...Burglind Jungmann Abstract Facts about Sin Saimdang, the most famous female artist in Korean history, are scattered and none of the remaining works attributed to her can be confirmed as authentic. Since her death every century has contributed new ideas about the painter and her oeuvre...

... observes, the concept of Women's Art, “as part of post-Mao feminist humanist thought that sought to recuperate a female subjectivity from the state mobilization of women, identifies a subject different from that signified by nü yishujia 女艺术家 (female artist), or artist who happens to be a woman.” Welland...

... forged an independent and artistic life. At home, she became close to her female servants and an adopted daughter surnamed Zuo. 30 In Dantu, she enjoyed the companionship of a community of artists. Luo befriended the woman painter Wang Yuyan 王玉燕 (fl. late 18th c.), whose style of painting orchids...

... (see the Southern Song Portrait ofTiantai. scholars, who mention with laughter a university class that excluded female Dashi by Zhang Sixun in Yonezawa and Nakata, Shurai Bijutsu, pl. 81). students during an examination of shunga; see Hanasaki Kazuo et al., Japanese artists either followed...

... Khyenpa (dus gsum mkhyen pa; 1110–1193), the first Karmapa, is said to have “had a vision of a female deity surrounded by thirty-six heroines with consorts. He asked the artist Gartön Horpo to make a painting of it.” 91 Dilgo Khyentse Rinpoche (dil mgo mkhyen brtse rin po che; 1910–1991) recorded...

... and fighting men, and a male and female couple openly engaging in sexual intercourse” along with almost incidental Buddhist activities, commissioned by a Tibetan-born Mongol reincarnate teacher and ruler, and painted by monk-artists”; ibid., 84. 22. Linrothe, “Siddhas and Sociality.” Depending...

...Yurika Wakamatsu Abstract Beauty by Plum and Window , a hanging scroll produced in 1907 by the Japanese artist Okuhara Seiko, calls into question fundamental presumptions about literati art, a mode of art-making often seen as a means of self-representation. Instead of creating a singular subject...

... as a group may Eastern India:A Study of Tara, Prajtiers- of the Tathagatas and Bhrikutr (New have had on artists as well as on devotees at Bodhgaya. The impact of Delhi: Munshiram Manoharla1,1980) provides a valuable study of female the accumulated works at the site is evident in various pilgrim...

... of colonial photographic conventions to subvert the imperial gaze. Combining a reclamation of female authors' voices, including those of Katherine Carl, Sarah Pike Conger, Yu Derling, and Yu Rongling, with close visual analyses of select photographs placed within particular political, historical...

... for this transformation can be traced to to offset and enhance the saturated color and intricate changing patronage.'3 Peregrinating British artists, who detail in the Begam's attire and in her person, i.e., the dis- were often commissioned to execute portraits of nawabs, tinctly native aspects of painting. Further...

... at Kanaganahalli , pl. XC, B. One of her female attendants is in añjali ; another carries a lotus flower with one hand and grasps her earring with another; the female dwarf of fecundity carries a tray of offerings. The caption inscription below this panel identifies her as Sujātā, but even though at Sāñcī she...

... and an affiliated artistic style. Strictly lion mounts, with smaller figures below their feet that speaking, the Gupta dynasty ruled circa 320–550, with represent their two sons Ganes´a and Kuma¯ra (riding the last seventy-five years being a chaotic, fragmented ˙ his peacock mount...

.... It is plausible that this damaged area marks the place where his left hand would have stabilized against the hip. We can see that the artists employed the same technique in both the Skanda image (see Figure 9 ) and the female image. As for the object the male image would have held in his hand, I think that he...

... years with bracing results— masterpieces’’ and comprehending the artistic and his- the work of some of the contributors to the Catalogue, toric meaning of ‘‘lesser-known but equally significant such as Stanley Abe, springs to mind. In this exhibition works Among the former are the Tang Esoteric...

..., or “lovely flower within pearl of jade.” Here, the jindaiwei is a reference to the robed minister, whereas the jade white peony is gendered female. The coming of spring thus marks a revival, whether of a romance or nation. A handscroll by the Yuan dynasty artist Wang Yuan 王淵 (active 1310–50), helps...

... the first extending from the right side of the composi- Tpainting themes by modern artists in Japan. Its tion, the second located at the far left. point of departure is a composition created by Nihonga The right-side bridge, constructed of heavy timbers 1 artist Hada Teruo...

..., the addition of distinctive green glazed-tile roofs, and numerous painted rooms in the early to mid-fourteenth century. 2 The many well-preserved fourteenth-century paintings at the site represent an artistic efflorescence and creativity, evidencing Tibet's participation in a period of enhanced pan-Asian...

... THE CLEVELAND MUSEUM OF ART 17. Artist unknown. Female Torso (Tara). Eastern India. Pa¯la period. 11th c. ce...

... of unfinished rock-cut work suggests that to leave behind the ‘‘negative space’’ of a shrine. As the the stone carvers may have been divided into four previously cited inscriptions suggest, such shrines were teams. The first team was responsible for the prelimi- intended by the patron and his group of artists...

... broadly, this article seeks 2), labeling it a ‘‘shaman sorcerer’’ connected to her to examine the connection between political aims of Rouran origins. Standing almost 30 centimeters high, aspiring rulers and their role in transforming artistic wearing a long, red, wide-sleeved robe and a large hat...