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colonial photography

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Journal Article
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
..., and religious contexts, reveals the ways in which the Empress Dowager used photography not only as a space to negotiate political agency, but also as a subversive means to challenge the entire colonial apparatus of knowledge production that hinged so critically on the belief in photography's veracity...
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Journal Article
Archives of Asian Art (2023) 73 (2): 145–199.
Published: 01 October 2023
... returned home. To conclude, looking back at the photographic events traced above, the projects of Itier, Thomson, and Ouyang Shizhi reveal parallel investments in photography's promise to open spaces up for new forms of visibility, even as they occupy different and opposing positions inside colonial...
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Journal Article
Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
..., drawings like Rahim's and the Maratha murals at Gwalior, for example, with the oil paintings of the art academies to demonstrate the wide range of colonial-period responses to European academic conventions in the subcontinent. Painted photography, later court paintings like those by Chotu, and early...
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Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
..., in his mid-thirties, that he started to in Tianjin to the colonial presence (such as that of support himself and his immediate family as a profes- Sowerby)—underscores the critical importance of under- sional painter. He continued to live and work in Tianjin, standing how Liu’s paintings embodied...
Journal Article
Archives of Asian Art (2012) 62 (1): 90–99.
Published: 01 April 2012
... of the form and take shelter from the cold sculpture would look like juxtaposed with Ellsworth Midwest wind—an experience that defied photography. Kelly’s 28-foot-high Blue Black installed on the south Later, however, my iPhone caught a conversation between wall of the Pulitzer gallery. Now that would...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... of fashion,” and respecting native informants' attitudes toward their possessions. Pang was aware of the deployment of the imperial eye in ethnographic photography; he wrote, perhaps thinking of Torii Ryūzō's photographs, of the problems of staged “exotic” images for foreign circulation and obtained consent...
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Journal Article
Archives of Asian Art (2014) 64 (2): 215–286.
Published: 01 October 2014
.... NELSON-ATKINS MUSEUM OF ART 261 Nelson-Atkins Museum of Art Kansas City, Missouri Kimberly Masteller, Jeanne McCray Beals Curator of South and Southeast Asian Art 48. Thrones of Maharawal and Maharani of Dungapur, India, India, British Colonial Empire (1858–1947), 1911...
Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
... a problematic framework for the display and interpretation of cultural production, which spatially and visually constructs the relation of metropolitan center to colonial periphery. This was consolidated in the early 1900s through the establishment of individual pavilions that housed national representations...
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Journal Article
Archives of Asian Art (2018) 68 (2): 111–132.
Published: 01 October 2018
..., and Tyeb Mehta made films, while Nasreen Mohamedi and Nalini Malani experimented with photographs, photograms, and films at a time when film and photography were not considered proper media for art in India (and were viewed by the state and nationalist elites as antithetical to art because...
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Journal Article
Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
... of attending a royal wedding in Deccan.˙ Beginning in the colonial period, scholarship Kotah, now in Rajasthan.15 Visits such as this would has overwhelmingly presented the Mara¯tha¯s as thuggish have familiarized the Mara¯tha¯s with examples of Rajput pillagers and self-serving opportunists˙ who oppressed...
Journal Article
Archives of Asian Art (2023) 73 (1): 55–77.
Published: 01 April 2023
... drawings and models as well as contemporary photography. It was widely covered by the national press, and well attended by visitors from all over the country. 130 For the first time many Bangladeshis saw beyond the remote, abstract, and massive exterior presence of the building, through photographs...
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Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
...: Indigeneity, Coloniality, Modernisms .” In Mapping Modernisms: Art, Indigeneity, Colonialism , edited by Elizabeth Harney and Ruth B. Phillips , 1 – 29 . Durham, NC : Duke University Press , 2018 . Harney, Elizabeth , and Ruth B. Phillips , eds. Mapping Modernisms: Art, Indigeneity...
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Journal Article
Archives of Asian Art (2013) 63 (1): 59–86.
Published: 01 April 2013
... values is not similarly identified by inscription. Although one at the periphery (i.e., Zangskar), of the psychic coloni- anticipates this to be Changsem Sherab Zangpo himself, zation tightening in the seventeenth century and leading given the location, the emphasis placed on Central Tibe...
Journal Article
Archives of Asian Art (2013) 63 (2): 133–154.
Published: 01 October 2013
...), and ‘‘The Camera Work rituals, social hierarchies, aesthetic conventions, and of Ananda Kentish Coomaraswamy and Alfred Stieglitz political formations. As these monuments were often History of Photography 37, no. 2 (2013). He is currently commemorative in nature, they neither became great researching...