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Image
in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 7. Stone pillar base from tomb of Sima Jinlong, 16.5 × 32 cm. Datong City Museum. Photograph: Katherine Tsiang.
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Image
in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 25a. Buddha image dated 482 from Cheng'an xian, Hebei. Handan City Museum. Photograph: courtesy of Lidu Yi.
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Image
in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 25b. Reverse side of Buddha image from Cheng'an xian, Hebei. Handan City Museum. Photograph: courtesy of Lidu Yi.
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Journal Article
Archives of Asian Art (2010) 60 (1): 89–94.
Published: 01 April 2010
...A. F. Howard; Rob Linrothe; Amy McNair Copyright © Asia Society 2010 Exhibition Review: Buddhist Sculpture from China: Selections from the
Xi’an Beilin Museum, Fifth through Ninth Centuries,
China Institute Gallery, New York City (2007...
Image
in Gateways to Power and Paradise: Twin Towers in Early Chinese Architecture
> Archives of Asian Art
Published: 01 April 2018
Figure 5. Eastern Han mural showing a tower within the city wall. From Hebei sheng wenwu yanjiusuo, Anpint Dong Han bihuamu , pls. 52, 53.
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Image
in The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan
> Archives of Asian Art
Published: 01 April 2021
Figure 1. Bell, Korea, eleventh century. Bronze, 127 cm. Onoe Shrine, Kakogawa City, Hyōgo Prefecture, Japan. Photograph: Sherry Fowler, 2017.
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Image
in The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan
> Archives of Asian Art
Published: 01 April 2021
Figure 2. Storehouse for bell. Onoe Shrine, Kakogawa City, Hyōgo Prefecture, Japan. Photograph: Sherry Fowler, 2017.
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Image
in The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan
> Archives of Asian Art
Published: 01 April 2021
Figure 10. Bell, Korea, eleventh century. Bronze, h. 94.5 cm. Kakurinji, Kakogawa City, Hyōgo Prefecture, Japan. From Noguchi Takehiko, Kakurinji , 51, cat. no. 53.
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Image
in The Literary and Legendary Lives of the Onoe Bell: A Korean Celebrity in Japan
> Archives of Asian Art
Published: 01 April 2021
Figure 11. Pine at Onoe Shrine, Kakogawa City, Hyōgo Prefecture. Photograph: Sherry Fowler, 2017.
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Image
in Interpreting the Eye ( ‘ain ): Poetry and Painting in the Shrine of Aḥmad Shāh al-Walī al-Bahmanī (r. 1422–1436)
> Archives of Asian Art
Published: 01 October 2017
Figure 2. Bidar fort and city, 1432–nineteenth century. Plan: © Klaus Rötzer and K. K. Kamble.
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Image
in Japan's Venice: The Japanese Pavilion at the Venice Biennale and the “Pseudo-Objectivity” of the International
> Archives of Asian Art
Published: 01 October 2017
Figure 6. Umehara Ryūzaburō (1888–1986), Forbidden City , 1940. Oil and mineral pigment on canvas, 114.5 × 89 cm. Collection of the Eisei Bunkō Museum, Tokyo.
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Image
in The Shield-Shaped Jade Pendant: A Singular Han-Dynasty Type and Its Later Revivals
> Archives of Asian Art
Published: 01 October 2018
Figure 39. Map of cities and counties where jade thumb rings and pendants have been discovered. Illustration: Susan N. Erickson.
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
...Shane McCausland Abstract After his expulsion from the Forbidden City in 1924, China's “last emperor,” Henry Puyi 溥儀 (1906–1967), settled in Tianjin, where he later presented parting gifts to his former English tutor, Reginald F. Johnston [Zhuang Shidun] 莊士敦 (1874–1938), among them an album...
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Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
...Figure 5. Eastern Han mural showing a tower within the city wall. From Hebei sheng wenwu yanjiusuo, Anpint Dong Han bihuamu , pls. 52, 53. ...
FIGURES
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Journal Article
Archives of Asian Art (2022) 72 (2): 221–253.
Published: 01 October 2022
...Yong Cho Abstract In 1345 the Mongol ruling house of the Yuan (1271–1368) built Juyong Gate along China's Great Wall. The gate stood on a road connecting the empire's twin capitals, Dadu and Shangdu. Those two cities possessed vastly different built environments. Dadu, the emperor's winter...
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in Child of the Cranes: Sesshū's Birds and Flowers of the Four Seasons and the Painterly Profession in Muromachi Japan
> Archives of Asian Art
Published: 01 April 2023
Figure 15. Attributed to Sesshū Tōyō, Portrait of Masuda Kanetaka , Important Cultural Property, inscription dated 1479. Hanging scroll; ink and color on paper, 82.8 × 40.9 cm. Masuda City Sesshū Memorial Museum. Photograph: Masuda City Sesshū Memorial Museum.
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 5. Okuhara Seiko, Dreams of Cranes amid Windy Pines ( Shōfū kakumu-zu 松風鶴夢図), 1870s. Hanging scroll; ink on paper, 164 × 84.7 cm. Koga City Museum of History. Photograph: courtesy of the Koga City Museum of History.
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Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
.... This two-part article first considers the contexts of production, consumption, and signification of painted fans in twelfth- and thirteenth-century China, particularly in the urban setting of the capital city at Hangzhou. It then turns to the painted fans' transformation into collectibles in the late...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
...Christine I. Ho Abstract In the late 1930s, design studies in China underwent a paradigmatic shift when the cosmopolitan idioms fashioned within treaty-port cities were rejected in favor of populist ethnonationalism, developed along the border regions of wartime China. This essay examines design...
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Image
in A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen
> Archives of Asian Art
Published: 01 October 2021
Figure 8. Detail of stone coffin bed from tomb of Sima Jinlong, 51 × 241 cm. Datong City Museum. Photograph: Katherine Tsiang.
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