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Published: 01 April 2020
Figure 11. Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduced in Yuedong jinshi lue , 1771 (1889 ed.), supplementary volume 1: fig. 7a. Woodblock print on paper, 13.3 × 10 cm. The University Library, University of Illinois at Urbana-Champaign. Figure 11. Weng More
Image
Published: 01 October 2020
Figure 17. Detail of the inscription illustrated in Figure 4 . Figure 17. Detail of the inscription illustrated in Figure 4. More
Image
Published: 01 April 2018
Figure 17. Hon'ami Kōetsu (Japanese, 1558–1637), calligraphic inscription of a poem by Kamo no Chōmei (ca. 1155–1216); shikishi painting attributed to Tawaraya Sōtatsu (Japanese, fl. ca. 1600), dated 1606. Ink, gold, and silver on paper, 20.2 × 17.8  cm. The Metropolitan Museum of Art, New More
Image
Published: 01 April 2019
Figure 10. Su Shi in Rustic Attire with inscription by Song Luo (Chinese 1634–1713), 1667. Inkstone, 21 × 17.7 × 2.3 cm. National Palace Museum, Taipei. Figure 10. Su Shi in Rustic Attire with inscription by Song Luo (Chinese 1634–1713), 1667. Inkstone, 21 × 17.7 × 2.3 cm. National Palace More
Image
Published: 01 April 2017
Figure 6. Inscribed to “usta dadinani” (inscription is not entirely clear), Rahim , dated 1867, Bikaner. Opaque watercolor on paper ( wasili ), 17 × 13 cm. Artwork in the public domain. Figure 6. Inscribed to “usta dadinani” (inscription is not entirely clear), Rahim, dated 1867, Bikaner More
Image
Published: 01 April 2017
Figure 9. “Daskat Rahim,” inscription on a drawing of “Shri Sajirdin,” Bikaner, 1860s–80s. Lampblack on paper. Private collection. Figure 9. “Daskat Rahim,” inscription on a drawing of “Shri Sajirdin,” Bikaner, 1860s–80s. Lampblack on paper. Private collection. More
Image
Published: 01 April 2017
Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony , 1795. Inscription by Wang Wenzhi (1730–1802). Hanging scroll, ink and colors on paper, 85.7 × 39 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony, 1795 More
Image
Published: 01 April 2017
Figure 10. Detail of inscription on a portrait of Maharaja Ratan Singh, Bikaner, 1860s–80s. In Rahim handwriting: “Shri Bara Hazur Syahvar Khakho” (drawing on khakha [pin-pricked composition] of His Majesty). Lampblack on paper. Private collection. Figure 10. Detail of inscription on a More
Journal Article
Archives of Asian Art (2017) 67 (1): 111–142.
Published: 01 April 2017
...Sonya Rhie Quintanilla Abstract This essay proposes a chronology of sculptural embellishment at the recently excavated Buddhist stūpa at Kanaganahalli in the state of Karnataka in southwestern India. Included is the interpretation of caption inscriptions as later additions, applied during the...
Image
Published: 01 April 2018
Figure 17. Images and inscriptions on the Han-dynasty funerary towers of Wang Zhizi, Song-dynasty illustration reproduced in Lixu . From Hong, Lixu , 361. Figure 17. Images and inscriptions on the Han-dynasty funerary towers of Wang Zhizi, Song-dynasty illustration reproduced in Lixu. From More
Image
Published: 01 April 2018
Figure 4. Inscriptions, northwest wall, passageway leading to Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Photograph: Phillip E. Bloom. Figure 4. Inscriptions, northwest wall, passageway More
Image
Published: 01 October 2019
Figure 3. Cunningham's sequence of Brāhmī inscriptions allegedly shown along the colonnade of the Caṅkramaṇa at Mahābodhi, an unwarranted conjecture that is now held largely untenable. After Cunningham, Mahābodhi , pl. 5. Figure 3. Cunningham's sequence of Brāhmī inscriptions allegedly shown More
Image
Published: 01 October 2017
Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. More
Image
Published: 01 April 2018
Figure 16. Images and inscriptions on the Han-dynasty funerary towers of Liu Kuan, Song-dynasty illustration reproduced in Lixu . From Hong, Lixu , 359. Figure 16. Images and inscriptions on the Han-dynasty funerary towers of Liu Kuan, Song-dynasty illustration reproduced in Lixu. From Hong More
Journal Article
Archives of Asian Art (2019) 69 (2): 181–216.
Published: 01 October 2019
...Figure 3. Cunningham's sequence of Brāhmī inscriptions allegedly shown along the colonnade of the Caṅkramaṇa at Mahābodhi, an unwarranted conjecture that is now held largely untenable. After Cunningham, Mahābodhi , pl. 5. Figure 3. Cunningham's sequence of Brāhmī inscriptions allegedly shown...
Journal Article
Archives of Asian Art (2017) 67 (2): 143–187.
Published: 01 October 2017
... contemporaneous recognition of the potential for consecrated works of art to provide direct contact with the deity depicted. By eliminating framing and boundaries between scenes, minimizing inscriptions, employing the gaze to foster internal and external coherence, and using detailing, highlighting, and a...
Journal Article
Archives of Asian Art (2017) 67 (2): 189–208.
Published: 01 October 2017
...Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. Figure 13. Shrine of Ahmad Shah, inscriptions above dado. Photograph: Finbarr Barry Flood. ...
Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
... tu (One Hundred Horses). The third section analyzes how the paratextual elements of Qingming shanghe , especially Qianlong's poem and inscription, inform us of the emperor's views about the production mechanism of court painting and the political meaning of this work. The last section, based on...
Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
...Figure 11. Weng Fanggang, Reproductions of a stele inscription dated 1239, as reproduced in Yuedong jinshi lue , 1771 (1889 ed.), supplementary volume 1: fig. 7a. Woodblock print on paper, 13.3 × 10 cm. The University Library, University of Illinois at Urbana-Champaign. Figure 11. Weng...
Journal Article
Archives of Asian Art (2020) 70 (2): 173–197.
Published: 01 October 2020
...Fiona Buckee Abstract The Muṇḍeśvarī temple near Bhabuā in southwest Bihar is an octagonal, sandstone monument without a spire. Scholars have dated the temple to the first half of the seventh century, primarily on account of early inscriptions from the site and the style of the door frames. Few...