Figure 13. Ink Rubbing of a Warder , from Lu Xun's ink rubbing collection, undated (after Lu Xun cang han hua xiang [Shanghai: Shanghai renmin meishu chubanshe, 1986], 1: fig. 40). More

Figure 18. Zheng Wuchang, Enjoying Music ( Shangyin tu 賞音圖). Hanging scroll; ink and colors on paper, 131.3 × 50.2 cm. Private collection; reproduced with permission after Shi, Zheng Wuchang , no. 7. More

Figure 9. Signboard , Japan, 1868. Wood and ink, 40.5 × 86.3 × 8.7 cm. Collection of the Asian Civilisations Museum, 2013-00901. The signboard reads: “Notice: / Regarding sects of Christianity / This is still forbidden under law / Firmly keep to this. Regarding religions that are non officially More

Figure 11. West Wall Ink Rubbing at the Wu Liang Shrine , 147–68, East Han dynasty (25–220 ce ). Ink rubbing on paper, 119 × 139.5 cm. Philadelphia Museum of Art, Purchased with the Print Revolving Fund, 1974, 1974-20-41. More

Figure 15. Chen Shizeng, Ragpicker , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National Art Museum of China, Beijing. More

Figure 19. Chen Shizeng, Climbing over the Wall, from Album of Figures , 1909. Ink and color on silk, 26.7 × 17.5 cm. The National Art Museum of China, Beijing. More

Figure 11. Wen Tong (1018–1079), Ink Bamboo , with Wen's two seals outlined in black, ca. 1075. Hanging scroll; ink on silk, 131.6×105.4cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan. More

Figure 12. Wen Tong seals on Ink Bamboo : Jingxian shushi 靜閒書室 (top); Wen Tong Yuke 文同與可 (bottom). From Jiang, Gugong canghua daxi , 1:215. More

Figure 8. Ni Zan, Qiulin yexing tu , dated to 1339. Hanging scroll; ink on paper, 98.1 × 68.9 cm. Metropolitan Museum of Art, NY; bequest of John M. Crawford Jr., 1988, 1989.363.38. More

Figure 10. Attributed to Ni Zan, Qiulin yexing tu , Ming dynasty. Handscroll; ink on paper, 28.8 × 88 cm. Freer Gallery of Art, Washington, DC. More

Tsherin Sherpa (Nepalese, b. 1968), The Melt , 2017. Acrylic, ink, and gold on canvas, 102.9 × 110.5 cm. Asian Art Museum of San Francisco, 2017.44. Museum purchase. © Tsherin Sherpa. Photograph: © Asian Art Museum of San Francisco. More

Qur’an , India, fifteenth century. Ink and opaque watercolor on paper with later leather and cardboard binding. Folio 31 × 21.5 cm. Philadelphia Museum of Art, 2017-232-1. Purchased with funds contributed by members of the Committee for South Asian Art, and the Stella Kramrisch Fund for Indian More

Kizil, Head of a Bodhisattva , probably sixth–seventh century. Ink and color on stucco, framed 20.3 × 25.4 cm. Seattle Art Museum, 2017.18. Gift of Mrs. Henry Trubner, in honor of the 75th Anniversary of the Seattle Art Museum. Photographer: Elizabeth Mann. More

Figure 5. Luo Ping (Chinese, 1733–1799), The Su Studio , 1780. Hanging scroll; ink on paper, 110.3 × 37.2 cm. Shanghai Museum, Shanghai (64353). More

Figure 3. Enma-ten mandara from the Kakuzenshō 覚禅鈔, Japan, 1198. Ink on paper. From Takakusu and Ono, Taishō shinshū daizōkyō zuzō , 5: no. 381. More

Figure 4. Enma-ten, Japan, 1127. Hanging scroll, ink and colors on silk, 144.3 × 126.5 cm. Photograph: Kyoto National Museum. More

Figure 7. Enma-ten mandara , Japan, fourteenth century. Hanging scroll, ink and color on silk, 148.3 × 56.6 cm. Owned by Shōmyōji, entrusted to the Kanazawa Bunko. From Kanazawa Bunko no Kaigai  (Kanazawa: Kanazawa Kanagawa kenritsu Kanazawa bunko, 2010), 23. More

Figure 14. Dizang and the Ten Kings , China, second half of the tenth century. Ink and color on silk, 89 × 54.8 cm. Musée des Arts Asiatiques-Guimet. Photograph: RMN-Grand Palais/Art Resource, NY. More

Figure 1. Pang Xunqin (Chinese, 1906–1985), “Women's Handbag,” Craft Art , 1941. Ink and gouache on paper, 38 × 29 cm. Collection of the Changshu Art Museum. More

Figure 2. Pang Xunqin, cover of Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum. More