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Journal Article
Archives of Asian Art (2001) 52 (1): 7.
Published: 01 April 2001
...Vishakha N. Desai Copyright © Asia Society 2001 Letter from the Director of the Asia Socie Galleries and Cultural Programs Archives of Asian Art epitomizes the Asia Society's com- fully embraced modern and contemporary notions of arts mitment to supporting the scholarly exploration...
Journal Article
Archives of Asian Art (2007) 57 (1): 1–21.
Published: 01 April 2007
...Alfreda Murck Copyright © Asia Society 2006 Golden Mangoes—The Life Cycle of a Cultural Revolution Symbol alfreda murck Research Fellow, Palace Museum, Beijing...
Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
... commissioned by Yongzheng. The second section shifts to discuss the emerging cultural agenda of Yongzheng as seen through the manner in which court art references the Chinese painting tradition. The most remarkable act regards the reinterpretation of old painting themes that include Qingming shanghe and Baijun...
FIGURES | View All (25)
Journal Article
Archives of Asian Art (2014) 64 (1): 33–41.
Published: 01 April 2014
...Pia Brancaccio Copyright © Asia Society 2014 Looking to the West: Stone Molds and Foreign Visual Models in Satavahana Material Culture (First–Second Century ce) pia brancaccio...
Journal Article
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
... Oliver Statler woodblock prints The Ligneous Aesthetic of the Postwar So¯ saku Hanga Movement and American Perspectives on the Modern Japanese Culture of Wood bert winther-tamaki University...
Journal Article
Archives of Asian Art (2016) 66 (1): 81–105.
Published: 01 April 2016
... Buddhism Huayan Buddhism The Thousand-armed Man˜ jus´rı¯ at Dunhuang and Paired Images in Buddhist Visual Culture michelle c. wang Georgetown University Abstract...
Journal Article
Archives of Asian Art (2014) 64 (2): 191–209.
Published: 01 October 2014
...Katherine Hacker Copyright © Asia Society 2014 ‘‘A Simultaneous Validity of Co-Existing Cultures J. Swaminathan, the Bharat Bhavan, and Contemporaneity katherine hacker University of British...
Image
Published: 01 April 2022
Figure 12. Ornamental plaque, Erlitou culture, ca. 1900–1600 bce . Excavated in 1981 from tomb 4, Erlitou site, Yanshi city, Henan province. Bronze with turquoise inlay, h. 14.2 cm, w. 9.8 cm. Institute of Archaeology, Chinese Academy of Social Sciences, Beijing. Photograph: Allison R. Miller More
Image
Published: 01 April 2022
Figure 33. Mirror with figural and floral motifs, Western Han dynasty, 202 bce –9 ce . Excavated in 1963 from Hongmiaocun, Xi'an, Shaanxi province. Bronze with polychrome paints, diam. 28 cm, th. .4 cm, wt. 1.47 kg. Xi'an Municipal Administrative Office for Cultural Relics. Reproduced More
Image
Published: 01 April 2022
Figure 27. Lamp bearer, Warring States period, fourth century bce . Excavated in 1976 from tomb 6 of the royal Zhongshan tombs, Pingshan county, Hebei province. Bronze with red and black lacquer, silver, and black gemstones, h. 66.4 cm, w. 55.2 cm. Hebei Provincial Cultural Relics Research More
Image
Published: 01 April 2022
Figure 2. Qiu Ti, Fruit , 1935. Oil on canvas, 37×43.5cm. Private collection. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation. Figure 2. Qiu Ti, Fruit, 1935. Oil on canvas, 37×43.5cm. Private collection. Courtesy of the Schudy Archives at The Li Ching More
Image
Published: 01 April 2022
Figure 6. Qiu Ti dressed in a fashionable qipao in 1935. From Pang, Schudy , 74. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation. Figure 6. Qiu Ti dressed in a fashionable qipao in 1935. From Pang, Schudy, 74. Courtesy of the Schudy Archives at The Li More
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Published: 01 October 2018
Hwang Samyong (Korean, b. 1960): Pebble (P1501) , 2015. Mother-of-pearl and lacquer on fiberglass, 39.1 × 73 × 43 cm. Asian Art Museum of San Francisco, 2016.166. Acquisition made possible by Dean and Eliza Cash. © Crosspoint Cultural Foundation. Pebble (P1602) , 2016. Mother-of-pearl and lacquer More
Image
Published: 01 April 2022
Figure 1. Qiu Ti (Chinese, 1906–1958), Still Life , 1935. Oil on canvas, 53×44cm. Private collection. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation. Figure 1. Qiu Ti (Chinese, 1906–1958), Still Life, 1935. Oil on canvas, 53×44cm. Private collection More
Image
Published: 01 April 2022
Figure 30. View of the watercourse inside Pit K0007, showing the bronze swans as they were discovered. Mausoleum of the First Emperor of Qin, Lintong, Shaanxi province, Qin dynasty. Reproduced by permission of Cultural Relics Press. Figure 30. View of the watercourse inside Pit K0007, showing More
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Published: 01 April 2022
Figure 4. Qiu Ti, Flower , 1933. Lost and presumed destroyed. From Pang, Storm Society and Post-Storm Art Phenomenon , 35. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation. Figure 4. Qiu Ti, Flower, 1933. Lost and presumed destroyed. From Pang, Storm More
Image
Published: 01 April 2022
Figure 3. Ding tripodvessel, late Shang dynasty, ca. 1200–1046 bce . Bronze inlaid with black pigment, h. 16.4 cm, diam. of rim 13.4 cm. Shanghai Museum. Reproduced by permission of Cultural Relics Press. Figure 3. Ding tripodvessel, late Shang dynasty, ca. 1200–1046 bce. Bronze inlaid More
Image
Published: 01 April 2022
Figure 9. Fragment of tubular armor, Western Zhou dynasty, ca. 1045–771 bce . Excavated in 2012 from Shigushan tomb 1, Baoji, Shaanxi province. Bronze with pigments, l. 29 cm. Reproduced by permission of Cultural Relics Press. Figure 9. Fragment of tubular armor, Western Zhou dynasty, ca More
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Published: 01 April 2022
Figure 19. Photograph of the flask ( bianhu ) illustrated in Figure 18, opened up. The set of eighteen bronze plates and four round, covered containers, previously contained inside, are laid out in front of the vessel. Reproduced by permission of Cultural Relics Press. Figure 19. Photograph More
Image
Published: 01 April 2022
Figure 28b. Caryatid figure on the bell stand illustrated in Figure 28a. H. of caryatid 96 cm, h. of hemispherical base 35 cm, diam. of base 80 cm. Hubei Provincial Museum. Reproduced by permission of Cultural Relics Press. Figure 28b. Caryatid figure on the bell stand illustrated in Figure More