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Published: 01 October 2019
Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953. More
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Published: 01 October 2021
Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker , ca. 1880–1910. Album page, ink and color on paper, 22.5 × 32.5 cm. Victoria and Albert Museum, London. More
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Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122. More
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Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122. More
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Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91. More
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Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91. More
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Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111. More
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Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111. More
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Published: 01 October 2018
Figure 5. Jade-Belt Bridge at Yihe Yuan. ( Left ) From Bushell, Chinese Art , 1: fig. 36. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 109. More
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Published: 01 October 2018
Figure 5. Jade-Belt Bridge at Yihe Yuan. ( Left ) From Bushell, Chinese Art , 1: fig. 36. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 109. More
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Published: 01 October 2018
Figure 7. Statue of guardians at the Ming Tombs. ( Left ) From Bushell, Chinese Art , 1: fig. 19. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 143. More
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Published: 01 October 2018
Figure 7. Statue of guardians at the Ming Tombs. ( Left ) From Bushell, Chinese Art , 1: fig. 19. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 143. More
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Published: 01 October 2018
Figure 8. Double vase of rock crystal. ( Left ) From Bushell, Chinese Art , 1: fig. 102. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 173. More
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Published: 01 October 2018
Figure 8. Double vase of rock crystal. ( Left ) From Bushell, Chinese Art , 1: fig. 102. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 173. More
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Published: 01 October 2018
Weng Fanggang (Chinese, 1733–1818), Commentary on the Dingwu Version of the “Preface to the Orchid Pavilion,” Qing dynasty (1644–1911). Horizontal scroll; ink on gold-speckled paper, overall 39.1 × 168.3 cm. Asian Art Museum of San Francisco, 2016.256. The Yeh Family Collection. Photograph: © More
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Published: 01 October 2018
Wen Zhengming (Chinese, 1470–1559), Living Aloft: Master Liu’s Retreat , China, Ming dynasty (1368–1644), 1543. Hanging scroll; ink and color on paper, image 95.3 × 45.7 cm. The Metropolitan Museum of Art, 2017.327.2. Bequest of Marie-Hélène and Guy Weill, in honor of Wen C. Fong, 2015. More
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Published: 01 October 2018
Wen Zhengming (Chinese, 1470–1559), Weng Sen’s Poem in Running Script , China, sixteenth century. Album leaf, calligraphy; ink on paper, image 26.04 × 31.75 cm. Minneapolis Institute of Art, 2017.34.2.1. Gift of Mark S. Pratt. More
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Published: 01 October 2018
Attributed to Zhao Mengfu (Chinese, 1254–1322), Scholar beneath Pines on Riverbank , China, Yuan dynasty (1271–1368), early fourteenth century. Ink and colors on silk, 100.97 × 48.58 cm. Minneapolis Institute of Art, 2017.97. The Suzanne S. Roberts Fund for Asian Art. More
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Published: 01 October 2018
Cai Jia (Chinese, 1687–1779), Peach Blossom Spring , China, Qing dynasty (1644–1911), 1763. Hanging scroll; ink and light color on paper; image 62.2 × 34.3 cm, scroll 196.9 × 45.9 cm. Saint Louis Art Museum, 127:2016. Gift of Rose Luh in honor of her parents Andrew and Anna Luh. More
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Published: 01 April 2019
Figure 2. Su Shi (Chinese, 1037–1101), Dark Clouds at the Edge of the Sky , or The Songyang Manuscript , ca. 1077, detail of section two with inscription by Weng Fanggang (Chinese, 1733–1818). Ink on paper, dimensions unknown. Shanghai Museum, Shanghai. From Bai and Chen, Su Shi shufa jing More