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Image
Published: 01 October 2019
Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953. More
Image
Published: 01 October 2021
Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker , ca. 1880–1910. Album page, ink and color on paper, 22.5 × 32.5 cm. Victoria and Albert Museum, London. More
Journal Article
Archives of Asian Art (2013) 63 (1): 87–102.
Published: 01 April 2013
...Di Yin Lu Copyright © Asia Society 2013 On a Shoestring: Small-Time Entrepreneurs and the International Market for Chinese Curios, 1921–1949 di yin lu Harvard University...
Journal Article
Archives of Asian Art (2014) 64 (1): 43–57.
Published: 01 April 2014
...Sarah Laursen; Donna Strahan Copyright © Asia Society 2014 Art and Technology in a Chinese Gold Cicada Plaque sarah laursen Middlebury College donna...
Journal Article
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
...Yu-jen Liu Abstract This article explores how the category “Chinese art” was articulated and consolidated in the early twentieth century by focusing on Stephen Bushell's Chinese Art , the first book in English defined in terms of this category. Bushell's monograph highlights the intercultural...
FIGURES | View All (28)
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
...Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953. ...
FIGURES | View All (21)
Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
...Li-kuei Chien Abstract Twin gate towers ( que ) were a characteristic feature of urban and palatial architecture in Chinese cities from the Warring States period onward. Although they initially served the practical military purpose of strengthening the defensive characteristics of gates in the city...
FIGURES | View All (17)
Image
Published: 01 October 2017
Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of Figure 18 , upper center), southwest corner of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara, north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
64. Attributed to Tao Hongjing (Chinese, Southern dynasties, 420–589), Rubbing of Yihe Ming 瘞鶴銘 [Inscription on Burying a Crane], original carving dated to 514, rubbing made ca. 2010s. Rubbing; ink on paper, 64 × 96 cm. Spencer Museum of Art, 2016.0021.A. Museum purchase: R. Charles and Mary More
Image
Published: 01 October 2017
66. Xu Weixin (Chinese, b. 1958), Ba Jin , 2016. Oil on canvas, 250 × 200 cm. University of Michigan Museum of Art, 2016/2.82. Gift of the artist Xu Weixin. More
Image
Published: 01 April 2018
Figure 9. Attributed to Lü Jingfu (Chinese, active late 14th c.), Ming dynasty (1368–1644), fourteenth century. Hanging scroll, ink and color on silk, 101.6 × 53  cm. The Metropolitan Museum of Art, New York, Rogers Fund, 1912, 12.37.134. Artwork in public domain. Photograph: © The Metropolitan More
Image
Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122. More
Image
Published: 01 October 2018
Figure 2. Ruined gateway of a mosque in Beijing. ( Left ) From Bushell, Chinese Art , 1: fig. 44. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 122. More
Image
Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91. More
Image
Published: 01 October 2018
Figure 3. Sacrificial Hall of Yongle. ( Left ) From Bushell, Chinese Art , 1: fig. 28. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 91. More
Image
Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111. More
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Published: 01 October 2018
Figure 4. Temple of Heaven. ( Left ) From Bushell, Chinese Art , 1: fig. 31. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 111. More
Image
Published: 01 October 2018
Figure 5. Jade-Belt Bridge at Yihe Yuan. ( Left ) From Bushell, Chinese Art , 1: fig. 36. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 109. More
Image
Published: 01 October 2018
Figure 5. Jade-Belt Bridge at Yihe Yuan. ( Left ) From Bushell, Chinese Art , 1: fig. 36. The Bodleian Library, University of Oxford. ( Right ) From Paléologue, L'Art Chinois , 109. More