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Published: 01 April 2017
Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony , 1795. Inscription by Wang Wenzhi (1730–1802). Hanging scroll, ink and colors on paper, 85.7 × 39 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony, 1795 More
Image
Published: 01 April 2018
Figure 17. Hon'ami Kōetsu (Japanese, 1558–1637), calligraphic inscription of a poem by Kamo no Chōmei (ca. 1155–1216); shikishi painting attributed to Tawaraya Sōtatsu (Japanese, fl. ca. 1600), dated 1606. Ink, gold, and silver on paper, 20.2 × 17.8  cm. The Metropolitan Museum of Art, New More
Image
Published: 01 April 2017
Figure 6. Inscribed to “usta dadinani” (inscription is not entirely clear), Rahim , dated 1867, Bikaner. Opaque watercolor on paper ( wasili ), 17 × 13 cm. Artwork in the public domain. Figure 6. Inscribed to “usta dadinani” (inscription is not entirely clear), Rahim, dated 1867, Bikaner More
Image
Published: 01 April 2017
Figure 9. “Daskat Rahim,” inscription on a drawing of “Shri Sajirdin,” Bikaner, 1860s–80s. Lampblack on paper. Private collection. Figure 9. “Daskat Rahim,” inscription on a drawing of “Shri Sajirdin,” Bikaner, 1860s–80s. Lampblack on paper. Private collection. More
Image
Published: 01 April 2017
Figure 10. Detail of inscription on a portrait of Maharaja Ratan Singh, Bikaner, 1860s–80s. In Rahim handwriting: “Shri Bara Hazur Syahvar Khakho” (drawing on khakha [pin-pricked composition] of His Majesty). Lampblack on paper. Private collection. Figure 10. Detail of inscription on a More
Image
Published: 01 April 2019
Figure 10. Su Shi in Rustic Attire with inscription by Song Luo (Chinese 1634–1713), 1667. Inkstone, 21 × 17.7 × 2.3 cm. National Palace Museum, Taipei. Figure 10. Su Shi in Rustic Attire with inscription by Song Luo (Chinese 1634–1713), 1667. Inkstone, 21 × 17.7 × 2.3 cm. National Palace More
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 111–142.
Published: 01 April 2017
...Sonya Rhie Quintanilla Abstract This essay proposes a chronology of sculptural embellishment at the recently excavated Buddhist stūpa at Kanaganahalli in the state of Karnataka in southwestern India. Included is the interpretation of caption inscriptions as later additions, applied during the...
Image
Published: 01 October 2017
Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. More
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Published: 01 April 2018
Figure 4. Inscriptions, northwest wall, passageway leading to Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Photograph: Phillip E. Bloom. Figure 4. Inscriptions, northwest wall, passageway More
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Published: 01 April 2018
Figure 16. Images and inscriptions on the Han-dynasty funerary towers of Liu Kuan, Song-dynasty illustration reproduced in Lixu . From Hong, Lixu , 359. Figure 16. Images and inscriptions on the Han-dynasty funerary towers of Liu Kuan, Song-dynasty illustration reproduced in Lixu. From Hong More
Image
Published: 01 April 2018
Figure 17. Images and inscriptions on the Han-dynasty funerary towers of Wang Zhizi, Song-dynasty illustration reproduced in Lixu . From Hong, Lixu , 361. Figure 17. Images and inscriptions on the Han-dynasty funerary towers of Wang Zhizi, Song-dynasty illustration reproduced in Lixu. From More
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 189–208.
Published: 01 October 2017
...Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. ...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 143–187.
Published: 01 October 2017
... contemporaneous recognition of the potential for consecrated works of art to provide direct contact with the deity depicted. By eliminating framing and boundaries between scenes, minimizing inscriptions, employing the gaze to foster internal and external coherence, and using detailing, highlighting, and a...
Image
Published: 01 April 2019
Figure 18. Plan of the Bedsa Chaitya, first century bce . Note the channel connecting the interior cell to the cell on the verandah. From James Burgess, Report on the Buddhist Cave Temples and Their Inscriptions (Delhi: Trübner, 1876–79), pl. XI. Figure 18. Plan of the Bedsa Chaitya, first More
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Published: 01 April 2017
Figure 3. Luo Qilan (China, b. 1755), Irises and China Asters from Album of Flowers and Plants , n.d. Inscription by Wang Wenzhi (1730–1802). One of eight album leaves, ink and colors on paper, 29 × 27 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. Figure 3. Luo Qilan More
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Published: 01 October 2017
64. Attributed to Tao Hongjing (Chinese, Southern dynasties, 420–589), Rubbing of Yihe Ming 瘞鶴銘 [Inscription on Burying a Crane], original carving dated to 514, rubbing made ca. 2010s. Rubbing; ink on paper, 64 × 96 cm. Spencer Museum of Art, 2016.0021.A. Museum purchase: R. Charles and Mary More
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Published: 01 April 2019
Figure 2. Su Shi (Chinese, 1037–1101), Dark Clouds at the Edge of the Sky , or The Songyang Manuscript , ca. 1077, detail of section two with inscription by Weng Fanggang (Chinese, 1733–1818). Ink on paper, dimensions unknown. Shanghai Museum, Shanghai. From Bai and Chen, Su Shi shufa jing More
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Published: 01 April 2019
Figure 6. Layout of the central configuration of deities at the Daigoji Enma Hall as recorded in the Painting Inscriptions of the Enma Hall , Daigoji, Kyoto. Top : Facsimile of the original. Bottom : Printed version based on the original. From Abe, “Daigoji Enmadō shiryō sandai,” 214 and 221 More
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 7–31.
Published: 01 April 2009
... added in the vicinity of the functioned as the hub of state-sponsored religious, polit-˙ pre-existing monastery and temples (Figs. 15, 16).At ical, and economic activities.4 Ranod the temples accompanying the mathas were dis- The inscriptional and architectural record from...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 11–30.
Published: 01 April 2006
.... of data. Sato Chisui2 and Hou Xudong3 both assembled This paper is a study of one of the patrons of the large numbers of inscriptions from the epigraphic literature West Cave-Temple at the site of Shuiyu Si in southern and tabulated them according to a wide range of criteria. Hebei Province, a...