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Journal Article
Archives of Asian Art (2012) 62 (1): 102–103.
Published: 01 April 2012
..., and wrapped in the steady incantations of monks and lay Absence and the Image worshippers. The figure would have almost certainly Stanley K. Abe been freshly gilded and gaily painted bright blue, green...
Journal Article
Archives of Asian Art (2012) 62 (1): 47–67.
Published: 01 April 2012
...Jiyeon Kim Copyright © Asia Society 2012 Kim Hongdo’s Sandalwood Garden: A Self-Image of a Late-Choso˘ n Court Painter jiyeon kim Ulsan...
Journal Article
Archives of Asian Art (2013) 63 (1): 1–25.
Published: 01 April 2013
...Jeehee Hong Copyright © Asia Society 2013 Exorcism from the Streets to the Tomb: An Image of the Judge and Minions in the Xuanhua Liao Tomb No. 7 jeehee hong Syracuse University...
Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
... another rosy picture of the deceased prince as a good official. Eventually, the image and text were used in tandem to create a perfect image of the deceased. In substantiating this argument, I first demonstrate that the ideal world comprised three layers nested inside each other: the deceased's wood...
FIGURES | View All (27)
Journal Article
Archives of Asian Art (2018) 68 (1): 47–66.
Published: 01 April 2018
... prevent her from painting—the poems were written in 1548, when Saimdang was forty-four years old. So Seyang's indications that the painter is a woman (for instance, when he refers to her “fine sentiments”) are very subtle, elegant, and respectful. He thus gives us a beautiful image both of the situation...
FIGURES | View All (14)
Journal Article
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
... relationship between illusion, matter, and the mind that is thematized in the cave and in liturgies like that by Zongmi. Engaging with Hans Belting's recent work on image anthropology, this essay concludes by suggesting that the cave, its source texts, and related repentance rituals collectively insist...
FIGURES | View All (11)
Image
Published: 01 April 2019
Figure 25. Nāga image and waterspout in Kuttam Pokuna, Anuradhapura, Sri Lanka, sixth century ce . Photograph: Robert DeCaroli, 2016. More
Image
Published: 01 October 2019
Figure 13. Caṅkrama image of Vārāṇasī (rear view), a gift of the monk Bala with the nun Buddhamitrā, dated to ke 3 (130 ce ). H. 287 cm. Sarnath Museum (356, formerly Si. B.1). From Oertel, “Excavations at Sārnāth,” pl. 26b. More
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Published: 01 October 2019
Figure 14. Caṅkrama image of Śrāvastī, a gift of the monk Bala. H. 248 cm. Indian Museum (A25028). Photograph: Wikimedia Commons. More
Image
Published: 01 October 2019
Figure 15. Caṅkrama image, reputedly from Kauśāmbī, a gift of the nun Buddhamitrā, dated to ke 2 (129 ce ). H. 112 cm. Allahabad Museum (709, formerly AM 69). From Kern Institute, ABIA 9 (1934) : pl. 2c. More
Image
Published: 01 October 2019
Figure 16. Pedestal of a caṅkrama image from Ghoṣitārāma, a gift of the nun Buddhamitrā, datable to ke 6 (133 ce ), dimensions not reported. G. R. Sharma Memorial Museum, University of Allahabad. Adapted from G. Sharma and Nagi, “Saka-Kushans in the Central Ganga Valley,” 16. More
Image
Published: 01 October 2019
Figure 17. Pedestal of a caṅkrama image from Ghoṣitārāma, a gift of the nun Buddhamitrā, dated to Kaṇiska's reign, dimensions not reported. G. R. Sharma Memorial Museum, University of Allahabad. From G. Sharma and Nagi, “Saka-Kushans in the Central Ganga Valley,” 17. More
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Published: 01 October 2021
Figure 12. Image group commissioned by the nun Huiding, dated 489, Yungang Cave 17. Photograph: courtesy of Joy Lidu Yi. More
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Published: 01 October 2021
Figure 14. Principal seated Buddha image and standing figures north wall, ca. 500–523, Longmen Binyang Central Cave. Photograph: Katherine Tsiang. More
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Published: 01 October 2021
Figure 16a. South wall drawing, detail, Longmen Guyang Cave. Image courtesy of the Longmen Research Institute. More
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Published: 01 October 2021
Figure 16b. Detail showing Niche 304, north wall drawing, GuyangCave. Image courtesy of the Longmen Research Institute. More
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Published: 01 October 2021
Figure 17a. Niche 304, dedicated to the Duke of Shiping, Guyang Cave, north wall. Image courtesy of Longmen Research Institute. More
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Published: 01 October 2021
Figure 22a. Niche 228, Guyang Cave north wall. Image courtesy of Longmen Research Institute. More
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Published: 01 October 2021
Figure 24b. Base of throne (detail), Niche 134, Guyang Cave north wall. Image courtesy of Longmen Research Institute. More
Image
Published: 01 October 2021
Figure 25a. Buddha image dated 482 from Cheng'an xian, Hebei. Handan City Museum. Photograph: courtesy of Lidu Yi. More