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Journal Article
Archives of Asian Art (2013) 63 (2): 133–154.
Published: 01 October 2013
... are the names of some pilgrims viduals: Prakata-Bhanda, Abhima¯na-Chan˙ ga, Khadga, ˙ ˙ ˙ ˙ 146 ARCHIVES OF ASIAN ART Fig 17.. Mr tyun˜ jaya temple (Temple 76...
Journal Article
Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
... & Baddharmadi figures within the cave primarily in conjunction with its 17 16 15 14 13 12 11 10 9 emptiness, in an effort to affiliate Kanjingsi with the Chan 9.13,addhamitra Buddhist sect. This study seeks to present Kanjingsi as an 18 10...
Journal Article
Archives of Asian Art (2016) 66 (1): 107–151.
Published: 01 April 2016
... confused. Misled by the labels, many been explained as a reflection of the late Ming Buddhist who have tried to understand Wu Bin’s album com- trend of conflating Chan 禪 meditation and Pure Land mented on its loose iconography and on Wu Bin’s practice.33 audacity in adding Buddhist figures...
Journal Article
Archives of Asian Art (2014) 64 (2): 1–2.
Published: 01 October 2014
... ­ paintings. “Chan-­ up many facts and clues from which to imagine tantaliz- chan Rushes the Stream between Rocks” reads the ing possibilities, and this article illustrates just how much second. Both titles conjure up sight and sound. one can pry out of the many texts spread across a Chi- Neither...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 237–242.
Published: 01 October 2015
...” poem at the conclusion. “Through Dense Mountains, a (possibly Sima Huai, dates unknown). Beyond that, noth- Rushing Stream Narrowed by Stones” reads the po­liti­ ing is certain. Nevertheless, the inscriptions and seals offer cally coded title of the first ofthese ­ paintings. “Chan-­ up many facts...
Journal Article
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
... that the artist’s practical circumstances had of Chan Painting into Ming-Ch’ing and the Prevalence to be taken into account in order to comprehend his of Type-images6 I recall that, when presenting that work. But the idea dominated the thinking even of most paper in Chicago, I showed the well-known small orchid...
Journal Article
Archives of Asian Art (2001) 52 (1): 3–4.
Published: 01 April 2001
.... and Mrs. Peter Marks Dr. Victoria Chan-Palay Michael and Yvonne Marsh Catherine Gamble Curran Suzanne R. Mitchell Peggy and Richard M. Danziger...
Journal Article
Archives of Asian Art (2003) 53 (1): 3.
Published: 01 April 2003
... Mr. and Mrs. Joseph E. Poser Friends Carlton C. Rochell Jr. Mr. and Mrs. Anilesh Ahuja Mr. and Mrs. Milton F. Rosenthal Mr. and Mrs. Rudolf T. Bauer Soumyo and Chinyu Sarkar Dr. Victoria Chan-Palay...
Journal Article
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
... dotes, and religious lore, bringing together an extensive col- was deeply impressed by the numinous aura of the place. lection of writings and inscriptions associated with Mount The conversations he had at the Donglin Temple with the Lu and consolidating its status as a cultural entity.55 Chan...
Journal Article
Archives of Asian Art (2013) 63 (2): 165–178.
Published: 01 October 2013
... by Kumagai Nobuo and Ahn Byung-chan, and their (bottom). National Museum of Korea (Bongwan 4062). conclusions remain valid.13 Eight of the twelve fragments are from Cave 15, that analysis found...
Journal Article
Archives of Asian Art (2014) 64 (2): 97–118.
Published: 01 October 2014
... flowing out the second painting, presumably composed in response under a rocky ledge to disappear into misty emptiness. (Fig. 2). There, the topic line comes from one of Du Is there a hint of Chan Buddhist sentiment in this ending? Fu’s poems on rain that ends with thoughts of the poet’s After all...
Journal Article
Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
... of the The presence of multiple worshipper images at this site lay patrons appears to have any official title at all, one of already implies a collective donation, and the titles of the the monastic patrons, Dingchanshi or "Chan Master Ding," lay patrons (either yizhu, "lay leader of the yi," or yizi, bears...
Journal Article
Archives of Asian Art (2012) 62 (1): 69–79.
Published: 01 April 2012
...¯ actors were a visual manifestation of the con- Danju¯ ro¯ I fostered a public perception that he was chan- nection between the actors and the temple. Ema formed nelling the power of the god. The author of Yakusha a crucial part of a network of publicity that promoted zensho (All About Actors...
Journal Article
Archives of Asian Art (2005) 55 (1): 1–15.
Published: 01 April 2005
... with the situation of Koryo Pure Land Fig. I. Amitabha Triad. i4th c. H. 100.9 cm, w. 54.2 cm. MOA Museum Buddhism, which did not form an independent school but of Art, Atami, Japan. was embraced by Chan, Tiantai, and Esoteric schools as a powerful devotional methodology. I. THEMATIC IDENTITY OF KORY6...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 87–115.
Published: 01 October 2015
Journal Article
Archives of Asian Art (2007) 57 (1): 153–192.
Published: 01 April 2007
... glazed pottery; dimensions not supplied. Phoenix Art Museum, 2005.35. Collection of Phoenix Art Museum, Gift of Dr. Victoria Chan-Palay, New York. 180 PHOENIX ART MUSEUM...
Journal Article
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
... (Xiaofowan 小佛灣) and the series of reliefs lining the primary paths to the site, were all masterminded by a single monk, Zhao Zhifeng 趙智鳳 (1159–1249?), who drew ecumenically from the myriad traditions of Buddhism—Chan, Huayan, Esoteric, Pure Land, and otherwise—current in Song-dynasty (960–1279) Sichuan. 2...
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Journal Article
Archives of Asian Art (2008) 58 (1): 43–85.
Published: 01 April 2008
Journal Article
Archives of Asian Art (2016) 66 (2): 187–212.
Published: 01 October 2016
... comparison with the pagoda dedicated to the of irregularly sized bricks, that one sees today in Kherlen- Chan master Fanzhou 泛舟 in Yuncheng Shanxi Bars (Fig. 14).34 province, because the Yuncheng pagoda is circular, yet Two other groups of builders erected pagodas that with a shaft into which eight...
Journal Article
Archives of Asian Art (2001) 52 (1): 44–62.
Published: 01 April 2001