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Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... as the moment when Japan's tradition of Sinitic-style painting broke free from the yoke of Chinese civilization and awoke to its own value. Here I use the term Sinitic-style painting to refer to the work of premodern Japanese painters who used brushwork, motifs, and compositional schemes inspired by imported...
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Journal Article
Archives of Asian Art (2006) 56 (1): 107.
Published: 01 April 2006
...Timon Screech Copyright © Asia Society 2005 A Response to Paul Berry's Review of the Book, Sex
in the Floating World: Erotic Images in Japan, 1700-1820
(University of Hawai'i Press, 1999)
TIMON SCREECH
SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 25–56.
Published: 01 October 2015
... of the Six Realms of Buddhist existence) illness and afflictions images of pilgrimage landscape painting The Pulled Back View: The Illustrated Life of Ippen and the Visibility
of Karma in Medieval Japan
Chelsea Foxwell...
Journal Article
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
...Jung-Ah Woo Abstract This article analyzes the various practices of the WAWA Project as a case study of community-based art after the Great East Japan Earthquake on 11 March 2011 (“3.11”). Organized by Masato Nakamura (b. 1963), the Tokyo-based artist, college professor, and director of an artist...
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Journal Article
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
...Miriam Chusid Abstract By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one's past deeds, Enma's position as one king in a series of ten was common knowledge, and offerings made to him...
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Image
Published: 01 October 2018
Unidentified artist, Paragons of Filial Piety , Japan, Edo period (1615–1868), late eighteenth century. Handscroll; ink and color on silk, overall 33.7 × 116.7 cm. Cincinnati Art Museum, 2017.69. Gift of Stuart and Philip Golder in honor of Sylvan & Faith Golder.
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Image
Published: 01 October 2018
Kinkozan V (Japanese, 1868–1927), Satsuma Ware Vase , Japan, Meiji-Taisho (1875–1927). Porcelain enamel ware, 35.6 × 24.1 cm. Eskenazi Museum of Art, Indiana University, 2017.125. Gift of Drs. Walter S. Mellon and John M. Clum.
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Image
Published: 01 October 2018
Tea Leaf Storage Jar, Shigaraki Ware , Japan, Muromachi period (fifteenth–sixteenth c.). Ash-glazed stoneware, 50.17 × 45.09 cm. Newly acquired through the George and Mary Rockwell Fund. Photograph: courtesy of the Herbert F. Johnson Museum of Art, Cornell University.
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Image
Published: 01 October 2018
Oda Mayumi (Japanese, b. 1941), Dragon Head Kannon , Japan, Heisei period (1989–), 2008. Serigraph, primary support 48.58 × 31.75 cm). Los Angeles County Museum of Art, M.2016.352.6. Gift of Susan L. Peters in honor of Hollis Goodall. Photograph: © Museum Associates / LACMA.
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Image
Published: 01 October 2018
Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall.
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Image
Published: 01 October 2018
Unidentified artist, Dog with Orange Bib , Japan, late Edo period (1615–1868), mid-nineteenth century. Paulownia wood, gofun (ground shell white), silk, and pigments, 19.69 × 13.34 × 18.42 cm. Los Angeles County Museum of Art, M.2017.41. Gift of Mrs. Charlene S. Kornblum and Dr. S. Sanford
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Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry.
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Published: 01 October 2018
Imanaka Soyū (Japanese, 1886–1959), Birds and Flowers , Japan, Taishō period (1912–26). Pair of six-panel folding screens; ink, color, and gold leaf on silk, each 182.25 × 368.3 cm. Los Angeles County Museum of Art, M.2017.168.1–.2. Gift of David and Margaret Barry.
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Image
Published: 01 October 2018
Washimi Shungaku (Japanese, 1822–93), Myriad Fishes , Japan, late Edo period (1615–1868) or Meiji period (1868–1912), mid-late nineteenth century. Hanging scroll; ink and color on paper, image 168.59 × 96.52 cm, mount 252.1 × 113.03 cm. Los Angeles County Museum of Art, M.2017.14. Gift of Lenore
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Image
Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation
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Published: 01 October 2018
Sakai Hōitsu (Japanese, 1761–1828), Cherry and Maple Trees , Japan, Edo period (1615–1868), early 1820s. Pair of six-panel folding screens; ink, color, and gold leaf on paper, image (each) 158.5 × 342 cm. The Metropolitan Museum of Art, 2018.55.1, .2. Purchase, Mary and James G. Wallach Foundation
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Published: 01 October 2018
Surcoat (jinbaori) , Japan, Momoyama period (1573–1615), late sixteenth century. Silk, metallic thread, felt, wool, and velvet, 109.9 × 85.1 cm. The Metropolitan Museum of Art, 2017.1. Mary Livingston Griggs and Mary Griggs Burke Foundation Fund, 2017.
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Published: 01 October 2018
Kikuji Kawada (Japanese, b. 1933), The Map , Japan, Heisei era (1989–), 2017. Pair of six-panel folding screens; photograph, platinum print on handmade Japanese Tosa paper, each 76.2 × 283.6 cm. Museum of Fine Arts, Boston, 2017.3912.1–2. Museum purchase with funds donated by Edward A. Studzinski
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Published: 01 October 2018
Kikuji Kawada (Japanese, b. 1933), The Map , Japan, Heisei era (1989–), 2017. Pair of six-panel folding screens; photograph, platinum print on handmade Japanese Tosa paper, each 76.2 × 283.6 cm. Museum of Fine Arts, Boston, 2017.3912.1–2. Museum purchase with funds donated by Edward A. Studzinski
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Image
Published: 01 October 2018
Kitsukawa Reika (Japanese, 1875–1929), Tales of Ise , Japan, Meiji period (1868–1912) or Taishō period (1912–26) or Shōwa period (1926–89), early twentieth century. Ink and color on silk, mounted as a hanging scroll, mount with scroll ends 130.8 × 70.5 cm. Philadelphia Museum of Art, 2017-47-7
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