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colonial

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Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 53–63.
Published: 01 April 2005
...Rebecca M. Brown Copyright © Asia Society 2005 Patna's Golghar and the Transformations of Colonial Discourse REBECCA M. BROWN ROYAL ONTARIO MUSEUM AND PENNSYLVANIA STATE UNIVERSITY Within architectural history the study of colonial rule in narratives about the Golghar from its...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
... detailed studies of colonial court painting are only now emerging, and the discipline still has little sense of how developments in this period related within the princely states or with the contemporaneous visual arts of British India. This paper begins to address the disciplinary lacuna on three fronts...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 79–87.
Published: 01 April 2010
... o Yu-seop (1905–1944) occupies a unique position Yu-seop’s contributions began to draw serious interest Kin Korean art history. During the period when among aestheticians and art historians, who over- Korea was a Japanese colony (1910–1945), he was the whelmingly recognized Ko Yu-seop as a...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 155–163.
Published: 01 October 2013
... painters and calligraphers), it became the foundation for paintings according to a historical outlook that maintained all future Korean art historical scholarship.1 This article a continuity between Korea’s past and the then-current aims to illuminate the art historical significance of this colonial...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 1–5.
Published: 01 April 2009
... not identical historical insight, indicating either the ultimate triumph with the narrative of colonialism, was inextricably of one over the other, or alternatively, their ultimate bound up with it.8 Although some essays in the volume resolution of differences. analyzed...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 111–132.
Published: 01 October 2018
..., and institutions of British colonialism and Indian nationalism that divided cultural practice into discrete and opposing categories—for example, arts and crafts, or folk and classical. They viewed translation between cultural practices as a badge of identity. Mythologized in Bombay films of the...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... and philosophical perspectives on ‘‘art-historical first colonial museum in Calcutta to her current exhibi- contexts of fragment and colossus Brooks dealt with tion at the Seattle Art Museum. the ‘‘social lives’’ of the hand, from its production and No one talked about A¯ nanda...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 191–209.
Published: 01 October 2014
... colonies in Delhi. While he formally broke with the Party in 1955, his association continued The Numen, Indigeneity, and Swaminathan’s and he was involved in translation projects with the Early Career as Activist, Artist, and Critic...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 165–190.
Published: 01 October 2014
... exceptionally fluid and subject only around 1920, in his mid-thirties, that he started to in Tianjin to the colonial presence (such as that of support himself and his immediate family as a profes- Sowerby)—underscores the critical importance of under- sional painter. He continued to live and work in Tianjin...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 209–236.
Published: 01 October 2017
... Biennale has developed a problematic framework for the display and interpretation of cultural production, which spatially and visually constructs the relation of metropolitan center to colonial periphery. This was consolidated in the early 1900s through the establishment of individual pavilions that housed...
Journal Article
Archives of Asian Art (1 April 2004) 54 (1): 35–61.
Published: 01 April 2004
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 91–106.
Published: 01 April 2011
... the Peshwa, who went on pilgrimage to a Mara¯tha¯s began their northward expansion from the temple in the course of attending a royal wedding in Deccan.˙ Beginning in the colonial period, scholarship Kotah, now in Rajasthan.15 Visits such as this would has overwhelmingly presented the Mara¯tha¯s as...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 33–46.
Published: 01 April 2018
... structures of the Maratha court were similar to those of the Deccan sultanates. It is unfortunate that this effort of the nascent Maratha state to create a new courtly culture is still misunderstood as an attempted Hindu revival, a legacy of colonial historiography partly informed by the nationalist history...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 215–286.
Published: 01 October 2014
.... NELSON-ATKINS MUSEUM OF ART 261 Nelson-Atkins Museum of Art Kansas City, Missouri Kimberly Masteller, Jeanne McCray Beals Curator of South and Southeast Asian Art 48. Thrones of Maharawal and Maharani of Dungapur, India, India, British Colonial Empire (1858–1947), 1911...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 87–102.
Published: 01 April 2013
... objects with Song, Ming, and Qing imperial kiln British colony as a distribution center for antiquities marks.92 Dealers selling in the 1940s made reproduc- acquired through Shanghai associates.98 These migrants tions of both ancient and early Republican-era ceramics followed a steady stream of Chinese...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 237–256.
Published: 01 October 2017
... Philippine-American relations during American colonial rule in the Philippines (1898–1946) is widely studied, the earlier period of direct trade between Manila and the early American republic before American occupation of the islands, has largely been ignored. Apart from important studies of economic history...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 47–66.
Published: 01 April 2018
... was written shortly after the end of World War II and Korea's liberation from Japanese colonialism. O Sech'ang had been a national activist during the period of Japanese colonial rule. Eager to gather paintings and calligraphy of the Korean past and to compile information on Korean art history, his...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 26–53.
Published: 01 April 2003
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 81–103.
Published: 01 April 2009
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 31–60.
Published: 01 April 2006
... with the purpose of raising the Mr. Son excelled in discernment. political and social consciousness of the educated class, and After learning that Sehando was in Japan, he couldn't stand the during the colonial period the Korean press resisted the...