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Published: 01 October 2018
Sin Hakgwon (artist name: Doam) (Korean, 1785–1866), General View of Inner Geumgang , Korea, Joseon dynasty (1392–1910), mid-nineteenth century. Six sheets of paper mounted as a single panel; ink and light color on paper, 47.3 × 235 cm. The Metropolitan Museum of Art, 2017.185. Purchase, Friends More
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... generation of literati. Through the aid of drawing from direct observation, emulation of visual effects from Western-style drawing using Chinese ink and pigments, incorporation of antiquarian motifs, and unconventional compositional schemes, the album managed to reinvent vernacular painting ( fengsu hua...
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Journal Article
Archives of Asian Art (2020) 70 (2): 119–149.
Published: 01 October 2020
... of multiple shifting “selves” rather than an extension of a singular, unified “I.” Literati art thus functions not merely as a repository of self-expression but also as a generative mediator of identities and social relations. In staging multivalent modes of engagement, Seiko's scroll ultimately offers...
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Journal Article
Archives of Asian Art (2020) 70 (2): 151–171.
Published: 01 October 2020
... connections to the wider world. Hence, taking a thematic approach, the ACM's new galleries question how museums generally display objects along national lines or regional boundaries. This essay also brings attention to the multiple mediums and functions of Christian art from both the geographical locations...
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Journal Article
Archives of Asian Art (2022) 72 (1): 1–53.
Published: 01 April 2022
...Allison R. Miller Abstract Scholars of Greek and Roman art have long recognized that many sculptures that today appear unpainted were originally covered in bright, polychrome paint. In contrast, the hallowed works of China's classical antiquity, the bronzes, are generally believed to have been...
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Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
... of the sort. Traceable to Mi Fu's floating gallery-cum-studio, the “art boat” was perceived as a beacon of cultural orthodoxy by generations of aesthetes like Mi Wanzhong, Dong Qichang, and Li Rihua. A nod to antiquity, it situated them in the continuum of long-standing tradition. The practice reached its...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... discursively reframed by the heightened cultural nationalism of the Sino-Japanese War: the expansion of modern archaeology, and ethnographic study of minority cultures. In reclaiming folk-minority craft as a generative source of decoration, Pang Xunqin and Lei Guiyuan were also critically engaged...
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Journal Article
Archives of Asian Art (2004) 54 (1): 23–33.
Published: 01 April 2004
.... Specifically, it exam- which Hu recruited several talented hereditary military ines his relationship with several military figures: Supreme officials as well as civil officials.'3 As one of Hu's staff, Xu Commander Hu Zongxian, General Xu Ximeng, and Li Wei met leading writers and officials who were...
Journal Article
Archives of Asian Art (2011) 61 (1): 1–2.
Published: 01 April 2011
.... generous temper made her willing to consider any rejec- Stan, like Rick Asher and Jerome Silbergeld, has tion of one acquisition in favor of another, or, if she been one of the pillars of the editorial board in recent disagreed, to explain why. years, always available to review an article...
Journal Article
Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
..., studies of the identity of allow for the investigation of specific, individual manifes- these donors have historically taken the form of broad tations of the sorts of general phenomena documented by surveys drawing generalized conclusions from large bodies Sato and Hou, and to a different extent by Abe...
Journal Article
Archives of Asian Art (2003) 53 (1): 7–25.
Published: 01 April 2003
... in a blanket statement on page 38: "The next group is largely composed of the well- known Forty-Eight Buddhas of Horyfi-ji, most of which are generally on view in the Household Museum at Tokyo but some of which are reserved for the Imperial Household Collection.They have never before been made...
Journal Article
Archives of Asian Art (2005) 55 (1): 53–63.
Published: 01 April 2005
... might provide famine relief was soon countered Company; he built the Town Hall in Calcutta (1813), and by other suggestions from a number of quarters. As later rose to the position of Surveyor General and Chief Engineer researchers on famine prevention have argued, granaries of Benga1.8 His early...
Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
...Jerome Silbergeld Copyright © Asia Society 2005 The Evolution of a "Revolution": Unsettled Reflections On the Chinese Art-Historical Mission JEROME SILBERGELD PRINCETON UNIVERSITY Generational change, and with it generational conflict, are (long-standing in China, recently...
Journal Article
Archives of Asian Art (2013) 63 (1): 131–132.
Published: 01 April 2013
... the barriers that separate the Japanese, Chinese, English, and German language spheres. He played a crucial role in the revival of German scholar- ship after World War II. His insights liberated the study of Buddhist art in Zen monasteries from the glib general- izations of the school of thought known...
Journal Article
Archives of Asian Art (2008) 58 (1): 87–111.
Published: 01 April 2008
... suggested dates study reviews the sculpture’s history of attributions and for the sculpture consistent with those of Pal. The au- presents evidence for revising Pal’s dating and geo- thors’ geographical attribution, Uttar Pradesh, generally graphical attribution of the sculpture, which were cen- agreed...
Journal Article
Archives of Asian Art (2010) 60 (1): 19–42.
Published: 01 April 2010
... Buddhas (Shichibutsu Yakushi ho¯ ).27 It is extremely difficult to say with any certainty For this reason, in this paper I use the term Shichibutsu whether there was actually a cult of Shichibutsu Yakushi, Yakushi only in reference to the mandorla, a prevalent as distinct from the general worship...
Journal Article
Archives of Asian Art (2010) 60 (1): 79–87.
Published: 01 April 2010
... at the Museum of were influenced by German aesthetics of the time. the Joseon Government-General (J: Cho¯ sen So¯ tokufu According to Kato Tetsuhiro, a Japanese professor hakubutsukan) while teaching at Keijo¯ . Ko Yu-seop’s of aesthetics, in Germany during the latter half of the thesis for his B.A. degree...
Journal Article
Archives of Asian Art (2010) 60 (1): 43–78.
Published: 01 April 2010
... undertaking begun by the monk Jingwan was without a doubt the centerpiece both conceptually sometime in the Daye reign (605–617) of the Sui and physically. As the first of the nine cave-chambers dynasty, which was continued by five generations of to be built, it was assigned a prominent position atop his...
Journal Article
Archives of Asian Art (2004) 54 (1): 4.
Published: 01 April 2004
... present understanding of Asian art in general, and Chinese for this important publication and making it even stronger as we and Japanese painting and Chinese archaeology in particular. continue to strengthen the field of Asian art for generations to Many Archives articles remain required reading...
Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
... of 1890s.4 Art history as a field of modern study was intro- Choso˘ n culture, it is so shameful and pitiful that only duced by the Japanese through the office of the Residency- the Japanese are concerned with research and scholar- General (T’onggambu) during the late Enlighten- ship He further goads his...