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history of color

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Published: 01 October 2020
Figure 11. Study of Waiting for the Swallow's Return by the Bamboo Blinds , Meiji period, late nineteenth–early twentieth century. Ink and colors on paper, 27.6 × 19.5 cm. Koga City Museum of History. Photograph: Yurika Wakamatsu. More
Image
Published: 01 October 2020
Figure 19. Lu Zhu 陸祝 (Chinese, dates unknown), Plum Blossom Beauty . One of twelve fans mounted on a six-panel folding screen; ink, colors, and gold on silk, 24.8 × 26.5 cm. Koga City Museum of History. Photograph: Yurika Wakamatsu. More
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
... Ji, 1082-1135; r. The Five-Colored Parakeet. Northern Song, datable to iiios. Handscroll; ink and color on silk; S3.3 x 125.1 cm. Museum of Fine Arts, Boston, 33.364. Maria Antoinette Evans Fund, 1933. Courtesy Museum of Fine Arts, Boston...
Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... and then repurposed it to serve an image of the empire under the Manchu. Figure 14. Lang Shining (Giuseppe Castiglione, 1688–1766), Vase and Flowers . Hanging scroll, ink and color on silk, 113.4 × 59.5 cm. The Collection of National Palace Museum, Taipei. Photograph: The Collection of National Palace...
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Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
... in Hangzhou. Figure 1. Anonymous painter, Boating by a Willow Bank , China, thirteenth century. Fan mounted as an album leaf; ink and color on silk, 23.3 × 24.9 cm. Metropolitan Museum of Art, Collection of A. W. Bahr, Purchase, Fletcher Fund, 47.18.137. Artwork in public domain. Photograph...
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Journal Article
Archives of Asian Art (2022) 72 (1): 1–53.
Published: 01 April 2022
... such polychrome ornamentation was desirable in early China, reconciling those motives with our quite different modern sensibilities. amiller@southwestern.edu © 2022 Asia Society 2022 Bronze vessels lacquer oil paint binding media early China history of color inlay technical art history...
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Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
... industrialized society gets chunse), 1938. Hanging scroll, color and ink on silk; animals in its sights, the more they disappear—a process 120 Â 52 cm. Courtesy of the Tianjin Museum. 166 ARCHIVES OF ASIAN ART Fig. 2. Liu Kuiling. Untitled (peacock feather). Ink and color on paper. From He Yanzhe...
Journal Article
Archives of Asian Art (2023) 73 (1): 1–23.
Published: 01 April 2023
...Quincy Ngan Abstract This article contextualizes the visual intrigue that was created by the fifteenth-century Chinese poet and painter Sun Ai (ca. 1452–1536) when he broke from convention by using indigo blue to color the leaves of a cotton plant and a mulberry branch in a pair of paintings now...
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Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
.... Figure 1. Chen Mei 陳枚, Sun Hu 孫祜, Jin Kun 金昆, Dai Hong 戴洪, and Chen Zhidao 程志道 (all Chinese, active early–mid-eighteenth c.), Qingming shanghe 清明上河 (Up the River during Qingming), 1737. Handscroll; ink and color on silk, 35.6  ×   1152.8  cm. National Palace Museum, Taipei. Artwork in the public...
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Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... fascination with the city in transition by creating the album Beijing Fengsu 北京風俗. The thirty-four ink-and-color paintings in the album vividly depict the essential actors in a typical Beijing street scene—a rickshaw puller, street performers, and a camel driver—alongside more casual “players...
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Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... period, the Songbai leichao 宋稗類鈔 (Collected Notes from the Song Dynasty; anthologized in 1705), wrote: “Raozhou Jingdezhen is the place from which ceramics comes. During the Daguan reign, yaobian occurred. In just a short time, the color was like that of cinnabar.” 34 In both this Song-period...
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Journal Article
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
... The 4 RHVSO SA ART ASIAN OF ARCHIVES Fig.1. Chaekgeori, Korea, 19th century. Ten-panel screen, ink and color on silk, 198.9 Â 39.3 cm...
Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
..., including the painter-calligrapher Wen Zhengming 文徵明 (1470–1559). Figure 4. Yun Shouping (China, 1633–1690), Carnations and Amaranthus , n.d. Folding fan mounted as an album leaf, color on paper, 17 × 50.8 cm. The Metropolitan Museum of Art, Bequest of John M. Crawford, Jr., 1988. Artwork...
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Journal Article
Archives of Asian Art (2017) 67 (2): 143–187.
Published: 01 October 2017
... (dzongs tson; “fully filled-in color”). The two are explained in several of David Jackson's works and are cited and discussed at greater length in Linrothe, “Siddhas and Sociality.” See also Jackson, History of Tibetan Painting , 59 . 16. Linrothe, “Polishing the Past.” Henss ( Cultural...
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Journal Article
Archives of Asian Art (2008) 58 (1): 113–133.
Published: 01 April 2008
... Below is the section of the poem from the Shijing (Part II, Book I, Ode VI) in which nine items are mentioned. Fig.8. Portrait of Emperor Gojong. Undated. Ink and color on For clarity, they are numbered in parentheses. silk; 210 Â 116 cm. National...
Journal Article
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
... of Tao Yuanming Returning to Seclusion. Handscroll; ink and color on silk; h. 37 cm, 1. 518.5 cm. Freer Gallery, Smithsonian Institution, Washington, D.C. sage about freeing oneself from the world. It opens with an I built my cottage in a peopled place introduction to the view from his garden...
Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... screens known as Birds and Flowers of the Four Seasons ( Figure 1 ). Figure 1. Sesshū Tōyō (Japanese, 1420–ca. 1506), Birds and Flowers of the Four Seasons , Muromachi period (1338–1573). Important Cultural Property. Pair of six-fold screens; ink and color on paper, 181.6 × 375.2 cm. Kyoto...
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Journal Article
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
... emotions of happiness accentuates the act of repairing the temple as one of extraordinary merit made possible through Enma's guidance and instruction. Figure 26. “Aichi Returning to Life,” from the Legendary Origins of Shidoji , Japan, 1320–40. Hanging scroll, ink and color on silk, 166.2 × 120.9...
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... Qing authority and legitimacy, even a century after the fall of the Ming in 1644. The surname of the Ming royal family, Zhu 朱, means “red” in Chinese and the color was sometimes used to symbolize loyalism to the fallen regime by elements, such as Bada Shanren (traditionally called Zhu Da 朱耷) and Shitao...
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Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
... interest in genre paint- and tear of the paper and the color of the seals do not ings, Kim must have been a rigorous observer, saving match. vignettes in his memory as he sketched various scenes Despite the fact that the genre scenes in Album of around him for later use at appropriate occasions. Danwon...