (1926–89 More
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Published: 01 October 2018
Unidentified artist, Dog with Orange Bib , Japan, late Edo period (1615–1868), mid-nineteenth century. Paulownia wood, gofun (ground shell white), silk, and pigments, 19.69 × 13.34 × 18.42 cm. Los Angeles County Museum of Art, M.2017.41. Gift of Mrs. Charlene S. Kornblum and Dr. S. Sanford More
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Published: 01 October 2018
Dainichi Nyorai , Japan, Kamakura period (1185–1333), thirteenth–fourteenth century. Hanging scroll; ink, colors, and gold on silk, painting 90.5 × 41.5 cm, overall 171 × 56.3 cm. Princeton University Art Museum, 2017-122. Museum purchase, Fowler McCormick, Class of 1921, Fund. Dainichi Nyorai More
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Published: 01 October 2018
Fall-Front Cabinet , Japan, Momoyama period (1573–1615), late sixteenth century. Hinoki cypress wood with black lacquer, sprinkled gold lacquer ( maki-e ), and inlaid mother-of-pearl; gilt copper mounts, 31 × 44.7 × 28.6 cm. Yale University Art Gallery, 2017.61.1a–b. Purchased with a gift from the More
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Published: 01 October 2018
Kinkozan V (Japanese, 1868–1927), Satsuma Ware Vase , Japan, Meiji-Taisho (1875–1927). Porcelain enamel ware, 35.6 × 24.1 cm. Eskenazi Museum of Art, Indiana University, 2017.125. Gift of Drs. Walter S. Mellon and John M. Clum. Kinkozan V (Japanese, 1868–1927), Satsuma Ware Vase, Japan, Meiji More
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Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation More
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Published: 01 October 2018
Surcoat (jinbaori) , Japan, Momoyama period (1573–1615), late sixteenth century. Silk, metallic thread, felt, wool, and velvet, 109.9 × 85.1 cm. The Metropolitan Museum of Art, 2017.1. Mary Livingston Griggs and Mary Griggs Burke Foundation Fund, 2017. Surcoat (jinbaori), Japan, Momoyama period More