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Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 19–42.
Published: 01 April 2010
... Previous Studies on Yakushi Icons Classified as Shichibutsu Yakushi Buddha has thirty-two remarkable attributes on his Abody, marks of his transcendent qualities. Many As used by ancient and medieval Japanese Buddhists scriptures state that the...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 7–25.
Published: 01 April 2003
... produce anything beyond broad generalizations regarding the tangible position of this icon within the fabric of sev- enth-century Japanese life...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 211–213.
Published: 01 October 2013
... Replication of shadow of Mt. Hiei. Miraculous Icons: The Zenko¯ ji Amida Triad and the In 1973 McCallum was awarded his PhD after com- Seiryo¯ ji Shaka’’ in Images, Miracles, and Authority in pleting his dissertation ‘‘The Evolution of the Buddha Asian Religious Traditions...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81–90.
Published: 01 April 2012
... Sickman. Acc. no. F95-4. Photograph by Sam Fentress. crafted by the sculptor Kaikei ca. 1202. For example, and Fujiwara no Hidehira, in the Konjiki-do¯ of Chu¯son- throughout pre-modern East Asia, it was not uncommon ji at Hiraizumi. The icon to which the monumental Hand for damaged sculptural...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 99–100.
Published: 01 April 2012
... community as evidenced by the layers the galleries, the structure of the workshop, the composi- of ritual incense residue that still darkens his skin. tion of the panels, and of course, the quality and diversity The flexibility of these icons prompts us to ask: is of the objects included in the exhibition...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 139–179.
Published: 01 October 2015
... moun­tain range. racu­ lous­ icon at Wutai Shan, Berger re­veals the trans­for­ This is not an attempt­ to perpet­ ­u­ate fixed notions­ of mative­ power of Qianlong’s copies­ for both the copy and the ethnonyms “Man­chu,” “Mon­gol,” “Ti­bet­an,” and the origi­ nal...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 83–104.
Published: 01 April 2001
... Nyorai (S: Bhaisajyaguru Buddha), and establishments of this period in Japan. Although the tem- Jizo Bosatsu (S: Ksitigarbha Bodhisattva) (Fig. 2). For the ple of Murro-ji is located in the remote countryside on Mt. most part, Japanese Buddhist altars hold only three icons— Muro in the Uda...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... distinguished by an invigorat- of Kelly’s looming ‘‘modern ‘icon ing lack of focus attributable to the geographic and Yueni Zhong confronted the power of Blue Black chronological range of the exhibit, as well as the delib- directly, and more than any other speaker, she answered erate ambiguity of the...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 151–152.
Published: 01 April 2007
... complex one, to a Brahms sym- the name Sanso¯ , ‘‘mountain retreat or to assume the phony. We mourn his passing but can wish no better guise of a cultural icon. He would lend works anony- legacy. mously or show them privately to visiting scholars in his modest house...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 89–94.
Published: 01 April 2010
... up major collections in China, receive the same critical ‘‘a restrictive paradigm, metropolitan versus provin- scrutiny as paintings. cial which, in turn, ‘‘restricts our ability to understand the function of these religious icons in the wider societal...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
... Thousand-armed But what about the relationship between Buddhist Man˜jus´rı¯ is known from one sutra preserved in the Sino- texts and painted icons? This essay explores the pictorial Japanese Buddhist canon, it does not clearly explain logic of mural paintings depicting Man˜ jus´rı¯ of the Man˜jus´rs...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 99–100.
Published: 01 April 2004
... advancement of other the icon's great size, she could not employ women in the profession as well. In 1960, more precise scientific techniques, and after for example, she was the first female recipi- two weeks of intense...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 102–103.
Published: 01 April 2012
... Form of Khasarpana [stanley.abe@duke.edu] Lokes´vara and the luminous Ellsworth Kelley painted sculpture, Blue Black, which loomed over the stone Notes icon (rear of Cover and Fig. 1). The dramatic modern contexts created by architect 1. Curated by Katherine R. Tsiang, in consultation Ando and...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 1–5.
Published: 01 April 2009
... tem- public attention is drawn especially to mosques, tombs, ple architecture and iconography, moreover, brought and dargahs exhibiting reused Indic fragments. These the knowledge of these well-developed fields to bear on buildings, I would argue, serve as the memorial icons the analysis of the...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 61–80.
Published: 01 April 2006
... carving clearly designates the individu- Northern school of Chan's supposed connections with als portrayed as MahakaSyapa transmitting the Law to Empress Wu and her "materialistic" lot, engaged in temple Ananda, who in turn passes it down the generations to the building, icon construction, sutra...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... birds against a twilit sky. The background softens the image's iconicity, perhaps to avoid deifying the maharaja too overtly and probably in a nod to the interiors favored in the backdrops of academic portraits and studio photographs. Figure 15. Maharaja Sardar Singh , Bikaner, 1851–72...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 121–150.
Published: 01 April 2007
... duced and began to gain currency. As a form of neo- Given this painting’s efficacy in promoting Buddhist traditional art, Nihonga served as an umbrella concept themes for neotraditional Japanese painting, as well as accommodating the various indigenous style or school its status as an icon of Meiji...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 87–109.
Published: 01 April 2018
...: Chongqing chubanshe, 1999), 47. Reproduced by permission of Guo Yi, Chongqing chubanshe. In the following pages I attempt to answer these questions by leading the reader through the depths of the cave's visual program, a combination of high-relief icons and low-relief narrative scenes that draw...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 121–127.
Published: 01 April 2001
...-Johnson, Elizabeth. Symbolic Jades of the Erlitou Period: A Xia Adornment of Eizon's Iconic Body, vol. 50 (1997-1998), pp. 42-61. Royal Tradition, vol. 48 (1695), pp. 64-92. Brock, Karen L. The Case of the Missing Scroll: A History and Ch' iu, A. K' ai-ming. The Chieh Tzu Yuan Hua Chuan, vol...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 43–78.
Published: 01 April 2010
... with Buddhist patronage over time, the basic purpose of the project relics, a set of nineteen inscribed texts, and other iconic Fig. 2. Plan of the nine-cave chambers on Shijing Mountain, Fig. 1. Map of Fangshan and vicinity. By author...