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Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 113–133.
Published: 01 April 2008
...Yi Sŏng-mi Copyright © Asia Society 2008 Euigwe and the Documentation of Joseon Court Ritual Life yi so˘ ng-mi Professor Emerita The Academy of Korean...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 47–67.
Published: 01 April 2012
...Jiyeon Kim Copyright © Asia Society 2012 Kim Hongdo’s Sandalwood Garden: A Self-Image of a Late-Choso˘ n Court Painter jiyeon kim Ulsan...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
...Molly Emma Aitken Abstract Nineteenth-century court painters in India's princely states reconfigured traditional portraiture to address British, Indian courtly and local values and conventions. At Bikaner, a father and son, Rahim and Chotu, experimented with a number of different styles and...
Image
Published: 01 October 2017
Figure 19. Bidar Palace, pilaster decoration in the place 2 (inner court). Drawing based on photo by Dipti Khera: Vivek Gupta. Figure 19. Bidar Palace, pilaster decoration in the place 2 (inner court). Drawing based on photo by Dipti Khera: Vivek Gupta. More
Image
Published: 01 October 2018
Figure 20. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 7 from Album of Making Porcelain , album of twenty paired leaves and one explanatory text. Ink and color on silk. From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan (Chinese More
Image
Published: 01 October 2018
Figure 21. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 1 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 76, fig. 1. Figure 21. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by More
Image
Published: 01 October 2018
Figure 22. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 4 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 77, fig. 4. Figure 22. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by More
Image
Published: 01 October 2018
Figure 23. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 15 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 80, fig. 15. Figure 23. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations More
Image
Published: 01 October 2018
Figure 24. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 20 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 82, fig. 20. Figure 24. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations More
Image
Published: 01 April 2019
Figure 16. King Yanluo’s (Yama’s) court, Scripture on the Ten Kings , China, tenth century. Handscroll, ink and color on paper, 29 × 1281 cm. Photograph: courtesy of the Kubosō Memorial Museum of Arts. Figure 16. King Yanluo’s (Yama’s) court, Scripture on the Ten Kings, China, tenth century More
Image
Published: 01 April 2019
Figure 17. King Wuguan’s court, Scripture on the Ten Kings , China, tenth century. Handscroll, ink and color on paper, 29 × 1281 cm. Photograph: courtesy of the Kubosō Memorial Museum of Arts. Figure 17. King Wuguan’s court, Scripture on the Ten Kings, China, tenth century. Handscroll, ink and More
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 25–49.
Published: 01 April 2016
... actual site, as well as the contemporary colophons, all point to a memorial function for the scroll. The early provenance of this handscroll indicates that Liang Shicheng, the eunuch at Emperor Huizong's court, was the one who commissioned it. The painting bears witness to the appropriation of the Li...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
... in poetic imagery was deemed seditious by the Qianlong emperor (r. 1736–1795), paintings by Yun Shouping, Shitao, Hua Yan, and Jin Nong, among many others, endured a century and a half of censorship, all the while contributing to portrayals of the flower in court imagery. This study examines peony...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 139–179.
Published: 01 October 2015
...Wen-Shing Chou Abstract This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong's consuming...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 189–208.
Published: 01 October 2017
...Figure 19. Bidar Palace, pilaster decoration in the place 2 (inner court). Drawing based on photo by Dipti Khera: Vivek Gupta. Figure 19. Bidar Palace, pilaster decoration in the place 2 (inner court). Drawing based on photo by Dipti Khera: Vivek Gupta. ...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 33–46.
Published: 01 April 2018
... campaigns. It is not surprising that the architectural expression of the early Maratha kingdom had the same artisanal qualities and visual vocabulary as the sultanates of the Deccan, given that most of the Maratha elite families, including Shivaji's grandparents, had served at sultanate courts. Examples of...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 51–80.
Published: 01 April 2016
... painter in Korea. Copyright © Asia Society 2016 Kim Hong-do (1745–ca.1806) King Jeongjo (r. 1776–1800) Gang Se-hwang (1713–1791) court painters-in-waiting (jabi daeryeong hwawon) scholar's accoutrements (chaekga or chaekgeori) genre painting (sokhwa) Diamond Mountains (Geumgang-san) royal...
Image
Published: 01 October 2018
Attributed to Ramji working in the workshop of Sahib Ram, A Woman of the Court Dressed as Radha , India (Jaipur, Rajasthan), Edo period (1615–1868), late eighteenth century. Opaque watercolor, gold and silver on paper; image 50.3 × 34.4 cm. The Metropolitan Museum of Art, 2017.447. Gift of Evelyn More
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 179–187.
Published: 01 October 2013
... Painting Academy Zand Daoist figure painting in the mid-Ming court. Yet his name is little known in current Ming painting Past discussions of the Ming Painting Academy typically 4 history. This is not surprising...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 1–2.
Published: 01 April 2014
... from Ducal private) and the cabinet (little cabin), from the royal ARCHIVES OF ASIAN ART cabinet council under Charles I, designed to meet even became popular at court at least as early as the Yong- more privately than the king’s privy council. The cabinet zheng era. of John Tradescant...