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1-20 of 1738
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 6. Riders on lions and a griffin (panel below Figure 5 ; detail of Figure 2 ), mid-1st century bce . Kanaganahalli, India. Photograph: author.
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in Heike Paintings in the Early Edo Period: Edification and Ideology for Elite Men and Women
> Archives of Asian Art
Published: 01 April 2017
Figure 6. Details of Figure 2 a , Kawara brothers; Figure 2 b , Kagetoki’s son surrounded by enemies, and Kagetoki rushing to rescue him. Photograph: © Trustees of the British Museum.
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in Heike Paintings in the Early Edo Period: Edification and Ideology for Elite Men and Women
> Archives of Asian Art
Published: 01 April 2017
Figure 7. Details of Figure 2 e , Tsuchiya brothers; Figure 2 d , Michimori deserted by his last retainer; Figure 2 f , Naozane and his son fighting; Figure 2 c , Moritsugu’s retreat. Photograph: © Trustees of the British Museum.
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in Heike Paintings in the Early Edo Period: Edification and Ideology for Elite Men and Women
> Archives of Asian Art
Published: 01 April 2017
Figure 8. Details of Figure 2 h , Shigehira’s attempted suicide; Figure 2 i , Tomomori’s flight; Figure 2 g , the beheaded Tadanori. Photograph: © Trustees of the British Museum.
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in Heike Paintings in the Early Edo Period: Edification and Ideology for Elite Men and Women
> Archives of Asian Art
Published: 01 April 2017
Figure 10. Details of Figure 4 b , Tsugunobu’s death; Figure 4 d (left half), Yoichi shooting an arrow; Figure 4 c , Kagekiyo and Mihonoya. Photograph: © Trustees of the British Museum.
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in Heike Paintings in the Early Edo Period: Edification and Ideology for Elite Men and Women
> Archives of Asian Art
Published: 01 April 2017
Figure 11. Detail of Figure 4 d (right half), Yoichi shooting an arrow; Figure 4 e , Yoshitsune’s retrieval of bow. Photograph: © Trustees of the British Museum.
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
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in The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China
> Archives of Asian Art
Published: 01 April 2021
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Published: 01 April 2021
Figure 9. The attending figure at the Śaivācārya’s right in Figure 5 . Photograph: Ranjusri Ghosh.
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Published: 01 April 2021
Figure 10. The attending figure at the Śaivācārya’s left in Figure 5 . Photograph: Ranjusri Ghosh.
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Published: 01 April 2021
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Caryatid figure on the bell stand illustrated in Figure 28a. H. of caryatid...
Available to Purchase
in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 28b. Caryatid figure on the bell stand illustrated in Figure 28a. H. of caryatid 96 cm, h. of hemispherical base 35 cm, diam. of base 80 cm. Hubei Provincial Museum. Reproduced by permission of Cultural Relics Press.
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in Cosmopolitanism and Imagination in Nayaka South India: Decoding the Brooklyn Kalamkari
> Archives of Asian Art
Published: 01 April 2020
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in Cosmopolitanism and Imagination in Nayaka South India: Decoding the Brooklyn Kalamkari
> Archives of Asian Art
Published: 01 April 2020
Figure 5. Detail of the Deccani kalamkari illustrated in Figure 6, showing a Chinese male and a Turkish male.
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in Cosmopolitanism and Imagination in Nayaka South India: Decoding the Brooklyn Kalamkari
> Archives of Asian Art
Published: 01 April 2020
Figure 8. Detail of the Deccani kalamkari illustrated in Figure 5, showing a yogi contemplating a pineapple.
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Reproduction of a figure from a Tang-dynasty rubbing of the Wu Liang Shrine...
Available to Purchase
in Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
> Archives of Asian Art
Published: 01 April 2020
Figure 19. Reproduction of a figure from a Tang-dynasty rubbing of the Wu Liang Shrine, from Huang, Engraved Texts , 1: fig.7a. Woodblock print on paper, H. 31 cm. The Metropolitan Museum of Art, New York, Thomas J. Watson Library.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 4. Yakṣas and nāgas worshipping (panel below Figure 3 ), mid-1st century bce . Kanaganahalli, India. Photograph: author.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 5. Royal donor in a palanquin (detail of Figure 2 ), mid-1st century bce Kanaganahalli, India. Photograph: author.
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in Transformations of Identity and the Buddha's Infancy Narratives at Kanaganahalli
> Archives of Asian Art
Published: 01 April 2017
Figure 8. Royal donor on an elephant (panel below Figure 7 ), mid-1st century bce . Kanaganahalli, India. Photograph: author.
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