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Image
in In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
> Archives of Asian Art
Published: 01 October 2019
Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953.
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Image
in Vernacular Painting and Transitional Beijing: Chen Shizeng's Beijing Fengsu Album, ca. 1915
> Archives of Asian Art
Published: 01 October 2021
Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker , ca. 1880–1910. Album page, ink and color on paper, 22.5 × 32.5 cm. Victoria and Albert Museum, London.
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Journal Article
On a Shoestring: Small-Time Entrepreneurs and the International Market for Chinese Curios, 1921–1949
Available to Purchase
Archives of Asian Art (2013) 63 (1): 87–102.
Published: 01 April 2013
...Di Yin Lu Copyright © Asia Society 2013 On a Shoestring: Small-Time Entrepreneurs and the International Market
for Chinese Curios, 1921–1949
di yin lu
Harvard University...
View articletitled, On a Shoestring: Small-Time Entrepreneurs and the International Market for <span class="search-highlight">Chinese</span> Curios, 1921–1949
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Journal Article
Art and Technology in a Chinese Gold Cicada Plaque
Available to Purchase
Archives of Asian Art (2014) 64 (1): 43–57.
Published: 01 April 2014
...Sarah Laursen; Donna Strahan Copyright © Asia Society 2014 Art and Technology in a Chinese Gold Cicada Plaque
sarah laursen
Middlebury College
donna...
Journal Article
Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
Available to Purchase
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
...Yu-jen Liu Abstract This article explores how the category “Chinese art” was articulated and consolidated in the early twentieth century by focusing on Stephen Bushell's Chinese Art , the first book in English defined in terms of this category. Bushell's monograph highlights the intercultural...
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View articletitled, Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “<span class="search-highlight">Chinese</span> Art” in the Early Twentieth Century
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Journal Article
In Search of National Decoration: Archaeology and Ethnography in Wartime Chinese Design
Available to Purchase
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
...Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953. ...
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View articletitled, In Search of National Decoration: Archaeology and Ethnography in Wartime <span class="search-highlight">Chinese</span> Design
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for article titled, In Search of National Decoration: Archaeology and Ethnography in Wartime <span class="search-highlight">Chinese</span> Design
Journal Article
Gateways to Power and Paradise: Twin Towers in Early Chinese Architecture
Available to Purchase
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
...Li-kuei Chien Abstract Twin gate towers ( que ) were a characteristic feature of urban and palatial architecture in Chinese cities from the Warring States period onward. Although they initially served the practical military purpose of strengthening the defensive characteristics of gates in the city...
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Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of ...
Available to Purchase
in “Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
> Archives of Asian Art
Published: 01 October 2017
Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of Figure 18 , upper center), southwest corner of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author.
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Gnarled trunk of pine tree in Chinese painting style, above eleven-headed A...
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in “Utterly False, Utterly Undeniable”: Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
> Archives of Asian Art
Published: 01 October 2017
Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara, north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author.
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Image
Published: 01 October 2017
64. Attributed to Tao Hongjing (Chinese, Southern dynasties, 420–589), Rubbing of Yihe Ming 瘞鶴銘 [Inscription on Burying a Crane], original carving dated to 514, rubbing made ca. 2010s. Rubbing; ink on paper, 64 × 96 cm. Spencer Museum of Art, 2016.0021.A. Museum purchase: R. Charles and Mary
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Published: 01 October 2017
66. Xu Weixin (Chinese, b. 1958), Ba Jin , 2016. Oil on canvas, 250 × 200 cm. University of Michigan Museum of Art, 2016/2.82. Gift of the artist Xu Weixin.
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Attributed to Lü Jingfu (Chinese, active late 14th c.), Ming dynasty (1368–...
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in Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)
> Archives of Asian Art
Published: 01 April 2018
Figure 9. Attributed to Lü Jingfu (Chinese, active late 14th c.), Ming dynasty (1368–1644), fourteenth century. Hanging scroll, ink and color on silk, 101.6 × 53 cm. The Metropolitan Museum of Art, New York, Rogers Fund, 1912, 12.37.134. Artwork in public domain. Photograph: © The Metropolitan
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in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111.
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in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 5. Jade-Belt Bridge at Yihe Yuan. ( Left ) From Bushell, Chinese Art , 1: fig. 36. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 109.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 5. Jade-Belt Bridge at Yihe Yuan. ( Left ) From Bushell, Chinese Art , 1: fig. 36. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 109.
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