... aid. With congenial authors, Naomi establishes a deep personal bond laced with great good humor and infinite kindness, a bonding based upon the conviction that writing about Asia is really important. Rare indeed are editors who leave their imprint upon an entire genre of discourse. Maxwell Perkins...

..., a falcon, and an eggplant utes, and markets the final product. The editor occupies is more common. One day, however, the closing line of the crucial, scary space in between, a place where there a message about a wayward author read ‘‘Fuji, Falcon, can be, in the immortal words of Monty Python’s Life...

... ministrations of our long-time editor Naomi Noble Richard (for more on Naomi, please see p. vi); starting with volume 63, manuscript editing will be the responsibility of Manuscript Editors Joseph Newland and Sheryl Conkelton; e manuscripts on all periods of Asian art are welcome; the Editorial Board...

... to future and the many changes in the way the journal is authors. On occasion, however, board members have produced, our incomparable editor, Naomi Richard, offered to step out from behind the screen and allow has continued to make Archives a pleasure to read. me to reveal their identity to an author...

... as chair Naomi Noble Richards of the editorial board, the torch is passed to the next Editor generation. He represents the fresh eyes, ideas, and energy of the younger members of the board, and we...

..., to the extent that vol- (John Rosenfield and Richard Barnhart), and our new edi- ume 34 (1981) did not contain a single article on Chinese tor, Naomi Noble Richard, are devoted to the same goal. art. And the makeup of the journal has evolved in other Naomi Richard took over as Editor of Archives...

... John Rosenfield Naomi Noble Richard, Editor The publishers apologize for inadvertently omitting the names of the editorial board members and the editor in Volume LIII. A CALL TO ACTION Dear Friends and Readers: pledges of support until...

... recognizing that it is wrong, conveys certain incorrect impressions. I am grateful to the pseudo-vernacular, and even, I would argue, orientalist. editors for conceding me the opportunity to correct them. Berry's review also suggests that my book is an overview I will pass over some significant matters...

.... Figure 11. “Sericulture” (right); “Silk weaving” (left). From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library. Evidence indicating the journal editors' personal connections in the foreign community in Shanghai further increases the probability of this assumption. A case in point is Guocui xuebao...

... Tang caves transformed sculpture of this era into monumental art, tapping into a cultural nationalism much as Zhang Daqian's contemporary mural copies. The virtue of Lo's efforts and the editor's methodical presentation of his photographs in Visualizing Dunhuang is that art of all periods, including...

... John Rosenfield Athena Zonars Naomi Noble Richard, Editor Manuscripts submitted for publication may be sent to the Chair also responsible for obtaining from the publishers, authors, of the Editorial Board, Professor Marsha Weidner...

... and their papers. He personally checked George Custer's battle song.This triggered an account from every translation and gave feedback to the authors before Wai-kam of Sitting Bull's tactics at Little Big Horn, which the manuscript went to our editor. had just been pieced together from new...

... art. For many years, shrine sites in China and reading the secondary scholar- he was the editor of Monumenta Serica, and in 1995, ship in Chinese and Japanese. Conditions in China were the journal published a festschrift volume in his honor. such then that he was unable to access all the sites he...

..., vol. 21 (1967-1968), pp. 70-72; To the Editor concerning Hui-shu Bagley, Robert W Shang Ritual Bronzes: Casting Technique and Vessel Lee, "Bada Shanren's Bird-and-Fish Painting vol. 45 (1992), pp. Design, vol. 43 (1990), pp. 6-2o; Meaning and Explanation, vol. 46 93-94; Continuations...

... indicates that an experienced, confident editor was involved in the process of redaction (and a particularly famous and skilled editor, Butön Rinchen Drup, was the abbot of the temple at the time). The decision to shorten the textual passage was likely made to keep the letters large and visible, enabling...

..., and Japan; Italian art of the Trecento; as editor for the Dallas Morning News, while the other well as the courses on American art. Despite their com- was a well-maintained regimen in reading beyond his mon calling in art history, these two scholars could not areas of academic interest. In these years...

...; ‘‘Han’guk misulsahak u˘ i ch’oso˘ k—O Sech’ang u˘ i of the twentieth century in Korea and Japan.—Editor. Ku˘ nyo˘ kso˘ hwa ching’’ (The foundation of Korean art his- 7. Hong Sunpyo, ‘‘Han’guk hoehwasa yo˘ n’gu u˘ iku˘ n- tory—O Sech’ang’s Ku˘ nyo˘ kso˘ hwa ching), in Wich’ang O daejo˘ k t’aedong 495–502...

... impersonally, and second, because in metaphorically as an expression of human life, and also this case study, Liu valued such impersonal looking, to locate the painting’s technical virtuosity, like the True abjuring his students to begin their painting drafts with Record editors, in relation to objective...

... of acquisition, as well as to present selected objects of outstanding interest; the dating, provenance, and descriptions are those supplied by the owners. Arranged alphabetically by city, this list includes the names of senior curators of staff memb ers responsible for Asian collections. The Editors...

... of acquisition, as well as to present selected objects of outstanding interest; the dating, provenance, and descriptions are those supplied by the owners. Arranged alphabetically by city, this list includes the names of senior curators of staff memb ers responsible for Asian collections. The Editors...