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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 19. Lei Guiyuan, “Textile design,” Guiyuan's Design Compendia , 1941. Ink and gouache on paper, 38 × 29 cm. Private collection.
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Journal Article
In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
Available to Purchase
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
...Figure 19. Lei Guiyuan, “Textile design,” Guiyuan's Design Compendia , 1941. Ink and gouache on paper, 38 × 29 cm. Private collection. ...
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in “We Were Looking for Our Violins”: The Bombay Painters and Poets, ca. 1965–76
> Archives of Asian Art
Published: 01 October 2018
Figure 7. Cover design for Adil Jussawalla, Missing Person (Bombay: Clearing House, 1976). Image reproduced by permission of Adil Jussawalla. Photograph: Sonal Khullar.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953.
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Overview of the north wall showing the tapestry-like design of segmented se...
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in When Walls Could Talk: The Powers of Tibetan Paintings in a Buddhist Library
> Archives of Asian Art
Published: 01 October 2021
Figure 4. Overview of the north wall showing the tapestry-like design of segmented sections and differently sized figures. Photograph: Sarah Richardson.
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Image
Published: 01 October 2017
29. Kumeno Teitaro (Japanese, 1865–1939), Box with Design of Chrysanthemums , ca. 1895. Cloisonné enamel with brass mounts, overall 5.7 × 12.1 × 9.7 cm. Los Angeles County Museum of Art, M2015.266.4a–b. Gift from the Japanese Cloisonné Enamels Collection of Donald K. Gerber and Sueann E. Sherry
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Published: 01 October 2017
34. Namikawa Sosuke (Japanese, 1847–1910), Pair of Vases with Design of Geese , ca. 1895–1905. Cloisonné enamel, each 43.5 × 17.2 × 17.2 cm. Los Angeles County Museum of Art, M.2016.250.1a–b. Gift from the Japanese Cloisonné Collection of Donald K. Gerber and Sueann E. Sherry. Photograph: ©
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Published: 01 October 2017
35. Namikawa Yasuyuki (Japanese, 1845–1927), Vase with Design of Butterflies and Chrysanthemums , ca. 1900–1910. Cloisonné enamel with silver mounts, and gold and silver wires, 12.7 × 15.2 × 15.2 cm. Los Angeles County Museum of Art, M.2016.250.4. Gift from the Japanese Cloisonné Collection
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Two pages depicting locally designed and manufactured porcelain and Bakelit...
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in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai
> Archives of Asian Art
Published: 01 April 2022
Figure 9. Two pages depicting locally designed and manufactured porcelain and Bakelite wares in Arts and Life 4 (July 1934): n.p. Image in the public domain.
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in Interpreting the Eye ( ‘ain ): Poetry and Painting in the Shrine of Aḥmad Shāh al-Walī al-Bahmanī (r. 1422–1436)
> Archives of Asian Art
Published: 01 October 2017
Figure 5. Shrine of Ahmad Shah, strapwork and ma‘qili designs. Photograph: Dipti Khera.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 14. Lei Guiyuan, “Rest—Yuanling,” Porcelain Designs , 1940. Ink and watercolor on paper, 32.2 × 25.8 cm. Private collection.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 15. Lei Guiyuan, “Burdens—Kunming outskirts,” Porcelain Designs , 1940. Ink and watercolor on paper, 32.2 × 25.8 cm. Private collection.
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Flask ( bianhu ) with phoenix and cloud designs, Warring States period, 480...
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 18. Flask ( bianhu ) with phoenix and cloud designs, Warring States period, 480–221 bce . Excavated in 2002 from Changtaiguan tomb 7, Xinyang, Henan province. Bronze with silver inlay and polychrome paints, h. 27.6 cm. Reproduced by permission of Cultural Relics Press.
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in Painting Bronze in Early China: Uncovering Polychromy in China's Classical Sculptural Tradition
> Archives of Asian Art
Published: 01 April 2022
Figure 41. Covered zun wine container with incised cloud-and-animal designs and crouching bear-shaped legs, Western Han dynasty, 202 bce –9 ce . Excavated in 2004 from Furong Nanlu tomb 1, Xi'an, Shaanxi province. Gilt bronze with red lacquer and painted designs on the vessel interior, lid
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 2. Pang Xunqin, cover of Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 3. Pang Xunqin, Taotie pattern from Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 4. Pang Xunqin, Zoomorph pattern from Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 5. Pang Xunqin, Xuanwu pattern from Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 7. Pang Xunqin, Juggler and mulianli tree pattern from Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum.
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in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 8. Pang Xunqin, pattern from Chinese Designs , 1939. Ink and gouache on paper, 27 × 25 cm. Collection of the Changshu Art Museum.
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