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Image
Published: 01 October 2018
Chakrasamvara and Consort Vajravarahi , Central Tibet, Sakya Order, 1450–1500. Tangka; distemper on cotton cloth; image 40.6 × 33.7 cm. The Metropolitan Museum of Art, 2017.371. Zimmerman Family Collection, Purchase, the Vincent Astor Foundation and the Zimmerman Family Gifts, 2017. More
Image
Published: 01 April 2019
Figure 6. Layout of the central configuration of deities at the Daigoji Enma Hall as recorded in the Painting Inscriptions of the Enma Hall , Daigoji, Kyoto. Top : Facsimile of the original. Bottom : Printed version based on the original. From Abe, “Daigoji Enmadō shiryō sandai,” 214 and 221 More
Image
Published: 01 October 2020
Figure 1. Detail of lion scratching its neck, mural in the Dratang Monastery, Central Tibet, ca. eleventh century. Photograph: Rob Linrothe, 2007. More
Journal Article
Archives of Asian Art (2013) 63 (2): 165–178.
Published: 01 October 2013
...Kim Haewon; Jo Yeontae; Cheon Juhyun; Park Seungwon Copyright © Asia Society 2013 New Research on Central Asian Paintings in the National Museum of Korea kim haewon, jo yeontae, cheon juhyun, park seungwon National Museum of Korea...
Image
Published: 01 October 2017
Figure 15. Views of the central vertical band on the Guokeda M4 mirror. More
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Published: 01 October 2017
Figure 16. Detail of the central vertical band illustrated in Figure 15 . More
Image
Published: 01 October 2017
61. Sonam Peljor of Tsedong (Sakya Monastery, Tsang Province, Central Tibet, active 18th c.), Illuminated Manuscript of the White Beryl , eighteenth century. Pigments on cloth and lacquered wood covers, object 5.7 × 60.6 × 10.8 cm, with original box 9.2 × 64.5 × 14.3 cm, page size 10.5 × 59.7 More
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Published: 01 October 2017
Figure 13. ( Left ) The Guokeda M4 mirror. ( Right ) Units D4 and E4 are enlarged, while unit E4 is rotated 180 degrees. The central part of each unit has three horizontal rows of granules, with six granules in each row. More granules are scattered at the edge between the central part granules More
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Published: 01 October 2017
Figure 23. Mural illustrating jātaka tales in main khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph: author. More
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Published: 01 October 2017
Figure 24. Buddhas surrounded by nāga s in Yumchenmo khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph: author. More
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Published: 01 October 2017
Figure 33. Three-headed, six-armed Maitreya Bodhisattva, in Tuṣita Shrine of Gyantse Kumbum, Tsang, central Tibet, ca. 1442. Photograph: author. More
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Published: 01 October 2021
Figure 14. Principal seated Buddha image and standing figures north wall, ca. 500–523, Longmen Binyang Central Cave. Photograph: Katherine Tsiang. More
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Published: 01 October 2017
Figure 28. Section of murals near doorway in main courtyard of Nechung Monastery, near Lhasa, central Tibet, ca. second half of seventeenth century. Photograph: author. More
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Published: 01 April 2019
Figure 3. Opening page of juan 3 from Zhu Dongpo xiansheng shi (Poems by Su Shi with Annotations), 1213. National Central Library of Taiwan, Taipei (402.52.10204). More
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Published: 01 April 2019
Figure 4. Page 83 of juan 37 from Zhu Dongpo xiansheng shi (Poems by Su Shi with Annotations), 1213. National Central Library of Taiwan, Taipei (402.52.10204) More
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Published: 01 October 2017
Figure 30. Mural depicting consecration of restored Samye complex, in covered porch of Jokhang shrine in Lhasa, central Tibet, ca. second half of seventeenth century. Photograph: author. More
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Published: 01 October 2021
Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng , 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art Museum, Beijing. More
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Published: 01 October 2017
Figure 27. Mahāsiddha inscribed “Ka gi la la na mo,” in Gyantse Palkhor Chode Lamdre Lhakang, Tsang, central Tibet, fifteenth century. Photograph: author, 2005. More
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Published: 01 October 2017
Figure 29. Mantradharin-wizard inscribed “sngags pa phur thogs,” in main courtyard of Nechung Monastery, near Lhasa, central Tibet, ca. second half of seventeenth century. Photograph: author. More
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Published: 01 October 2017
Figure 26. Six Mahāsiddhas, including both Saraha (upper center) and Śavaripa (upper right), in Gyantse Palkhor Chode Lamdre Lhakang, Tsang, central Tibet, fifteenth century. Photograph: author, 2005. More