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colonial

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Journal Article
Archives of Asian Art (2005) 55 (1): 53–63.
Published: 01 April 2005
...Rebecca M. Brown Copyright © Asia Society 2005 Patna's Golghar and the Transformations of Colonial Discourse REBECCA M. BROWN ROYAL ONTARIO MUSEUM AND PENNSYLVANIA STATE UNIVERSITY Within architectural history the study of colonial rule in narratives about the Golghar from its...
Journal Article
Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
... that detailed studies of colonial court painting are only now emerging, and the discipline still has little sense of how developments in this period related within the princely states or with the contemporaneous visual arts of British India. This paper begins to address the disciplinary lacuna on three fronts...
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Journal Article
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
... with foreign nations, the paintings and photographs also enabled Cixi to contemplate the fluidity of identity and, subsequently, challenge the authority of colonial narratives. Variations of similar poses and the use of mirrors in highly staged photographs reveal the Empress Dowager's sly civility and mimicry...
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Journal Article
Archives of Asian Art (2021) 71 (2): 219–241.
Published: 01 October 2021
... forms of knowledge in Mewar on the eve of British colonialism, and to participate in challenging certain perceptions of the region's past that remain inflected by James Tod's writings nearly two hundred years after their publication. Space opens up for new possibilities and to undertake new actions...
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Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
... painters and calligraphers), it became the foundation for paintings according to a historical outlook that maintained all future Korean art historical scholarship.1 This article a continuity between Korea’s past and the then-current aims to illuminate the art historical significance of this colonial...
Journal Article
Archives of Asian Art (2010) 60 (1): 79–87.
Published: 01 April 2010
... o Yu-seop (1905–1944) occupies a unique position Yu-seop’s contributions began to draw serious interest Kin Korean art history. During the period when among aestheticians and art historians, who over- Korea was a Japanese colony (1910–1945), he was the whelmingly recognized Ko Yu-seop...
Journal Article
Archives of Asian Art (2020) 70 (2): 151–171.
Published: 01 October 2020
..., their interconnections, and their connections with the world by exploring Asia's artistic heritage.” Asian Civilisations Museum, “About Us.” In fact, starting in 2011, the press releases begin to emphasize this point about connections between cultures. 18. Understandably, Singapore, like most post-colonial...
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Journal Article
Archives of Asian Art (2023) 73 (2): 145–199.
Published: 01 October 2023
... and the Qing-dynasty (1644–1911) capital in Beijing, it became a focal point of foreign mercantile, missionary, and colonial interests from the seventeenth century onward, continued unabated even during the years when Hong Xiuquan (1814–1864) ruled the city as Heavenly Capital of the Taiping regime. In August...
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Journal Article
Archives of Asian Art (2009) 59 (1): 1–5.
Published: 01 April 2009
... historical insight, indicating either the ultimate triumph with the narrative of colonialism, was inextricably of one over the other, or alternatively, their ultimate bound up with it.8 Although some essays in the volume resolution of differences. analyzed architectural...
Journal Article
Archives of Asian Art (2018) 68 (2): 111–132.
Published: 01 October 2018
... deprofessionalization and translation across spaces—was a way of life for artists in India during the 1960s and 1970s. They rejected the canons, schools, textbooks, and institutions of British colonialism and Indian nationalism that divided cultural practice into discrete and opposing categories—for example, arts...
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Journal Article
Archives of Asian Art (2014) 64 (2): 191–209.
Published: 01 October 2014
...- to Bhopal37 and working-class colonies in Delhi. While he formally broke with the Party in 1955, his association continued The Numen, Indigeneity, and Swaminathan’s and he was involved in translation projects...
Journal Article
Archives of Asian Art (2012) 62 (1): 90–99.
Published: 01 April 2012
... colonial museum in Calcutta to her current exhibi- contexts of fragment and colossus Brooks dealt with tion at the Seattle Art Museum. the ‘‘social lives’’ of the hand, from its production and No one talked about A¯ nanda (Fig. 1). Yet there he original setting and function through...
Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
... a problematic framework for the display and interpretation of cultural production, which spatially and visually constructs the relation of metropolitan center to colonial periphery. This was consolidated in the early 1900s through the establishment of individual pavilions that housed national representations...
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Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
..., in his mid-thirties, that he started to in Tianjin to the colonial presence (such as that of support himself and his immediate family as a profes- Sowerby)—underscores the critical importance of under- sional painter. He continued to live and work in Tianjin, standing how Liu’s paintings embodied...
Journal Article
Archives of Asian Art (2004) 54 (1): 35–61.
Published: 01 April 2004
.... According to this point of iconographic alterations, so emphasized in scholarship, view, the religious conflagrations of the colonial period— were likely not as apparent to late twelfth-century viewers providing the bases for twentieth-century nationalistic as they are to those of the early twenty...
Journal Article
Archives of Asian Art (2018) 68 (1): 33–46.
Published: 01 April 2018
... history itself was constituted as a discursive field in the late nineteenth century in the context of, and in response to, an emerging colonial modernity.” Kadam, “Maratha History,” 107 . The simple Hindu revival narratives have also come in for other criticism, as in Burman, “Shivaji's Myth...
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Journal Article
Archives of Asian Art (2011) 61 (1): 91–106.
Published: 01 April 2011
... of attending a royal wedding in Deccan.˙ Beginning in the colonial period, scholarship Kotah, now in Rajasthan.15 Visits such as this would has overwhelmingly presented the Mara¯tha¯s as thuggish have familiarized the Mara¯tha¯s with examples of Rajput pillagers and self-serving opportunists˙ who oppressed...
Journal Article
Archives of Asian Art (2017) 67 (2): 237–256.
Published: 01 October 2017
... communication, Paris, June 14, 2007. Another example (acc. no. 71.1932.11.2.2, mislabeled “Igorot”) was included in a colonial exposition in 1931. This updated information corrects my previous statement (in Capistrano-Baker et al., Embroidered Multiples , 19 ) that examples of these trousers survive only...
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Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
...: Indigeneity, Coloniality, Modernisms .” In Mapping Modernisms: Art, Indigeneity, Colonialism , edited by Elizabeth Harney and Ruth B. Phillips , 1 – 29 . Durham, NC : Duke University Press , 2018 . Harney, Elizabeth , and Ruth B. Phillips , eds. Mapping Modernisms: Art, Indigeneity...
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Journal Article
Archives of Asian Art (2023) 73 (1): 55–77.
Published: 01 April 2023
... governmental seat. 74 Islam's explicit intent, inspired in part by the concurrent work in Chandigarh, was to help create a new post-colonial identity for Dhaka through architecture. 75 In Chandigarh, Le Corbusier's long-standing desire to plan an ideal city met the desire of Nehru, the first prime...
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