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court painting

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Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... detailed studies of colonial court painting are only now emerging, and the discipline still has little sense of how developments in this period related within the princely states or with the contemporaneous visual arts of British India. This paper begins to address the disciplinary lacuna on three fronts...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
... in poetic imagery was deemed seditious by the Qianlong emperor (r. 1736–1795), paintings by Yun Shouping, Shitao, Hua Yan, and Jin Nong, among many others, endured a century and a half of censorship, all the while contributing to portrayals of the flower in court imagery. This study examines peony...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 189–208.
Published: 01 October 2017
... (Ashtur, Deccan India, r. 1422–1436) is full of wordplay on ‘ain . Just as the inscriptions in Ahmad Shah's shrine ( khānqāh ) draw heavily on each of these meanings, its murals give sight to these ‘ain s. The paintings recognizably depict poetic allusions, and calligraphic talismans intensify each...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 25–49.
Published: 01 April 2016
... actual site, as well as the contemporary colophons, all point to a memorial function for the scroll. The early provenance of this handscroll indicates that Liang Shicheng, the eunuch at Emperor Huizong's court, was the one who commissioned it. The painting bears witness to the appropriation of the Li...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 179–187.
Published: 01 October 2013
... Zand Daoist figure painting in the mid-Ming court. Yet his name is little known in current Ming painting Past discussions of the Ming Painting Academy typically 4 history. This is not surprising considering that...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
... reorient current thinking continent. They met at the imperial court, and fought, about early-seventeenth-century ‘‘subimperial’’ painting. traveled, and socialized with one another, partaking in Taking an interpretive approach, this section analyzes an elite culture strongly inflected by the Emperor...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
... of King Sejong Wen Fong and Sherman Lee commented on the famous (r. 1418–1450), in which about 86 percent of the works handscroll Dream Journey to the Peach Blossom Land were Chinese. The connection between An Gyeon’s (Fig. 1), done in 1447 by the Joseon court painter An painting and Hwagi lies...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 155–163.
Published: 01 October 2013
... Hwasayanggaborok (Genealogy younger brothers O Kyo˘ ngyun Kyo˘ nglim of painters and calligraphers), in which he recorded the and Kyo˘ ngyo˘ n and was also renowned as a collec- genealogy of court painters and scribes, consulting impor- tor who amassed large numbers of paintings, calligraphies, tant...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 61–82.
Published: 01 April 2017
... court. I have also seen Mi Fu's writing, Like dragons and serpents leaving tracks on silk. 58 [This painting] is like the Western Garden picture, Long-lived as the firmness of bronze and stone. 59 In the opening lines Luo suggests that she, Yuan, and perhaps others imitated the 1765 gathering...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 59–73.
Published: 01 April 2014
...Joona Repo Copyright © Asia Society 2014 Distinguishing ‘‘Set’’ from ‘‘Series’’ in Tibetan Painting joona repo University of Helsinki Introduction Their dissemination...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 17–33.
Published: 01 April 2005
... correspondence; Rosenberg is writing, of course, larger practice of picturing also entered a post-historical about modernist art, and I am deliberately avoiding the phase, in that it, too, ceased to develop, or even to change problem of what constituted modernism in Chinese paint- significantly—Ming court...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 47–67.
Published: 01 April 2012
... object or incentive of court painters. On the other hand, the social framework in which the painting was produced. it was expected of an outstanding court painter that Unlike his commissioned works, this painting was his personality (or the myth of personality) be naturally planned by the artist...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 113–133.
Published: 01 April 2008
...], on Joseon art since the mid-eighteenth century.10 May such be thy succeeding Line!12 YI SO˘ NG-MI #15; Euigwe and the Documentation of Joseon Court Ritual Life 121 Fig. 10. Eight-panel Screen of the Five Peaks. Illustration from the Euigwe of the Painting of...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 7–24.
Published: 01 April 2012
... Jiangyang. A manner, among Ming court artists and Zhe school painting by He Cheng (ibid., pl. 3) was also done during masters. The authors of the Huai’an volume follow this Zheng Jun’s stay in Jiangyang; Ink Plum by Chen Lu line of thinking, writing in their Preface: The paint- (ibid., pl. 9), dedicated...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 1–24.
Published: 01 April 2017
... imperial court. Although it is not explicitly mentioned in any record, the circumstances suggest that this 1628 set is the same one that Tōfukumon'in appreciated in 1632. 68 Tōfukumon'in had good reasons to study the Heike monogatari and to view Heike paintings. An obvious one is that, as a woman of...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
... million people, the annual production of painted fans must have been in the tens of millions. Many painters in the imperial-court workshops specialized in decorating fans, while commercial painters outside the court churned out row upon row of fans to meet the demands of ever larger urban markets. We can...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 239–269.
Published: 01 October 2016
... studies connect the painting with the contexts of North- of how early panche subjects were represented in con- ern Song court politics and state technology. In his nection with other jiehua motifs. article focusing extensively on the painting, Liu Heping The Water Mill shows a...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 153–185.
Published: 01 October 2016
... monasteries had in common was a significant of cross-cultural transfer. degree of patronage by King Nangklao, Bangkok’s third The eminence of glass paintings in early-nineteenth- ruler, and members of his court. Though less renowned century Siam was very unusual given the broader...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 165–190.
Published: 01 October 2014
... zhongxin, 2006), 11509. like Western-style photographic methods16 Liu Kuiling sought the same photographic effect in his animal paint- ings through vegetable pigments that approximated the imported colors, softly washed over damp paper to models.18 Most are court artists or artists who worked enhance...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 57–86.
Published: 01 October 2015
...Jinah Kim Abstract What was the main principle behind the design strategies developed to prepare painted palm-leaf manuscripts in medieval South Asia? How did various Indic religious communities design their manuscripts? By bringing together surviving painted manuscripts of heterogeneous religious...