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Journal Article
Archives of Asian Art (2010) 60 (1): 43–78.
Published: 01 April 2010
...Sonya S. Lee Copyright © Asia Society 2010 Transmitting Buddhism to a Future Age: The Leiyin Cave at Fangshan and
Cave-Temples with Stone Scriptures in Sixth-Century China
sonya s. lee
University...
View articletitled, Transmitting Buddhism to a Future Age: The Leiyin <span class="search-highlight">Cave</span> at Fangshan and <span class="search-highlight">Cave</span>-Temples with Stone Scriptures in Sixth-Century China
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for article titled, Transmitting Buddhism to a Future Age: The Leiyin <span class="search-highlight">Cave</span> at Fangshan and <span class="search-highlight">Cave</span>-Temples with Stone Scriptures in Sixth-Century China
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 1. Baodingshan cave 29 (Cave of Perfect Enlightenment, Yuanjuedong), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. From Chongqing Dazu shike yishu bowuguan and Chongqing chubanshe, Dazu shike diaosu quanji , vol. 3, Baoding shiku juan
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 2. Exterior, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Photograph: Phillip E. Bloom.
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 3. Kneeling bodhisattva, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. From Chongqing Dazu shike yishu bowuguan and Chongqing chubanshe, Dazu shike diaosu quanji , vol. 3, Baoding shiku
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 5. Plan, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Diagram: Phillip E. Bloom.
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 6. Buddha triad and kneeling bodhisattva, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. From Chongqing Dazu shike yishu bowuguan and Chongqing chubanshe, Dazu shike diaosu quanji , vol
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 7. Offering table and kneeling bodhisattva, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. From Chongqing Dazu shike yishu bowuguan and Chongqing chubanshe, Dazu shike diaosu quanji , vol
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in The Mediating Mind: Image, Text, and Ritual in the Cave of Perfect Enlightenment at Baodingshan, Dazu
> Archives of Asian Art
Published: 01 April 2018
Figure 8. Scenes from the Gaṇḍavyūha , northwest wall, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. Photograph: Phillip E. Bloom.
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Journal Article
Archives of Asian Art (2021) 71 (2): 131–170.
Published: 01 October 2021
...Katherine Renhe Tsiang Abstract This study reexamines images and textual materials that can be related to the dating and iconography of caves at Yungang and Longmen and the historical transition between them. The transition is associated with the move of the Northern Wei capital from Pingcheng...
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View articletitled, A Revisionist Reading of the Transition of Buddhist <span class="search-highlight">Cave</span>-Making from Yungang to Longmen
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for article titled, A Revisionist Reading of the Transition of Buddhist <span class="search-highlight">Cave</span>-Making from Yungang to Longmen
Journal Article
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
...Figure 1. Baodingshan cave 29 (Cave of Perfect Enlightenment, Yuanjuedong), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. From Chongqing Dazu shike yishu bowuguan and Chongqing chubanshe, Dazu shike diaosu quanji , vol. 3, Baoding shiku juan...
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View articletitled, The Mediating Mind: Image, Text, and Ritual in the <span class="search-highlight">Cave</span> of Perfect Enlightenment at Baodingshan, Dazu
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for article titled, The Mediating Mind: Image, Text, and Ritual in the <span class="search-highlight">Cave</span> of Perfect Enlightenment at Baodingshan, Dazu
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in Recent Publications on the Art and Archaeology of Kucha: A Review Article
> Archives of Asian Art
Published: 01 October 2018
Figure 1. Remains of monastic complex and cave temples at Simsim Caves, China, fourth–fifth century. Photograph: Sonya S. Lee.
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in Recent Publications on the Art and Archaeology of Kucha: A Review Article
> Archives of Asian Art
Published: 01 October 2018
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in Recent Publications on the Art and Archaeology of Kucha: A Review Article
> Archives of Asian Art
Published: 01 October 2018
Figure 6. Reconstruction of Kizil Cave 123 in the Museum für Asiatische Kunst, Berlin, Germany. From Gabsch, Auf Grünwedels Spuren , cover. Photograph: © Museum für Asiatische Kunst, Staatliche Museen zu Berlin.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 2. Cisterns outside Cave 2 at Kanheri, west of Mumbai, India, second century ce . Photograph: Robert DeCaroli, 2014.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 5. Water collection channel and cistern in the doorway of Kanheri Cave 77, west of Mumbai, India, second–third century ce . Photograph: Robert DeCaroli, 2014.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 6. Water collection channel and cistern in the doorway of Kanheri Cave 59 in the rain, west of Mumbai, India, second–third century ce . The outer edge of the channel has eroded. Photograph: Robert DeCaroli, 2014.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 7. Gutter above Kanheri Cave 5, west of Mumbai, India, second century ce . Photograph: Robert DeCaroli, 2014.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 9. Unfinished interior of Amba-Ambika Caitya (Cave 26), Junnar, India, first century ce . Photograph: Robert DeCaroli, 2014.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 10. Interior of the Amba-Ambika Caitya (Cave 26), Junnar, India, first century ce . Note the diagonal band of soft rock exacerbated by erosion. Photograph: Robert DeCaroli, 2014.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 11. Interior of Kanheri Cave 66, west of Mumbai, India, second–third century ce . The channel was added to mitigate water damage. Photograph: Robert DeCaroli, 2014.
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