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Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... generation of literati. Through the aid of drawing from direct observation, emulation of visual effects from Western-style drawing using Chinese ink and pigments, incorporation of antiquarian motifs, and unconventional compositional schemes, the album managed to reinvent vernacular painting ( fengsu hua...
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Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... 好而 and calligraphy in a category of hua er buzhi zhe meaning that Yang loved painting and calligra- Ouyang ﬁrst pointed out the technical cleverness of this phy but knew little about them.51 In this instance...
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
... Shi’s Odes on the Red 7. See Deng Chun 鄧椿 (active 1127–1167), Hua Ji Cliff and Illustration of the Later Ode on the Red Cliff 畫繼 (A continuation of the history of painting; Preface by Qiao Zhongchang in The History of Painting in East 1167), juan 4, Huashi congshu (Collection...
Archives of Asian Art (2008) 58 (1): 1–42.
Published: 01 April 2008
... dynastic categories. Even the few structures from about revealed local customs (fengsu). —Xuanhe huapu the tenth century reveal dramatic differences between building styles in the present-day provinces of Hebei he Daxiongbaodian of Kaihuasi...
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
... painted and transcribed" (Yuzhi yuhua bing shu *lap ta a ), the inscriptions on Hibiscus and Wax-Plum do not claim that these works are imperially painted (hua...