1-20 of 112 Search Results for

fig

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Image
Published: 01 October 2017
Figure 40. Sudhanakumāra (detail of Figure 7 , lower left). Photograph: author. Figure 40. Sudhanakumāra (detail of Figure 7, lower left). Photograph: author. More
Image
Published: 01 October 2017
Figure 19. Eight pad models. The upper four portions (of the eight illustrated in Figure 18 ) are rotated 180 degrees so that their orientation is the same as that of the bottom four portions. Each pad model is about 7.8 × 4.8 cm. Figure 19. Eight pad models. The upper four portions (of the ei... More
Image
Published: 01 October 2017
Figure 22. Detail of the bottom part of the Jianshe Yinhang mirror illustrated in Figure 21 . Photograph: author. The image at bottom left is the component model from the Guokeda M4 mirror (see Figure 13 ). Figure 22. Detail of the bottom part of the Jianshe Yinhang mirror illustrated in Figu... More
Image
Published: 01 April 2019
Figure 5. Cover of WAWA Newspaper no. 16 (September 2016), the final edition. Figure 5. Cover of WAWA Newspaper no. 16 (September 2016), the final edition. More
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 105–120.
Published: 01 April 2001
.... I05 Fig. r Fig. 2 Fig. 4 Fig. 3 BALTIMORE, MARYLAND The Walters Art Museum Hiram W Woodward, Jr., Curator of Asian Art Fig. r. / Jar (Unified Silla...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 111–125.
Published: 01 April 2003
... Fig. 2 Fig. BALTIMORE, MARYLAND The Walters Art Museum Hiram W. Woodward, Jr., Curator of Asian Art Fig. 1. / Radha (16th century). India, West Bengal. Bronze: 15.2 cm. 54.2962. Gift of John and Berthe Ford, 2000 Fig. 2. / Tara (9th—loth century). Java. Gold and silver: 9.2 cm...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 101–119.
Published: 01 April 2004
...- 73 00 cds..1 i8,46. - v-1 (-I-, , rl Ft' VD cl P., L.T , P-1 4-1 Fig. 5 Fig. 6...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 79–98.
Published: 01 April 2005
... Copyright © Asia Society 2005 Art of Asia Acquired by North American Museums, 2003-2004 79 Fig. Fig. 2 BALTIMORE, MARYLAND Walters Art Museum Hiram W. Woodward, Jr., Mr. and Mrs. Thomas...
Image
Published: 01 October 2017
Figure 6. Rubbing of the Guokeda M4 mirror illustrated in Figure 5 . From Changsha Shi Bowuguan, Chufeng Hanyun , 3, fig. 1. Figure 6. Rubbing of the Guokeda M4 mirror illustrated in Figure 5. From Changsha Shi Bowuguan, Chufeng Hanyun, 3, fig. 1. More
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 109–132.
Published: 01 April 2006
... Hiram W Woodward, Jr., Research Curator, Asian Art Fig. i / Vishnu. India (Tamil Nadu or Andhra Pradesh). 13th century. Bronze; h. 69.8 cm...
Image
Published: 01 October 2017
Figure 11. Arakawa (1936–2010) and Madeline Gins (1941–2004), The Mechanism of Meaning 1. Neutralization of Subjectivity, fig. 1.3 , 1963–73/1996. Acrylic and photograph on canvas, 244 × 173 cm. © 1997 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins More
Image
Published: 01 April 2018
Figure 19. Shikishi- arrangement diagram from On Transmitting Calligraphy ( Senpitsu sōden no koto ), 1720 reprint of a manuscript dated 1541. Printed codex, ink on paper, 23 × 16  cm. Yamaguchi University Library. From Sakomura, Poetry as Image , fig. 13 . Photograph: © Sakomura, courtesy More
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 43–85.
Published: 01 April 2008
..., merely five carry inscribed ing the chronology of Gandha¯ran art is still scarce.4 dates. Even of those five, only one (year 89) is unequivo- Naı¨ve comparisons with parallels in the West were also cally datable in the Kaniska era (Fig. 35), whereas the not much help, because attempts to correlate the...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 59–86.
Published: 01 April 2013
... once rooted in a regional context, an religious personalities. The relations between the ‘‘mother artistic practice could take on an autonomous life of Fig. 1. Phugtal Monastery, Zangskar, Jammu and Kashmir State, India. Photograph by author, 2010. 60 ARCHIVES OF ASIAN ART...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 87–111.
Published: 01 April 2008
... County Museum of Art he genesis of this study is a March 2007 Los Angeles which objected to the deaccession on the basis of the TTimes article1 on an Indian stone sculpture of Uma¯- sculpture’s art-historical importance, was sent to the Mahes´vara (Figs. 1, 1A) in the Los Angeles County Mu...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 165–178.
Published: 01 October 2013
... involves Mı¯ra¯n the context of their excavation. The basic information paintings, Pranidhi paintings from the Bezeklik Caves, on the artifacts was recorded on a master list, which is and paintings from˙ the Toyuk Caves.3 thought to have been composed when they were brought Fig. 1. Mural fragments...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 26–53.
Published: 01 April 2003
... Picldriydr sponsored the construction of a granite after she had married. Marriage, in fact or in prospect, did temple (Fig. 1) to the god Siva Candragekhara in not discourage her from presenting her identity in terms Tiruccendurai, a village that lies twelve kilometers up the of her natal family...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81.
Published: 01 April 2012
... reports from partici- Stanley Abe is Associate Professor of Art History at pants in the workshop. Duke University. His recent publications include ‘‘Locat- The Ando structure (Fig. 1) is a stunning setting for ing World Art in Migrant’s Time (2011) and ‘‘General art...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 81–104.
Published: 01 April 2006
... by region. THE PYoNGYANG(TrA) AND ANAK( ) REGIONS DURING THE FOURTH Fig. i. Plane figure of the understructure. Anak Tomb 3. AND FIFTH CENTURIES Among early Kogury6 tomb murals Anak Tomb 3 ber a fighting scene was painted. On the wall west...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... draping prepared or spontaneous, about either the objects or scarves over fellow participant (Ye-Gee Kwon) to explain the fluid notion of ‘‘context Perhaps the luminous the arrangement of the Buddha’s robe (Fig. 10). building deserves some credit for this spirit, but Emily William Ma considered the...