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Image
Published: 01 April 2018
Figure 1. Wescher, Collage , 8–9, colorplate I. H. 29.2 cm. © Herta Wescher. Photograph: Kristopher Kersey.
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Image
Published: 01 April 2018
Figure 23. Utagawa Hiroshige (Japanese, 1797–1858), Collage Trompe-l'oeil of Fan and Prints , early to mid-nineteenth century. Woodblock print, ink and color on paper, 37 × 25 cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Bequest of Charles H
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Image
Published: 01 April 2018
Figure 9. Page 18 of the Ise Collection , ca. 1112 . Ink, collaged papers, metallic paints, vegetable dyes, and glue, 20 × 15.8 cm. The Museum Yamato Bunkakan, Nara, Japan. Photograph: © The Museum Yamato Bunkakan.
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Image
Published: 01 April 2018
Figure 10. Detail of the Ise Collection , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver leaf, and glue. Yuki Museum of Art, Osaka. Photograph: © Yuki Museum of Art.
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Journal Article
Archives of Asian Art (2018) 68 (1): 1–32.
Published: 01 April 2018
...Figure 1. Wescher, Collage , 8–9, colorplate I. H. 29.2 cm. © Herta Wescher. Photograph: Kristopher Kersey. ...
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Image
Published: 01 April 2018
Figure 12. Detail of the final calligraphic spread of the Shigeyuki Collection , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, mineral pigments, gold and silver leaf, and glue, 20.1 × 31.8 cm. Hongwanji, Kyoto. Photograph: © Hongwanji.
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Image
Published: 01 April 2018
Figure 8. Three papers joined by two “rip-join” seams: page 27 of the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, and glue, 20 × 15.8 cm. Tokugawa Art Museum, Nagoya. Photograph: courtesy of DNP Art Communications.
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Image
Published: 01 April 2018
Figure 4. An exemplary sheet from the Ishiyama Folia : page 91 of the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver leaf, and glue (mounted in silks), 131.8 × 44 cm. Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian
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Image
Published: 01 April 2018
Collection, Gift of Leonard A. Lauder, 2016, 2016.237.33. Photograph: © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. ( Above ) An exemplary sheet from the Ishiyama Folia : page from the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver
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Image
Published: 01 April 2018
Collection, Gift of Leonard A. Lauder, 2016, 2016.237.33. Photograph: © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. ( Above ) An exemplary sheet from the Ishiyama Folia : page from the Tsurayuki Collection II , ca. 1112. Ink, collaged papers, metallic paints, vegetable dyes, gold and silver
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 181–236.
Published: 01 October 2015
.... Kemper Foundation, Commerce Bank, Trustee. Photo: Kerry Ryan McFate, courtesy Pace Gallery.
220 NELSON-ATKINS MUSEUM OF ART
41. Hamra Abbas (Pakistan, b. 1976), Paper Plates, 2008. Sculpture, paper collage, diameter 2.5 cm. Nelson-Atkins
Museum of Art, 2014.10.1–5. Acquired through funds...
Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... response or technological awe is beside the point. More informative for the purposes of explicating porcelain's relationship to the Qing empire is Patricia Berger's characterization of Qing-court artistic production as collage work. 44 Given the complexity of firings and handiwork involved, this vase...
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Journal Article
Archives of Asian Art (2019) 69 (2): 243–298.
Published: 01 October 2019
.... Acquired through the generosity of Judith Stoikov, Class of 1963. Wu Jian an (Chinese, b. 1980), 500 Brushstrokes #18, China, 2017. Ink, watercolor, paper cut, and collage on Xuan paper, mounted to stretched cloth support, 120 × 159.4 cm. Herbert F. Johnson Museum of Art, 2017.033.002. Acquired through...
Journal Article
Archives of Asian Art (2009) 59 (1): 81–103.
Published: 01 April 2009
...-
copying it but also by physically repositioning it—was nate (the ‘‘influential’’ object) is implicitly the powerful
a central motivation for the makers of these collage-like one, whereas the object to which those elements are
constructions. To this end, I shall look particularly at transferred...
Journal Article
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
....
tion of ironies of simulated surfaces reminiscent of the
early cubist collage work of Picasso and Braques, ironies
prints bring the viewer into a more direct confrontation that must have intrigued the artist as he carved exag-
with the physical...
Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
... dissolution. William Schaefer points to 1934 as the locus of the Shanghai publishing industry’s “crescendo of interest” in the modernist aesthetics of disjointed, contrasting, and collaged images and text. 60 Paul Bevan narrows on 1934 as “The Year of the Magazine,” which he ties to the artistic activity...
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Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
..., collaged handscroll is one more example of a literata engaged in the cultural practices long appreciated by her male counterparts. Figure 12. Detail of Master Cui (China, n.d.), A Group Portrait of Luo Qilan, Qian Lin, and Cao Ciqing , ca. late 18th century. [Mounted after You Zhao and Wang Gong...
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