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Image
Published: 01 October 2021
Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker , ca. 1880–1910. Album page, ink and color on paper, 22.5 × 32.5 cm. Victoria and Albert Museum, London. Figure 22. Workshop of Zhou Peichun (Chinese, active ca. 1880–1910), Chinese Bootmaker, ca. 1880–1910 More
Image
Published: 01 October 2019
Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953. Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design. Beijing: Renmin meishu chubanshe, 1953. More
Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
...Li-kuei Chien Abstract Twin gate towers ( que ) were a characteristic feature of urban and palatial architecture in Chinese cities from the Warring States period onward. Although they initially served the practical military purpose of strengthening the defensive characteristics of gates in the city...
FIGURES | View All (17)
Journal Article
Archives of Asian Art (2013) 63 (1): 87–102.
Published: 01 April 2013
...Di Yin Lu Copyright © Asia Society 2013 On a Shoestring: Small-Time Entrepreneurs and the International Market for Chinese Curios, 1921–1949 di yin lu Harvard University...
Journal Article
Archives of Asian Art (2014) 64 (1): 43–57.
Published: 01 April 2014
...Sarah Laursen; Donna Strahan Copyright © Asia Society 2014 Art and Technology in a Chinese Gold Cicada Plaque sarah laursen Middlebury College donna...
Journal Article
Archives of Asian Art (2016) 66 (2): 153–185.
Published: 01 October 2016
...Jessica Lee Patterson Abstract Reverse glass paintings, a form of Chinese export art, were extensively traded in the nineteenth century. Several examples are on display in prominent Thai Buddhist monasteries in Bangkok. King Nangklao of Siam, Rama III, encouraged Sino-Siamese trade that brought...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
...James Cahill Copyright © Asia Society 2005 Some Thoughts on the History and Post-History of Chinese Painting JAMES CAHILL EMERITUS, UNIVERSITY OF CALIFORNIA AT BERKELEY (Note:This is a shortened form of the Haley Lecture deliv- paintings, to mean that Chinese painting underwent...
Journal Article
Archives of Asian Art (2005) 55 (1): 35–37.
Published: 01 April 2005
...Robert E. Harrist, Jr. Copyright © Asia Society 2005 A Response to Professor Cahill's "Some Thoughts on the History and Post-History of Chinese Painting" ROBERT E. HARRIST, JR. COLUMBIA UNIVERSITY Within the rhetorical framework of his essay, Professor in painting...
Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
...Jerome Silbergeld Copyright © Asia Society 2005 The Evolution of a "Revolution": Unsettled Reflections On the Chinese Art-Historical Mission JEROME SILBERGELD PRINCETON UNIVERSITY Generational change, and with it generational conflict, are (long-standing in China, recently...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
...Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design . Beijing: Renmin meishu chubanshe, 1953. Figure 10. Chen Zhifo (Chinese, 1896–1962), Reference Materials for Chinese Design. Beijing: Renmin meishu chubanshe, 1953. ...
FIGURES | View All (21)
Journal Article
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
...Yu-jen Liu Abstract This article explores how the category “Chinese art” was articulated and consolidated in the early twentieth century by focusing on Stephen Bushell's Chinese Art , the first book in English defined in terms of this category. Bushell's monograph highlights the intercultural...
FIGURES | View All (28)
Image
Published: 01 October 2021
Figure 1. Chen Shizeng (Chinese, 1876–1923), Rickshaw Puller with an Inscription by Cheng Kang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 1. Chen Shizeng (Chinese, 1876–1923), Rickshaw Puller More
Image
Published: 01 October 2021
Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng , 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art Museum, Beijing. Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng, 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art More
Image
Published: 01 October 2021
Figure 21. Jin Deyu (Chinese, 1750–1880), The Bamboo Shoots Seller , from the album Pictures of Peace and Joy ( Taiping huanle tu ), 1888. Harvard-Yenching Library, Harvard College Library, Harvard University. Figure 21. Jin Deyu (Chinese, 1750–1880), The Bamboo Shoots Seller, from More
Image
Published: 01 October 2017
Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail of Figure 18 , upper center), southwest corner of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author. Figure 34. Gnarled pine tree behind leafy bamboo in Chinese painting style (detail More
Image
Published: 01 October 2017
Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara, north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author. Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara More
Image
Published: 01 October 2017
6. Liang Airu (Chinese, active 1810–1850), A Series of Eight Landscapes , Qing dynasty (1644–1911), reign of emperor Jiaqing (1796–1820) or Daoguang (1820–1850), 1814. Album of eight ink-on-paper landscapes, 24.1 × 23.5 cm. Asian Art Museum, San Francisco, 2015.64. Gift of the Yeh Family. 6 More
Image
Published: 01 October 2017
15. Sun Junze (Chinese, active 14th c.), Landscape with Buildings , China, Yuan dynasty (1279–1368), early fourteenth century. Hanging scroll; ink and color on silk, 185.2 × 112.4 cm. University of California, Berkeley Art Museum and Pacific Film Archive, 2016.4. Gift of Sarah Cahill, in memory More
Image
Published: 01 October 2017
16. Li Huayi (Chinese, b. 1948), Pinetree Against Rock (深壑勁松), 2012. Ink and color on silk, 26.5 × 25 cm. Brooklyn Museum, 2016.29. Gift of Li Huayi in honor of the new Chinese galleries © Li Huayi. 16. Li Huayi (Chinese, b. 1948), Pinetree Against Rock (深壑勁松), 2012. Ink and color on silk More
Image
Published: 01 October 2017
22. Nahan (Chinese, Luohan) Standing in a Landscape Viewing an Ink-Painted Scroll Depicting a Seated Bodhisattva While Assisted by an Elderly Male Attendant , Korea, Chosōn dynasty (1392–1910), eighteenth–early nineteenth century. Section of a hanging scroll mounted on a panel and framed; ink More