Search Results for composite photography
1-14 of 14 Search Results for
Archives of Asian Art (1 October 2015) 65 (1-2): 1–24.
Published: 01 October 2015
..., often considered to be unoriginal and conservative or utopian escapism removed from reality, has in fact engaged with the political and historical turmoil of the times. Copyright © Asia Society 2015 Lang Jingshan Pictorialism Chinese photography jijin composite photography landscape art Taiwanese...
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... for palace murals from as early as the 1750s. 33 The Mathen community of painters was favored by Bikaner's wealthy Jain patrons. 34 Photographers must have been working in Bikaner by the early 1870s, because paintings and drawings of the time respond to the compositions and tones of photography...
Archives of Asian Art (1 April 2016) 66 (1): 25–49.
Published: 01 April 2016
... composition and details can be seen in Li Gonglin’s out and the valleys answered; a wind arose and the depiction of a building among his villas, which, in turn, water surged. I grew apprehensive and melancholy, was adopted from an even earlier model to evoke a humbled and fearful, and felt so cold...
Archives of Asian Art (1 April 2014) 64 (1): 75–92.
Published: 01 April 2014
... directly represents Mao and his meeting of individual reception. In an interview, Lin Gang conﬁrmed that he deputies nor adapts a composition from a foreign model. appropriated the composition from Leonardo da Vinci’s Instead, it depicts Beihai Park, previously an imperial Last Supper, but, in terms of...
Archives of Asian Art (1 October 2014) 64 (2): 165–190.
Published: 01 October 2014
... composition presents them as if they were on display tivity for it relied on painting practices not simply in a natural history museum or zoological garden. His remarkable for being mimetic by capturing a ‘‘realistic’’ animals are pictured, typically in pairs, to better display exterior form but for being...
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... form and take shelter from the cold sculpture would look like juxtaposed with Ellsworth Midwest wind—an experience that deﬁed photography. Kelly’s 28-foot-high Blue Black installed on the south Later, however, my iPhone caught a conversation between wall of the Pulitzer gallery. Now that would be a...
Archives of Asian Art (1 April 2008) 58 (1): 87–111.
Published: 01 April 2008
... ˙ his peacock mount), the devout, emaciated Bhrn˙ gi, an period disrupted by the incursions of the Hu¯ nas. Ar- unidentiﬁed male ascetic, and a female ﬂywhisk˙ bearer. tistically, however, the sublime ﬁgural and architectural˙ This type of composition is known in Sanskrit texts as modes of the Gupta...
Archives of Asian Art (1 April 2017) 67 (1): 111–142.
Published: 01 April 2017
...; occasionally one long vertical composition fills the space. Fifty-nine of these tall encasement slabs sheathed the drum of the stūpa all the way around the upper circumambulatory pathway. When I visited the site in January 2013, all of the slabs were lying flat on the ground, and their large size made it...
Archives of Asian Art (1 April 2013) 63 (1): 59–86.
Published: 01 April 2013
... were On 26 July 2009, villagers in the vicinity of the monas- packaged compositions prepared at the center and trans- tery of Phugtal (phug thar; Fig. 1) in Zangskar (zangs mitted to the cultural borders.2 Once Geluk artistic prac- dkar; India) walked for several hours in order to arrive tices, as...
Archives of Asian Art (1 October 2017) 67 (2): 209–236.
Published: 01 October 2017
... of a volkisch aesthetic is almost heavy-handed; meanwhile, Okada's planar, subdued, and atmospheric compositions would not be out of place in neotraditional painting. Figure 7. Okada Kenzō (1902–1982), Between [Kankaku 間隔], 1956. Meguro Museum of Art, Tokyo. Estate of Okada Kenzō. Figure 7...
Archives of Asian Art (1 April 2005) 55 (1): 39–52.
Published: 01 April 2005
... primarily from memory, producing Grisaille paintings, monochrome drawings, and black-and- figures, landscapes, and objects that were imaginatively white photography all have their respected place in Western transformed rather than graphically reproduced. Knowing art, but all post-date the maturation...
Archives of Asian Art (1 April 2018) 68 (1): 1–32.
Published: 01 April 2018
... 7 ). Technically the simplest of the joining methods, the overlap (slightly less than two millimeters) results in a band at the join that is of universal width and composite color. The tightly aligned join thus participates in the composition as a controlled intermediary bridging the two paper...
Archives of Asian Art (1 October 2018) 68 (2): 111–132.
Published: 01 October 2018
... Padamsee, and Tyeb Mehta made films, while Nasreen Mohamedi and Nalini Malani experimented with photographs, photograms, and films at a time when film and photography were not considered proper media for art in India (and were viewed by the state and nationalist elites as antithetical to art because of...
Archives of Asian Art (1 April 2011) 61 (1): 37–60.
Published: 01 April 2011
... focusing mainly on human ﬁgures. Yet from about 1934 composition of Bruegel’s rural landscapes (Fig. 4). his themes were more often rural landscape, nature, The art historian Shimada Yasuhiro argues that and anonymous people’s lives, referring to the styles of Mukai must have been fascinated by...