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inscription

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Published: 01 April 2019
Figure 10. Su Shi in Rustic Attire with inscription by Song Luo (Chinese 1634–1713), 1667. Inkstone, 21 × 17.7 × 2.3 cm. National Palace Museum, Taipei. More
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Published: 01 April 2020
Figure 11. Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduced in Yuedong jinshi lue , 1771 (1889 ed.), supplementary volume 1: fig. 7a. Woodblock print on paper, 13.3 × 10 cm. The University Library, University of Illinois at Urbana-Champaign. More
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Published: 01 October 2020
Figure 17. Detail of the inscription illustrated in Figure 4 . More
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Published: 01 October 2021
Figure 7. Agricultural Scene with Inscription , Maitreya Buddha Tableau , Yulin Cave 20, south wall, Five Dynasties (907–960), Anxi, China. Mural painting. On one side, four figures—three men and one woman—reap the harvest. On the other side a male figure plows with two oxen. The inscription More
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Published: 01 October 2021
Figure 17c. Rubbing of relief carved dedicatory inscription on the stele, Niche 304, Guyang Cave. After Mizuno and Nagahiro, Kanan Rakuyō Ryūmon sekkutsu , rubbings 15. More
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Published: 01 October 2021
Figure 18c. Rubbing of dedicatory inscription by Lady Yuchi, Niche 94, Guyang Cave. Image courtesy of the Longmen Research Institute. More
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Published: 01 October 2021
Figure 19. Rubbing dedicatory inscription by the Prince of Beihai, dated 498, Niche 51, Guyang Cave. Image courtesy of the Longmen Research Institute. More
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Published: 01 October 2021
Figure 23. Niche 66 with Fasheng dedicatory inscription dated 503, Guyang Cave south wall. Image courtesy of Longmen Research Institute. More
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Published: 01 October 2021
Figure 1. Chen Shizeng (Chinese, 1876–1923), Rickshaw Puller with an Inscription by Cheng Kang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 2. Chen Shizeng, Camel Driver with an Inscription by Zheng Wuchang and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 3. Chen Shizeng, Bridal Chair Filler with an Inscription by Cheng Kang and an Inscription by He Binsheng , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 4. Chen Shizeng, Tea Drinker with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 5. Chen Shizeng, Sugar-glazed Hawthorn Skewer with an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 6. Chen Shizeng, Beijing-style Mover with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 7. Chen Shizeng, Buying Chrysanthemum with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 8. Chen Shizeng, Ice Cart with an Inscription by He Binsheng and an Inscription by Jin Cheng , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 9. Chen Shizeng, Wall with Ears with Chen's Own Inscription and an Inscription by Tong Danian , from the album Beijing Fengsu ,ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. More
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Published: 01 October 2021
Figure 10. Inscription one to the right of the doorway (below Avalokiteśvara-Amoghapāśa). Photograph: Sarah Richardson. More
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Published: 01 October 2021
Figure 16. Inscription two to the left of doorway (below Tathāgata). Photograph: Sarah Richardson. More
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Published: 01 April 2022
Figure 7. Mi Fu (1052–1107), inscription to Chu Suiliang's Copy of Wang Xizhi's Lanting Preface , dated 1102. Ink on paper, 24×47.5cm. Palace Museum, Beijing. Photograph provided by the Palace Museum. More